I'm no expert, but I'm probably talking bollocks here, but Stravinsky is the last name on my mind when I think of Romantic composers. Even Williams can hardly be called a Romantic. One of the greatest strengths in Williams music is how well he amalgamates (and why not, culminates), so many different eras of orchestral music Well, I think The Firebird is possibly Stravinsky's most romantic score, certainly the one most influenced by Rimsky Korsakov in terms of melody and orchestration. As for Stravinsky's influence on Korngold, I'm not so sure. Take Korngold's Schauspiel-Ouvertüre written in 1910 when he was only 13(!) and it is straight out of Strauss and Mahler, two of his idols, but it is also VERY Korngold. That piece does not sound like Strauss or Mahler, but is influenced by them. By the time we come to the first golden age of film scoring in Hollywood, it is Korngold who creates the Hollywood sound in the 1930s and it is, of course this sound along with his main orchestrator - Hugo Friedhofer that carries directly onto the John Williams/Herbert Spencer collaboration like a 50 year musical blood transfusion. Who would have thought that the Korngold/Friedhofer soundworld of 1935 would be so influencial 50 years later in scores such as Star Wars and Superman!