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It’s text on the internet. I’m not trying to be snide. Sorry for misunderstanding. Guess I’ll head out too edit: Sorry everyone for the derailment and disrespect on my part. Carry on. I’ll keep my thoughts to myself.

So again, my question, which recently Zimmer scores do you think we’re all too blinded to love, that will become classics?

Tell me how I was supposed to interpret that?

I’m in the wrong clearly, so I’ll go back to lurking and observing now.

I'm sorry, but Man of Steel, Batman V Superman, Dunkirk, will never be classics. Maybe some of his earlier work. But I haven't cared for a Zimmer score in years and I used to absolutely love his stuff (Inception, Angels and Demons, The Dark Knight, etc.) His efforts in the last several years? No, those won't be classics. Not even Elfman's Justice League score will be a classic. I think I'd lose my mind if his recent, boring, walls of noise, were ever widely considered classics.

Wouldn't you believe it, but I do as well. But I dont think anything is TFA is nearly as buried as Klingon Chase from Into Darkness. That was truly horrendous.

others here? It seems like I might be the only one here who thinks it's fine as it is. Lol. I must be the mad one

I literally just watched TFA a few days ago and had no issues with the mixing during the moments you guys are describing.

I must have amazing speakers. I would hardly call TFA buried in the mix.

Since this is specifically the Chronological Score thread, I have removed all the Songs from this list, but I have a version with those too if anyone wants them. And I know, it's not a film, but whatever. If anyone wants it, here you go: Stranger Things 2 (2017) - Kyle Dixon & Michael Stein NOTE: So many of the tracks on the Season 2 release contain 4-5+ cues within them, so I went ahead and included all the edits present in the show. It's up to the listener if they want to include the entire track instead. There may be more I have missed, some of the ambient cues were particularly difficult to place so it's possible I missed an appearance or two, but I believe this takes care of every instance of score of the Season 2 release and the direct (or almost direct) lifts from Season 1. Enjoy, although I know this score isn't held in high regard here.

Sounds like only 0:27.7-0:30.8 is actually slowed down significantly. After 30.8 it seems to return to a proper tempo.

Ah! Gotcha. Thanks for clarifying. Makes total sense.

I'd much rather watch a film that doesn't take itself too seriously as opposed to a film that takes itself far too seriously (I'm looking at you Batman V Superman)

I've had folks on other locations get pissed for sharing an ebay link because it sends a bunch of people to it and ups the bidding war or something ridiculous. Just treading lightly. Now I know

My bad. I wasnt sure if I could do that or not.

I'm gonna say a CD exists...for...reasons... CLARIFICATION: I DO NOT HAVE THIS Edit: Why are some of the cues from a different publisher?

So, not sure if this has been mentioned, and I could be 100 percent wrong. But I'm pretty sure "The Resistance" from TFA's FYC was tracked into the final battle battle kind of messily. Haven't listened to the OST yet, but it stuck out to me in the film. EDIT: I'm wrong. It's on the OST, but it still sounds real messy.

Death it is for me. Lol.

Yes. Yes I do.

I can agree that the usage of Clark's theme would've been much appreciated. This isn't the same Superman John Williams scored, they've made that abundantly clear. I mean, Zimmer's theme isn't amazing, but I feel that it fits this version of the character. I do, however, completely disagree about Wonder Woman's theme. Elfman's version is way more tolerable than the electric cello version. Never been a fan of that theme, and especially not that version of it.

Oh. Sweet. Thanks.

Why is there no middle ground? It doesn't suck, but Hans Zimmer also hasn't done a masterpiece in a long time. It's...fine

I am having a bittersweet feeling about this. On one hand, I enjoy work by Whedon and Elfman far more than the absolute crap given to us by Snyder and Zimmer on both Man of Steel and Batman V Superman (which I think both suck immensely), but I wish this shift had been done between films. I worry now that all it will do is create an inconsistent tone and damage the movie. Hopefully Whedon and Elfman can properly transform the film into what it's going to be, but a lot of work is done to solidify style in Pre Production and Production. Still not totally on board, but more on board that I was. I hope they keep Snyder and Zimmer and friends away from the remainder of this franchise. It deserves better.

Complete Chronological Score of La La Land has been released digitally on iTunes 1. Another Day Of Sun (With Radios) (La La Land Cast) 4:34 2. Mia Gets Home (Justin Hurwitz) 0:23 3. Bathroom Mirror / You're Coming Right? (Justin Hurwitz) 1:18 4. Someone In The Crowd (Emma Stone & Callie Hernandez & Sonoya Mizuno & Jessica Rothe) 4:19 5. Classic Rope-A-Dope (Justin Hurwitz) 0:45 6. Japanese Folk Song (Thelonious Monk) 1:39 7. Deck The Halls (Justin Hurwitz) 0:31 8. Mia & Sebastian's Theme (Justin Hurwitz) 1:37 9. Take On Me (D.A. Wallach) 2:59 10. I Ran (D.A. Wallach) 3:36 11. Stroll Up The Hill (Justin Hurwitz) 0:44 12. A Lovely Night (Ryan Gosling & Emma Stone) 3:59 13. There The Whole Time / Twirl (Justin Hurwitz) 0:44 14. Bogart & Bergman (Justin Hurwitz) 2:11 15. Mia Hates Jazz (Justin Hurwitz) 1:09 16. Herman's Habit (Justin Hurwitz) 1:50 17. Rialto At Ten (Justin Hurwitz) 1:38 18. City Of Stars (Ryan Gosling) 1:51 19. Rialto (Justin Hurwitz) 0:28 20. Mia & Sebastian's Theme (Late For The Date) (Justin Hurwitz) 1:29 21. Planetarium (Justin Hurwitz) 4:19 22. Holy Hell! (Justin Hurwitz) 0:41 23. Summer Montage / Madeline (Justin Hurwitz) 2:04 24. It Pays (Justin Hurwitz) 2:11 25. Chicken On A Stick (Justin Hurwitz) 1:38 26. Messengers Rehearsal (The messengers) 1:02 27. City Of Stars / May Finally Come True (Justin Hurwitz) 4:09 28. Start A Fire (John Legend) 3:10 29. Chinatown (Justin Hurwitz) 1:22 30. Surprise (Justin Hurwitz) 1:30 31. Boise (Justin Hurwitz) 1:13 32. Missed The Play (Justin Hurwitz) 0:37 33. It's Over / Engagement Party (Justin Hurwitz) 1:34 34. The House In Front Of The Library (Justin Hurwitz) 0:31 35. Audition (The Fools Who Dream) (Emma Stone) 4:12 36. You Love Jazz Now (Justin Hurwitz) 0:50 37. Cincinnati (Justin Hurwitz) 2:06 38. Epilogue (Justin Hurwitz) 7:40 39. The End (Justin Hurwitz) 0:44 40. Credits (Justin Hurwitz) 3:39 41. City Of Stars (Humming) (Justin Hurwitz) 2:39 42. Mia & Sebastian's Theme (Celesta) (Justin Hurwitz) 1:26 43. Silent Night (Eddie Wakes) 2:47 44. Audition (The Fools Who Dream) (Studio Version) (Emma Stone) 3:29 Total Album Time: 93:17 EDIT: Of course it turns out it's not 100% complete, but includes quite a bit more source cues and different versions of a couple of tracks. Still missing one or two things though (Cues from "Guy and Madeline" & Re-Record of a cue from "Whiplash"

La La Land finally has the FYC up on their site. Unfortunately it has nothing new on it. Not even the cues separated like they were recorded as I'd hoped. Basically just the Score release with less tracks, chopped up, and reordered.