Leaderboard

Themes Breakdown Having seen the movie, i try to breakdown which music belongs to Now, Mr. Powell's given us the clue, so it's gonna be easy: First of all, i think this is what made John Powell score a John Powell score; I love how he structurizes the music into Themes, Tunes, Motif and Riff. That way, it enables a lot of new music, but at the same time, still narratively cohesive. Now, here we go: Furies in Love Tune Well, of course: (0:36 onward) Grimmel Tune First heard in this track. 1:09 - 1:33 & 1:56 onwards Hidden World Theme First heard in this track. A nice foreshadowing ( this what makes Powell is the king of narrative in film music). 3:00-3-28 Another major foreshadowing, now with choir ala TSFH: Of course, before it explodes into its main statement Heroes Tune(s) Look how Powell emphasize on the music being more than one: The first tune, First heard in this track, with truly Powellian statement: 3:27-3:47 The second tune, is in this track, at 1:24-1:50 Look how it refers again to the previous tune: Village Hymn I love this rendition, with solo viola. 2:30-2:45 The main statement of course: And lets not forget, the ending ( perfectly suited for the spoiler scene ) Fate Tune I love this, with solo flute ala The Lion King. 00:00-00:58 and this 00:36-1:17 Light Fury Motif Nice foreshadowing. 3:52-3:58 again: and to this regal statement: 0:00-0:23 Fate Riff 1:01-1:28 I love this 3:14-3:37 ( that high note though) Spoiler Riff Indicated by the emoji given on his post, i can assume that this is Mating Riff. 0:40-1-20 March of The Warlords 2:50-3:08

1m4/2m1 Escape from the Train (Indy's Very First Adventure) https://drive.google.com/open?id=1eLmR09zDToqEpnFaNLsxSTZDflO4A1s0 This the original version of the music for the lion beat. Indy arriving back at home seems to have been messed with: I think originally the warm Indy theme statement covered the Mailbox reveal, In the final film it covers Indy entering the house and the shot of the dog. (The bootleg cues out there don't include the repeated bit of the young Indy motif used in the film, so I don't think it was microedited out of the CD, also when I played it through without editing footage, the grail theme didn't sync up to shot of the illuminated book.) 2m2 The Boat Scene https://drive.google.com/open?id=15TcYpGE8oxJYYSAG8za-S92MomlQKrfF In the final film you can actually spot a continuity error: right after Indy gets the Cross knocked away from him and it almost gets washed overboard, you can see that he still has the cross in his hands while fighting the goons.So it looks like that beat was added after scoring. (The shot of Indy still having the cross after just having it knocked from his hands can be seen at 1:50 of this video: https://youtu.be/3XfWxeszXEI?t=110) 3m2a The Holy Grail https://drive.google.com/open?id=15fGhUUZwcIon5xfA-jq1v8MGQFEjkyBi The opening notes were edited out (you can hear Henry's theme when Donovan mentions him) 3m3 Father's Study https://drive.google.com/open?id=1Oh6bBDA3aOvva067uVoiMK-QjuP_grpp The opening was dialed out in the film, you can also hear Henry's theme in the beginning of the cue as Indy and Marcus arrive at Henry's door. 4m1 The Library (X Marks the Spot) https://drive.google.com/open?id=1cQJ-VYMxeE16hz8bL7AOdozcERpsSl33 The music for the reveal of the Roman Numeral X in the middle of the floor was replaced with a toned down insert. 6m2 Discussing the Book https://drive.google.com/open?id=11S6aZwvbFRwW2K4138Q8wi1sW4fxhQw1 This is the original ending without the Indy theme ending 6m3 Alternate Start / 6m3 Elsa's Betrayal https://drive.google.com/open?id=1gAa170i9_YtRyjneBlZafjkBe08nG9AT The unused ending for the reveal of Donovan is restored. 6m5 The Capture of Marcus (Marcus is Captured) https://drive.google.com/open?id=12_rufb6allIbKHs5dthCXXCjF83wCgwo The opening Nazi theme and spirited rendition of the Henry theme is restored. 7m2 Room in Flames (Alarm!) https://drive.google.com/open?id=15emniE8-GzXYPYk4gjGyfkTZZ9jabg03 The original order of scenes has been restored as best I could figure. 7m4/8m1 To Berlin https://drive.google.com/open?id=19QVLNG1Xpl0vTzKFd8U5gMNobYlPyKRd The original ending is restored. 8m3 Meeting Hitler (To the Blimp) Take 1: https://drive.google.com/open?id=1cgVGkqZ1afIl6Vh_mztgMqcGp8vxhKS3 Take 2: https://drive.google.com/open?id=1op9GbscDGaS1dYdpeEFCW0YB9wNa4sOM Take 3: https://drive.google.com/open?id=1v2lmuAW0msaEFBi9lG6d0BO5N4uZfoNw The music for Indy meeting Hitler has been restored, there were several sync options so I present three of the most likely. 8m7/9m1 Turning Around (The Blimp Turns Around) https://drive.google.com/open?id=1E4SPUI1w_DS6kjRcHYv0zZ35qXaGacaH The unused Grail theme statement in the opening of the cue has been restored. The Biplane Chase (Keeping up with the Joneses😞 https://drive.google.com/open?id=146mI-RxV0QxgO0-PUCyky6Xtj6pkqxdK This one was tough, though I think I might have figured it out mostly. @Holko@Incanus@Jay@Datameister@Luke Skywalker@lairdo@fommes

