#121
Posted 07 January 2012 - 11:52 PM
PS: Now here was an Irene Adler that deserved to be called The Woman.
#122
Posted 08 January 2012 - 01:27 AM
The script by Steven Moffat shows all the hallmarks of his writing on Doctor Who. Fast pacing, characters talking across purposes (saying one thing, meaning something else) a non-linear structure. With Doctor Who in the last series he often overpowered a 45 minute episode. At 90 minutes there is just enough breathing room....just.
Holmes does care about people. He deduced Mrs Hudson was beaten by the CIA agent and dropped him from a window in retaliation.
I love the look of the series. Whoever said digital camerawork looked ugly?
Good music, somehow fits the show like a glove.
#127
Posted 09 January 2012 - 04:26 PM
#130
Posted 10 January 2012 - 10:31 PM
In comparison to last week, it had some decent narrative drive this time, too bad the plot was too run-of-the-mill.
All in all, the second season keeps all the strong elements of the first season, especially the character interaction and the writing. I was kind of disappointed in the music this time around, in that most of it is a repeat of the season 1 highlights, instead of fresh compositions.
Already on to the last episode again...
#131
Posted 10 January 2012 - 10:44 PM
The Hound of Baskerville had a less interesting story that seemed to be going in circles. Great atmosphere in a pair of scenes, though.
#132
Posted 10 January 2012 - 11:52 PM
#134
Posted 11 January 2012 - 02:21 PM
There was also some bad movie/TV cliched writing that I hate. "We're looking for something possibly very scary and dangerous in a dark forest at night... Gee, I heard something over there, I'll go investigate by myself and I better not tell the other people with me, because that would make sense..." Stuff like that I loathe.
Looking forward to next episode immensely, though. (Wish there were a few more new episodes to watch right away, too!)
#136
Posted 11 January 2012 - 02:27 PM
I liked it, but was dissapointed by the end.
What I mean was, the entire time I was really into it. I liked every part of the investigation, following along with them, trying to figure it all out. Then when it was all revealed at the end, I felt let down. Like it didn't live up to the hype of the preceding 80 minutes. Overall still very very good, just not mind-blowingly good from start to finish like the season premiere.
I think I pegged what it is about this show that makes it special. It's that they do EVERY aspect of it differently than any other show. The directing is unique, the writing is unique, the editing is unique, the acting is unique, the music is unique. They take CHANCES with everything - and it all comes together and actually works, brilliantly.
---
Oh, one more thing. What was UP with that final scene with Moriarty? For most of the episode I quite liked how it was a standalone story and not tied to the ongoing Moriarty arc. When Moriary appeared in Sherlock's gas-induced vision I was fine with though, I thought that was a great touch. But what did the final scene mean? Was it from the show's present? The future? The past? Since it had NO connection to ANYTHING else seen in the episode, I think I would have preferred it to not be included, maybe have it be the cold open to next week's episode. It didn't make a good cliffhanger because there was no build up to it, it had no connection to anything. And I was already pumped for the season finale without needing an extra hook. I dunno.
#143
Posted 11 January 2012 - 03:24 PM
So far all the episodes are very radical reworkings of Conan Doyle stories, with a lot of clever references to them.
#144
Posted 11 January 2012 - 04:11 PM
#145
Posted 11 January 2012 - 05:45 PM
did you also have the problem that the second disc in the box was missing? I bought it last week, and much to my surprise, only found one disc in there.
"You think they wear those tight-fitting clothes just so some other bride can say 'Gee your hips look succulent'? The good-looking ones know we're looking, they love us to be looking, and god bless 'em, they're carrying the rest of their sex!" - Al Bundy
#146
Posted 11 January 2012 - 05:58 PM
Oh, one more thing. What was UP with that final scene with Moriarty? For most of the episode I quite liked how it was a standalone story and not tied to the ongoing Moriarty arc. When Moriary appeared in Sherlock's gas-induced vision I was fine with though, I thought that was a great touch. But what did the final scene mean? Was it from the show's present? The future? The past? Since it had NO connection to ANYTHING else seen in th episode, I think I would have preferred it to not be included, maybe have it be the cold open to next week's episode. It didn't make a good cliffhanger because there was no build up to it, it had no connection to anything. And I was already pumped for the season finale without needing an extra hook. I dunno.
My thoughts exactly.
I don't think they should focus on making faithful adaptations, I think they should just make the best show they can
Well... when comparing Scandal to the original story, pretty much the only thing that's similar is that Holmes gets hired by "a government" and that he uses a fire alarm to find out where Irene Adler hides her evidence. I suppose much of the remaining material is culled from various other Holmes stories, but what I'm getting at is that while their adaptations are exceedingly faithful, they're still totally different from the originals and stand very much on their own. In fact I love how they manage to sneak in all these faithful bits and pieces in an otherwise totally modern story (like the name "Baskerville" or Sherlock's hat).
