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Sandor

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Sandor last won the day on September 10 2013

Sandor had the most liked content!

About Sandor

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    Member since 1999..!
  • Birthday 04/26/1975

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    Male
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    The Netherlands

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  1. There are substantial rumors floating around that indicate that the original opening scene has recently been completely replaced.
  2. Does anyone know what involvement Williams had on this album? Did he arrange all the selections, similar to the recent Mutter release..? Update: never mind. I just read Williams only arranged the Stepmom cue himself.
  3. Great, but it says WiLLLAms
  4. I don’t know if it was Williams’ decision to incorporate it into the score or whether it was an editorial decision, but now that the cat is out of the bag, I wonder if in retrospect it meant more than what we initially thought... What do you think?
  5. I never got the issues with Babel. Songs like Below My Feet, Ghosts That We Knew or the title track are awesome and the album feels pretty coherent. Oh yeah, and it was a minor critical success as well and won the Grammy for Album of the Year. A little more love perhaps? 😉
  6. I was born in the year of Jaws, discovered Star Wars at the age of 5, just after the release of ESB I guess. Saw ROTJ when it came out on the big screen when I was 8 years old. Star Wars -and the music of John Williams- has always been part of my life and it will be until the day I die.
  7. Currently into Mumford & Sons. Their latest album Delta is great imo. The last 2 minutes of The Wild are really cinematic and epic, so anyone willing to listen to the whole 5 minute+ song won't be disappointed I think.
  8. At first I found it very similar to Agnes Of God, but after having listened to both pieces occasionally for a couple of years now, I find that The Face Of Pan clearly has its own, unique melodic core and its own story to tell. Influenced? Of course. Copy? No.
  9. It’s certainly a masterpiece, even if it doesn’t reach the heights of what many consider ‘the true John Williams’ classics’. I find War Horse so well infused with melody and themes, all of which get a moment to shine in The Homecoming, one of Williams’ finest suites. It’s a top 15 score for me and my favorite since the first Harry Potter.
  10. The song is great and so was the film actually.
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