Sorry to tout my own thing here, but there are a couple of new feature articles which I hope you will enjoy: An in-depth look at Williams' love affair with concert band music and his own contribution to one of America's greatest musical heritage https://thelegacyofjohnwilliams.com/2019/02/01/a-new-march-king/ A few words with violinist Gil Shaham, who talks about his relationship with the music of John Williams: https://thelegacyofjohnwilliams.com/2019/01/30/a-few-words-with-gil-shaham/ Coming soon on the website more exclusive interviews and contents.

All major theme parks have delays, when Disney first opened, nothing worked!

10m1 The Death of Kazim (Death of Kazim) Here is the Death of Kazim in 4 videos: 1: As it appears on the Concord. https://drive.google.com/open?id=13Q0NYmhXS-jj2ZtOrCq-Ee2f-yhcrud5 2: With all known to have been recorded inserts (10m1 Insert 1, 10m1 Insert 2, . https://drive.google.com/open?id=1TrsZCG2TEJUl0dYkoJRlHVCCFS4IPeDO 3: With Insert A. https://drive.google.com/open?id=1N2kPA5ycMVSr2AQSzXxw5eQ5wsGVAk7C 4: With Insert 3 (this is just a guess). https://drive.google.com/open?id=1Zj8EOvwPQXSSTOL7bf_iY1_DYOrW4Euq

Krull is a fantastic adventure/sci-fi/fantasy epic score. Give it another go. One of Horner's best. Not as well recorded or performed as Willow with the same forces but similar epic goodness. The blaster beam is not in that score nor do I recall hearing any synths though there is organ. Krull is also one of his notiest scores with lush and dense orchestration and probably one of his most original. In contrast with Battle Beyond the Stars which uses the blaster beam but also rips entire themes from Goldsmith's Star Trek, The Motion Picture. Like the Klingon sequence with blaster beam and theme. It must have pissed Goldsmith off that Horner was the discount Goldsmith who would get Star Trek II and Aliens after both franchises got their start with fantastic Goldsmith scores. Horner's Humanoids from the Deep also uses the blaster beam.

1m2 Main Title / 1m3 Stealing the Cross (Indy's Very First Adventure) https://drive.google.com/open?id=1OjCjhwqMwuuyd4gKItk2IMC5bwleNgxy It seems the early "it belongs in a museum" was inserted? 11m1/12m1 Overlap / 11m1/12m1 The Canyon of the Crescent Moon https://drive.google.com/open?id=19N_B7mVeJ0rMyMiJ7vZv87Jsv7sGhbkl It seems some of the music was replaced with tracked music when the explosion deleted scene was dropped

The Orville 2x06 A Happy Refrain Great episode! Funny and touching. It's actually quite nice and refreshing to watch a show with optimism and romance amidst all the usually bleak prestige dramas made these days. The main A story that covered 90% of the episode was really good, and the B story of Bortus's moustache was absolutely hilarious, I wish he had kept it! The funniest moment by far was the Norm MacDonald cameo though, that was brilliant! I think my favorite minor character on this show is Dann, the alien in engineering voiced by Mike Henry (voice of Cleveland Brown from Family Guy) Extremely short score from Andrew Cottee this week, no surprise considering most scenes were unscored and most of the ones that were were scored by source music.

I'll upsample it for you!

I don't know if someone already pointed out, but this is pretty neat: https://www.wnyc.org/story/john-williams/

That Mega Bass must have come in handy, especially when listening to the scores like Schindler's List.