#147
Posted 11 January 2012 - 06:13 PM
I loved the change of scenery. Getting away from London to Those creepy moors.
Oh, one more thing. What was UP with that final scene with Moriarty? For most of the episode I quite liked how it was a standalone story and not tied to the ongoing Moriarty arc. When Moriary appeared in Sherlock's gas-induced vision I was fine with though, I thought that was a great touch. But what did the final scene mean? Was it from the show's present? The future? The past? Since it had NO connection to ANYTHING else seen in th episode, I think I would have preferred it to not be included, maybe have it be the cold open to next week's episode. It didn't make a good cliffhanger because there was no build up to it, it had no connection to anything. And I was already pumped for the season finale without needing an extra hook. I dunno.
My thoughts exactly.
Moffat does that on Doctor Who a lot too. Actually none of Sherlock's eps have been completely stand alone.
I'm not sure about the actor playing Moriarty. He either plays the role as a camp Josh Whedon/Russel T. Davies villian or as a psychopatic monster, almost inhuman. Sometime shifting within seconds.
#149
Posted 11 January 2012 - 06:18 PM
I was kind of disappointed in the music this time around, in that most of it is a repeat of the season 1 highlights, instead of fresh compositions.
This is not unusual for BBC TV shows. Unlike American TV they don't require new music to be written for a new episode, so they track and reuse a lot from previous episodes or seasons.
#150
Posted 11 January 2012 - 10:24 PM
#152
Posted 11 January 2012 - 11:19 PM
*SPOILER ALERT* What i didn't understand was the final appearance of the hound: first there was the hoax one, then the 'real' one which was brought how often? 2 times? Didn't it interfere with the hoax one earlier? To achieve what? A mass fear hallucination? What for? The mist in the gorge somehow limits the possibilities of elaborate schemes and it all seems a bit too silly on further thought...but well, it was entertaining nevertheless.
#153
Posted 11 January 2012 - 11:40 PM
*SPOILER ALERT* What i didn't understand was the final appearance of the hound: first there was the hoax one, then the 'real' one which was brought how often? 2 times? Didn't it interfere with the hoax one earlier? To achieve what? A mass fear hallucination? What for? The mist in the gorge somehow limits the possibilities of elaborate schemes and it all seems a bit too silly on further thought...but well, it was entertaining nevertheless.
SPOILER ALERT:
Yes, there were some plot holes. But wasn't the "hound" in the hollow always the dog (just seen as a vicious hound)? The hound at the lab was induced by Sherlock's noises and such. Also, I could see the smoke unleashed upon enemies as a weapon of mass fear.
- KK
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
#154
Posted 12 January 2012 - 12:19 AM
Wonderful!
#156
Posted 12 January 2012 - 01:12 AM
*SPOILER ALERT* What i didn't understand was the final appearance of the hound: first there was the hoax one, then the 'real' one which was brought how often? 2 times? Didn't it interfere with the hoax one earlier? To achieve what? A mass fear hallucination? What for? The mist in the gorge somehow limits the possibilities of elaborate schemes and it all seems a bit too silly on further thought...but well, it was entertaining nevertheless.
Moriarty wasn't really there either. We saw what the characters saw, and then we saw what was really there
#157
Posted 12 January 2012 - 01:28 AM
I've finally hopped on this bandwagon. I am a huge Sherlock Holmes fan, having read every story Sir Arthur Conan Doyle has written at least twice if not thrice, and I consider myself a purist, so this show sort of rubbed me wrong on the face of it. But having seen the first few episodes, this is the real Sherlock Holmes just with the scenery changed.
Wonderful!
I myself am a big fan of Doyle's Holmes stories as well (own every short story and novel he wrote based on the character). Similar to you, I didn't really like the first episode (thought it kind of "dumbed down" the first novel) and it took me a while to get my head to accept that Cumberbatch was Holmes. But as the show progressed, I fell in love with Cumberbatch and the interpretations. A friend of mine introduced it to me and tried to get me to like it, after some hesitancy, I now am truly in love with the show.
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
#158
Posted 12 January 2012 - 05:57 AM
P.S. Moriarty in this show was a let down. Too much Joker styled schizophrenic shouting-laughing-crying-ranting going on in the performance. A more of a Holmes styled cool and composed evil genius would have been much better.
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#159
Posted 12 January 2012 - 06:07 AM
P.S. Moriarty in this show was a let down. Too much Joker styled schizophrenic shouting-laughing-crying-ranting going on in the performance. A more of a Holmes styled cool and composed evil genius would have been much better.
Bingo! Thats what I felt. Joker-style doesn't suit Moriarty well. He is far more intimidating as a more composed figure and makes a more interesting character really.
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
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