filmmusic

It will be the 3rd time I'll purchase these 2 scores. 

Thank heavens!

You are not alone 

It will be the 3rd time I'll purchase these 2 scores. 

I'm also curious about childhood. Is the accompaniment originally written by Williams? Or is it like a fan made version?

I enjoy more listening to the Dial of Destiny OST from beginning to end than listening through the whole Concorde disk of Temple of Doom. 
 
ToD has great themes and composition. But as one whole body of work I find the action music in that score really stressful at times. After all it seems I am more a fan of Williams' post Lost World 2000+ action writing.
 

https://www.jwfan.com/forums/index.php?/topic/20345-the-official-quartet-records-thread/&do=findComment&comment=1985726
 
https://www.jwfan.com/forums/index.php?/topic/20345-the-official-quartet-records-thread/&do=findComment&comment=1996174

Finally, it turns out I was right from the beginning about the new supernatural gimmick in the movie. I thought it would involve the Bermuda Triangle, but ultimately, it dealt with the same subject.
 
I'm disappointed that this terrible sequel was scored by John Williams. It's unfortunate to see such a great score accompanying a failed movie.
 
The only good news from this whole exercise is to think that John Williams will no longer apply his music, a true seal of quality through the ages, to Disney's descent into hell.

ClassicFM broadcasted yesterday an excerpt of "The Sword Fight" during "Saturday Night at the Movies". This can be heard from here (starting from 1:51:30): https://www.globalplayer.com/catchup/classicfm/uk/46wcBXy/
 
Recording here:
 
 
ClassicFM.mp3

Odd choice!

I would hope everyone is entitled to his opinion here, without being bullied.

Well, I vastly prefer Nixon and The Patriot than the 2 prequel scores.

So, I listened to the isolated score, but didn't change my mind about it. 
I found nothing to make me want to listen to it again (or the ost - although I bought that to have it in my collection), apart from Helena's theme, which anyway doesn't fit the character at all, but it's a nice composition on its own.

So, I listened to the isolated score, but didn't change my mind about it. 
I found nothing to make me want to listen to it again (or the ost - although I bought that to have it in my collection), apart from Helena's theme, which anyway doesn't fit the character at all, but it's a nice composition on its own.

73,95 euros at music box records (incl. shipping) for one release! Ouch!

I do think Jessica Curry's beautiful textures, often with pronounced choir, in EVERYBODY'S GONE TO THE RAPTURE and SO LET US MELT qualify. For me, Michael Land's THE DIG has a very religious air about it too -- my favourite videogame score for my favourite videogame.

I don't know but I'm sure it's missing a lot since it is a mini series. It could easily take 3 cds or more. 

The one I could think of now, that would be a holy grail for me, is Jarre's Jesus of Nazareth complete.

The one I could think of now, that would be a holy grail for me, is Jarre's Jesus of Nazareth complete.

Well, I vastly prefer Nixon and The Patriot than the 2 prequel scores.

Well, I vastly prefer Nixon and The Patriot than the 2 prequel scores.

If you order from them in the future, during check out there's a box for messeges to them, just write that you'd like more bubble wrap, I've been doing it for years and haven't had a broken case since. 

My Black Friday purchases:
 
 

73,95 euros at music box records (incl. shipping) for one release! Ouch!

Half the price of the "Complete Indiana Jones CD Collection"!