Here's just for those two releases: P1/S12 - Will He Shoemaker? (3:18) P2 - A Run on the Market (:50) S1 - Remember Me (Ernesto de la Cruz) (1:49) P3 - Sighs and Shine (:23) P4 - Ofrenda Room, Vámonos (:56) P5/S13 - Shrine and Dash (1:24) S2 - Much Needed Advice (1:45) P6 - Día de los Muertos has Begun (2:50) P7/S14 - Miguel's Got an Axe to Find (1:17) P8/S15 - The Strum of Destiny (1:20) P9 - It's All Relative (2:40) P10/S17 - Crossing the Marigold Bridge (1:50) P11/S18 - Dept. of Family Reunions (2:46) P12 - The Skeleton Key to Escape (3:10) P13 - Dis-Guys Got Tunnel Vision (:57) S20 - The Newbie Skeleton Walk (1:07)@ P14 - Backstage Sass (1:03) P15 - Art for Art's Sake (:27) P16 - Monkey Sí (:35) S3 - Everyone Knows Juanita (1:15) P17/S21 - Adiós Chicharrón (1:49) P18/S22 - Plaza de la Cruz (:30) P19 - The Bandas that Tie Us (1:35) S4 - Un Poco Loco (1:52) P20/S23 - Family Doubtings (2:29) P21 - Taking Sides (:59) P22/S25 - Fiesta Espectacular (:49) P23/S26 - Fiesta con de la Cruz (1:23) S5 - Jálale (Instrumental) (2:54) S6 - The World Es Mi Familia (:50) P24/S27 - I Have a Great-Great-Grandson (1:15) P25 - The Family Showoff (:35) P26 - The World is our Family (1:20) P27/S28 - A Blessing and a Fessing (4:50) P28/S29 - Somos Familia (2:25) S7 - Remember Me (Lullaby) (1:09) P29/S30 - Reunión Familiar de Rivera (3:08) P30 - A Family Dysfunction (2:06) P31 - Fanfarria de Frida (:36) P32 - Be Frida Dance (:30) P33 - Grabbing a Photo Opportunity (1:44) S8 - La Llorona (2:45) P34 - The Show Must Go On (2:36) P35/S33 - For Whom the Bell Tolls (2:08) P36 - A Run for the Ages (1:41) S9 - Remember Me (Reunion) (1:13) P37/S34 - One Year Later (2:32) S10 - Proud Corazón (2:03) S11 - Remember Me (Dúo) (2:44) P38 - Cuckoo For Coco Credits (5:55) Bonus Tracks: S16 - It's All Relative (2:38) [Alternate Section] S19 - The Skeleton Key to Escape (3:04) [Alternate Section] S24 - Taking Sides (:59) [Alternate] S31 - A Family Dysfunction (2:02) [Alternate Ending] S32 - Grabbing a Photo Opportunity (1:47) [Alternate Opening] S35 - Coco - Día de los Muertos Suite (5:47) P is for the FYC promo, S is for the soundtrack/score. There is still additional score heard on other releases. That and more is shown here: http://chrono-score.blogspot.com/2018/04/coco-2017.html

Funny stuff! I just saw these outtakes for the first time... 😂

I don't waste my time with video game shit. His spiderman scores pale to Horner's work.

https://www.facebook.com/photo.php?fbid=2207235796205942&set=a.1383486185247578&type=3 I snipped out his list of 1,426 (!) titles rather than posting it here, but the relevant part for his final batch is he revealed it's two Deluxe Editionss and an Encore thusly: I really hope one of the Deluxe Editions is Air Force One!

Gia must be kept away from any Williams scored franchise! He's inadequate!

I was listening to this interview last night actually. The anecdote (starting at around 41-minute mark) about Powell presenting his L3 material/sketches to Williams was hilarious. 😂 Karol

Lost/Found theme in With Love Comes a Great Waterfall. ❤️ It's interesting how grown-up all the themes from previous film are. They are used quite differently in this score. They seem to be less boisterous and more nostalgic. Karol

If it is, he should be banned.

Not sure if serious...

An indication of my preference for Powell's music over JW's recent SW music.

The score was on the top charts on iTunes - it must be popular. I can only imagine demand for the CD is through the roof and hopefully won't be delayed any longer!

Hans it is then. Karol

Same exact situation for me, agree 100% with everything you said

Prisoners is indeed his finest film. There's a lot to like about BR 2049, but some of the shitty writing turns me off to the whole thing. It sometimes felt like Villeneuve's natural instincts and the screenplay were at odds with each other. I should rewatch it some time to see how it fares.

Fair enough. I've liked all I've seen him from him so far; my favourite probably being PRISONERS.

I'm certainly hoping for Brainstorm by Horner and Air Force One by Goldsmith.

No.

I'll probably get the suite from here: https://www.7digital.com/artist/john-powell/release/how-to-train-your-dragon-the-hidden-world-original-motion-picture-soundtrack-8896675

Nice summary @PrayodiBA! I think you've got them pinned down pretty well. I'm not sure what's missing from the OST, I seem to remember a few small moments here and there. This is one of the best scores I've heard in a while, surely one of my favourite Powell scores! Can't wait to get my hands on the CD, I don't think I've fallen in love with a score like this since TFA.

