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The nice thing about expanded releases is, they don't come into your house and take away your OSTs when you buy them

Uh oh the film snobs hate The Nice Guys. I hate it now.

Control your emotions! Discipline your mind!

Mothra Dearest

They say Fincher's Gone Girl is an erotic thriller as well. People who think the erotic thriller is dead should watch less Marvel flicks.

Whoever lifted the heavy duties on this (it's McCreary's fourth in a row), they did better than on Godzilla. An agreeably impish theme - curiously recalling Hans Zimmer's more melodic work - and underscore that might not be exactly top drawer (often it's a slave to the images, like a lot of those Scream thriller scores from the 90's) but still has some deft textures and ideas going on (Joe Renzetti's original score isn't really quoted until the end credits, where it gets that weird-if-fitting Morricone giallo treatment). Cut it down to 30 minutes and you have a pretty satisfying new thriller score, department murderous dolls. With its allusions to 80's scores and composers (there's even a bit of 'Link' channeled here and a lot of coarse synth work) it might be best suited to fans of the shoulder pad decade.

K

yes,I finished Borderlands 1 and 2 on the xbox360

So he's the idiot and you are the genius?

I dig this.

I really don't see the problem of two classial music threads. The more, the better. Good work, Jerry!

Hey check out this great interview with Rhea Seehorn! https://www.vulture.com/amp/2019/06/rhea-seehorn-better-call-saul-veep.html

It's like they chose all the wrong lenses on purpose.

6:44 onwards is just

Well that’s not good, what a wrong idea.

I'm wondering, based on the track list, how long the disc will be. Because if it's around some, say, 50 minutes, it hardly warrant's for a double LP set. Which might mean a) this isn't a locked tracklist or b) the vinyl set will include a few more tracks.

The Pan Am gag was immediately dated.

Indecent Proposal I've seen this movie several times. I will be the first to admit it's pretty trashy. Yet, it's weirdly watchable. You've got downright silly performances by the leads (Woody and Demi) with laughable monologues and outrageous John Barry music right from the get go. It's not like the viewer isn't sufficiently warned within seconds. I actually do quite like Woody in this one. He seems like a real guy and has a nice wardrobe and thinning hair on life support via a blow drier. Robert Redford is good, but this is a character that we find is an aged predator purely interested in companionship. They do flesh him out slightly, but it's never really enough. He's never a villain, but you certainly never root for him. The whole notion of buying someone is truly disgusting, but the movie keeps our attention somehow with scene after scene of drama and declarations of love or lust. Oliver Platt, a staple of every other movie from the 90s, is really memorable in a brief supporting part as a lawyer. I feel like this movie really nails the sort of Southern California Malibu snobbish white lifestylers. They go to a terrible art auction, they cry when they need more money for their second house, they sell themselves. There's not a single non-White person in sight. God, it's brilliant. The second half seems to be building up to something more complex, but that never happens. John Barry's ridiculous score is constant throughout and really quite good. Sure, it's a bit much (to say the least), but fuck if we just never get music like this from dramatic flicks anymore. Demi gives the worst performance, but she's not terrible. She's just sort of Demi. The problem with her character is, as we gradually learn, she is opportunistic and while a mutual decision was made, never quite seems to regret it, while Woody runs to the roof yelling over really loud melodramatic Barry strings.

Maybe that's why they'll release the music recorded for these sessions as two albums: to squeeze as much money as possible from the audience (us) who will buy the music gladly. This thought is somehow both cynical and wishful thinking....

11. Nice To Be Around (From "Cinderella Liberty") 02:3212 .Theme (From "Schindler's List") 93:21

Perhaps all the missing cues are hidden at the end of the last track.

ACROSS THE STARS Anne-Sophie Mutter / John Williams The Recording Arts Orchestra of Los Angeles Label: Deutsche Grammophon Release Date: August 30, 2019 TRACK LIST 01. Rey's Theme (From "Star Wars: The Force Awakens") 02. Yoda's Theme (From "Star Wars: The Empire Strikes Back") 03. Hedwig's Theme (From "Harry Potter And The Philosopher's Stone") 04. Across The Stars (Love Theme) (From "Star Wars: Attack Of The Clones") 05. Donnybrook Fair (Based On "Blowing Off Steam" From "Far And Away") 06. Sayuri's Theme (From "Memoirs Of A Geisha") 07. Night Journeys (From "Dracula") 08. Theme (From "Sabrina") 09. The Duel (From "The Adventures Of Tintin") 10. Luke And Leia (From "Star Wars: Return Of The Jedi") 11. Nice To Be Around (From "Cinderella Liberty") 12 .Theme (From "Schindler's List") Available on August 30 on digital, CD and 2LP. https://www.amazon.com/Anne-Sophie-Recording-Orchestra-Angeles-Williams/dp/B07SM9GCH6

It's here! Dang, I was hoping we'd get the whole album today, but I'll take it! On first listen, this sounds more faithful to the original arrangement than Hedwig did. Mutter's playing sounds gorgeous! Is this the one she arranged herself? Also, we've now gone from Johnny Thanos to Johnny Red Skull on the album covers. What's next?

But they weren't, at all. Singer is accused of doing things with children. The gender of the children are irrelevant. The gender of Singer is irrelevant. YOU made this a gay thing in this thread. Nobody else brought it up whatsoever. This is 100% on you.

Yes, you did.

A thought came to me: could you imagine the pun track titles had Giacchino scored this? Ice Cold Betrayal Where Is Your Godzilla Now? Maddie At Mom Ghidorah Boston Things Up

I can see the headlines now: HANS ZIMMER'S DARK PHOENIX SCORE SPARKS DEBATE ON HOMOPHOBIA, BRYAN SINGER ON INCREASINGLY STRANGE SOUNDTRACK FORUM

We already have that A.I. software - it's called L0RN3.BALF3

Got my copy of Outlander today and am giving it a first full listen. This is possibly the best volume of Outlander music he's put out since the very first, and it flows very well. And his new theme for Roger and Brianna is bew-tiful. (even if it does unfortunately resemble a theme from Djawadi's Medal of Honor - hopefully that'll wear off)

As for bigger scores, both Cloverfield scores are better than Godzilla. Karol

There's nothing quite like hearing the music live!

It's from Kino. They don't do iso scores.

He's smiling because he's undressing Anne with his eyes.