The Adventure Continues played on an out of tune upright piano
#1
Posted 12 October 2011 - 09:32 PM
#3
Posted 12 October 2011 - 09:37 PM
#4
Posted 12 October 2011 - 09:42 PM
#5
Posted 12 October 2011 - 10:34 PM
#6
Posted 12 October 2011 - 11:19 PM
Loved the hand gesture at the end
#7
Posted 13 October 2011 - 08:13 AM
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
#8
Posted 13 October 2011 - 08:23 AM
It sure has a sort of classical air to it.Great! It almost sounds like a Mozart-ian ditty.
Great job with the piece Sedohr!
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#9
Posted 13 October 2011 - 10:08 AM
Seconded!We should hold a contest to see who can guess the last two bars. I mean, there's only so many possibilities that can actually match. DO IT!
Good job by the way, OP
#10
Posted 13 October 2011 - 10:31 AM
Speaking of classical air to it, it really reminds me of Beethoven, something like the second movement of the 7. symphony. Which is a slow one, but there's something about the structure and the orchestration...especially in the soundtrack sample.
But as I don't know my way very well in the old masters it might be a closer example somewhere in Mozart or them fellows.
Here's Beethoven (I don't know, maybe it's far fetched but it really has some connection) :
#11
Posted 13 October 2011 - 11:53 AM
The last 2 bars... with Williams, it's more the last 2 false endings...
#12
Posted 13 October 2011 - 12:18 PM
Yes, there are endless possibilities, I believe he will take it to a quick but a little unexpected conclusion.Man, that was awesome!
The last 2 bars... with Williams, it's more the last 2 false endings...
The simplified chord progression goes like this:
Gm . . . | D7+ . . . | Gm . . . | D+ . . . | Bbm . . . | Fm . . . |Gm/D . Eb . | D . . . |
Gm . . . |A7/E . . . | Dm/A . . . |A7 . . . | Bbm . . . | Fm . . . |
I'm gonna go with this ending: | Ab . . . .| Db+ . D . | Gm . . . | i.e. the Neapolitan solution as in Indiana Jones!
#13
Posted 13 October 2011 - 02:59 PM
#14
Posted 13 October 2011 - 05:56 PM
Thanks guys.
Speaking of classical air to it, it really reminds me of Beethoven, something like the second movement of the 7. symphony. Which is a slow one, but there's something about the structure and the orchestration...especially in the soundtrack sample.
But as I don't know my way very well in the old masters it might be a closer example somewhere in Mozart or them fellows.
Here's Beethoven (I don't know, maybe it's far fetched but it really has some connection) :
Yes, that was my first thought as well. This piece is a bit reminiscent of classical music... though I am not sure about this Beethoven symphony.
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