Story of my life. I stopped trying once we hit the gravel road.

This! I definitely think he is not a natural composer. His work rarely seems effortless in the way Williams' does (save for maybe Ratatouille.) I also have yet to seem him score a drama in any meaningful way, so that shows he's kinda limited. I think his themes are often too short and do not have secondary sections or phrases. That's why he does not do many concert suites though he does more than many other modern composers. A lot of the time he's trying really hard and you can see that. Trying very hard to be Williams or whatever his conception of an ideal composer is. That said, I do like a lot of his work. He just needs more maturity, more grace, more sophistication in his work.

Ah, discmans... The highlight of long car journeys for me would be when the car shook a little and the CD skipped a bit...

I hope two of them are in the new batch! I watched the movie a few days ago. Nothing substantial is missing. If that was their priority, I'd be very confused. There should be five new Planet of the Apes releases before anyone should be allowed to dare thinking of the necessity of a Presumed Innocent expansion.

You are clueless I dont get the appeal giacchino is a hack.

The instrument at the opening of Airport '77 is a Moog synthesiser according to the liner notes. James Horner used a blaster beam in Battle Beyond the Stars, as did Giorgio Moroder in Cat People.

Cool, I think I found the best thread on this forum.

.

Oh HELL no. Giachino is sheer disappointment waiting to happen. He has embarrassed himself following Williams before 3 times with his ineptness. He had a wide open free play with his Star trek scores and choked.

Oh, I forgot about that release.

You have written melodies like Rey's Theme? Sure...

The Nolan fans on Jwfan seem to dislike that scene. I feel its earned. Spielberg knew its what the audience needed at that point. I cried at several points before that scene though. Its a deeply emotional film. Have you ever cried during a movie, Alex?

We shall go on to the end. We shall fight in the Hollywood studios, we shall fight on the recording stages and mixing rooms, we shall fight with growing confidence and growing strength in the AFM, we shall defend our film scoring industry, whatever the cost may be. We shall fight on the California beaches, we shall fight on the studio grounds, we shall fight on the sound stages and in the streets, we shall fight in the Hollywood hills; we shall never surrender!

Nice to see Johnny practicing his fighting techniques for his Episode IX cameo!

"That's what you get for messing up the TFA Main Title!... Damn, I missed his throat..."

Alexandre Desplat - Isle Of Dogs (2018) Source: FYC 1M0 Shinto Shrine 1M2 The Municipal Dome 1M4 Six Months Later 1M5 Dog Fight 1M6 The Herd Pack 1M8 First Crash-Landing 1M10 24 Hours Later 1M11 Flashback: 3 Years Earlier 2M1 2nd Second Crash-Landing 2M2 Bath House 2M3 Beach Attack 2M6 Nutmeg 2M9 TV Drumming 1 2M11 Kobayashi's Cabinet 3M2 Toshiro 3M3 Black Box Recording 3M4 Jupiter And Oracle 3M5 Aboriginal Dogs 3M6 Sushi Scene 3M8A Pagoda Slide - Part 1 3M8B Pagoda Slide - Part 2 4M1-4 Cause-Way To The Far-Away Cuticles / Flashback / The Secret Tooth 4M5 TV Drumming 2 4M6 Kobayashi Canine-Testing Laboratory 4M7 The Black Owls Message 4M10 Sake Bar - Part 1 5M1-3 Re-Election Night - Parts 1-3 5M5 TV Drumming 4 5M8 End Titles

Carter Burwell - Goodbye Christopher Robin (2017) Source: cocatalog.gov 1M1 Tree Of Memory 1M2 Trenches 1M5 Ordinary Decent People 1M6 Birth 1M8 First Night 1M9A Cotchford Farms 1M9B Toys And Stars 2M11 Into The Forest / Bees 2M13 To The Zoo 2M14 Nou Leaves 2M15 Bear Hunt 3M16 Goes To Town In A Golden Gown 3M18 Snowfall, Snowrise 3M19 Balloons 3M20 Drawing Pooh 3M21 Mum Is Back 3M22 I'm Billy Moon, And I'll Be Back Soon 4M23 When We Were Young 4M24 Fame 4M28 The People A Person Loves 4M30 Tea With Christopher Robin 5M31 Keep You Memories 5M32 5M33 Not Another Word 5M34 A Song Of Wisdom 5M35 Down The Stairs, Nobody Cares 5M36 5M37 Private Milne 5M38 Billy Leaves 5M39 Telling Nou 6M40 Well If It Isn't Billy Moon 6M41 How I Should Think