fililando

yep!

I hope so too...!

Hello Sir! Just a little reminder, are you still able to upload it? Thank you!

I'd really love to see that too! Thank you

That's great! I mainly can't figure out how he developed the theme in the brass and strings variations (of course I can hear and see he used pieces of it here and there but I miss the logic and how he constructed them). I hope this makes sense!

Hello everyone! Have you ever tried analyzing this brilliant concert piece? I am working on it and can't understand how the Maestro developed some sections, it would be great to discuss with someone about them! Thank you

Thank you so much! That's exactly what I was looking for! I am sorry, the track and therefore the set are linked in the video I guess? Anyway Jay answered my question, the first 40 seconds are from "Borgin and Burkes" cue!

Hello everybody, I have a question regarding the track "Polyjuice Potion" from Harry Potter and the Chamber of Secrets. The first 30 seconds of the track don't match with the "released" handwritten sheet music score. Are they from another cue? If so, which one? Thank you, this is the video:

Thank you everyone! I'll listen to this works. Do you find passages and techniques in this concert music which sounds very similar to some film music cues? I am analyzing his Elegy and the melodic line, harmonic language, modulations recalls 7 years in Tibet. That's obvious since as far as I know he wanted to use this theme for the movie actually

Good evening everyone! I am working on a thesis about chamber music written by film music composers (Korngold, Nino Rota, Rozsa to name a few..). I'd like to include Williams' chamber works to this list. Do you have any informations, cool stories, analysis about the maestro chamber style? Everything is useful to me. I am interested especially on the Elegy for cello since I am going to play it. Thank you!

Hello everyone! I hope this is the right place to start this topic. I have recently worked on this adventure piece which soon became an homage to the Maestro. I did a montage with some of my favorite scenes/characters. I hope you enjoy it as much as I did composing this music!

Adventures on Earth

Thank you! I bought another one because I was too worried (The organ ledge seems to cover the stage even if you are in front row..at least from the 3D image of the place). me too! And at the hollywood bowl on 1st september too! I can't wait..

Yeah, I messed up then! Well, at least I'll be there I guess

Anyone here has experience with the organbalkon? It's 35 but it seems like there is no visibility at all..

Just bought my ticket!

I wish I was so sure about finding the tickets as you!

I think it's his way to say farewell to Europe!

I'll try to be in Wien too for this concert...do you think they'll go sold out immediately as the London one?

Thanks for this reply! That's what I meant: the issue of style. Maybe quotes wasn't the right word. I'd like to discover melodic sequences that Williams, because of his style, uses unintentionally (or for sure he notices similarities but keep them because it's a matter of style and inner voice). I am sorry if I still can't explain what I really want to say. For example, there's a part on Hook score which melodically reminds me a lot the Harry Potter one. I don't remember the exact point, I'll post here once I have time to listen to it. This is the "Death of Dooku" cue

Good evening, I was score reading some ROTS cues and I found this trombones passage which recalled me the Elegy for Cello. I'd like to know where Williams quotes himself, uses similar motives, orchestration, etc. in his works. Both consciously (like in E.T. with Yoda's theme) or unconsciously.

Cello concerto, Elegy for Cello, Five Sacred Trees and the Scherzo for Piano are my favorite!

oh alright. That sounds good, I thought you have to show in person!

Are you replying to me? If so, it's not everyday that you fly around the globe money..