Gurkensalat

Here's all the music heard in the film:
0:00:37-0:02:18 (1:41)    Source    The Greatest Show On Earth (from The Greatest Show On Earth)    Victor Young & Ned Washington     0:10:45-0:11:27 (0:42)    Score (UNRELEASED) 0:15:43-0:17:16 (1:33)    Source    Elite Syncopations    Scott Joplin 0:20:45-0:22:18 (1:33)    Source    By A Campfire On The Trail    The Sons Of The Pioneers     0:24:36-0:24:45 (0:09)    Source    Overland Stage (from The Man Who Shot Liberty Valance)    Cyril Mockridge     0:25:19-0:26:14 (0:55)    Source    Piano Sonatina in A Minor, Op. 88 No. 3: III. Allegro Burlesco    Friedrich Kuhlau 0:26:16-0:27:13 (0:57)    Source    Piano Sonata No. 1 in F Minor, Op.2 No. 1: I. Allegro    Ludwig van Beethoven     0:29:10-0:30:18 (1:08)    Source    Council (from The Magnificent Seven)    Elmer Bernstein     0:30:18-0:30:37 (0:19)    Source    Calvera's Return (from The Magnificent Seven)    Elmer Bernstein     0:30:37-0:31:09 (0:32)    Source    Calvera Routed (from The Magnificent Seven)    Elmer Bernstein     0:31:09-0:31:27 (0:18)    Source    Finale (from The Magnificent Seven)    Elmer Bernstein     0:37:56-0:40:16 (2:20)    Score (Mitzi's Dance) -- 3M3    Mom's Dance 0:41:34-0:44:08 (2:34)    Source    3 Gymnopédies No. 2    Erik Satie     0:44:25-0:45:14 (0:49)    Score (Midnight Call) 0:49:47-0:51:38 (1:51)    Source    Sonatina in C Major, Op. 36 No. 3: I. Spiritoso    Muzio Clementi 0:52:57-0:53:18 (0:21)    Source    Sonatina in C Major, Op. 36 No. 3: I. Spiritoso    Muzio Clementi     (2nd appearance) 0:53:19-0:54:59 (1:40)    Source    Sonatina in C Major, Op. 36 No. 3: I. Spiritoso    Muzio Clementi     (3rd appearance) 0:55:05-1:00:50 (5:45)    Source    Concerto in D Minor, BWV 974: II. Adagio    Johann Sebastian Bach 1:02:40-1:03:50 (1:10)    Source    Raw-Hide    Link Wray & The Wraymen     1:05:40-1:06:44 (1:04)    Score (UNRELEASED) 1:06:56-1:08:19 (1:23)    Source    This Is The West (from How The West Was Won)    Alfred Newman     1:08:21-1:09:23 (1:02)    Source    Buffalo Stampede (from How The West Was Won)    Alfred Newman     1:13:55-1:16:00 (2:05)    Source    Concerto in D Minor, BWV 974: II. Adagio    Johann Sebastian Bach     (2nd appearance) 1:19:19-1:20:12 (0:53)    Source    Da Doo Ron Ron (When He Walked Me Home)    The Crystals     1:21:16-1:22:59 (1:43)    Score (Reverie) 1:34:59-1:36:13 (1:14)    Score (unknown cue name, but it is included in the Midnight Call OST track) 1:45:57-1:47:40 (1:43)    Source     Goodbye Cruel World    James Darren     1:48:00-1:50:40 (2:40)    Score (New House) 1:50:40-1:50:52 (0:12)    Source    If You Wanna Be Happy    Jimmy Soul     1:52:48-1:54:01 (1:13)    Source    He’s So Fine    The Chiffons     1:54:01-1:56:55 (2:54)    Source    Walk On By    Burt Bacharach & Hal David     1:58:11-1:59:45 (1:34)    Source    If You Wanna Be Happy    Jimmy Soul     (2nd appearance) 1:59:45-2:00:54 (1:09)    Source    Limbo Rock    Chubby Checker     2:00:54-2:02:18 (1:24)    Source    Captain From Castile Suite    Alfred Newman     2:08:36-2:11:19 (2:43)    Score (Mother and Son) -- 8M8    Kitchen Talk 2:13:56-2:16:10 (2:14)    Score (The Letter) -- 9M2    Dance Reprise 2:18:20-2:19:13 (0:53)    Source    Ethan Returns (from The Searchers)    Max Steiner     2:23:05-2:30:40 (7:35)    Score (The Journey Begins) Almost all the scores times are different than OST album track lengths, because almost every cue is different in the film than on the album
 
OST track "Reflections" is not in the film at all (it might be an alternate for "The Letter", perhaps
 
Most of OST track "The Fabelmans" replaces the first half of "Mother and Son" in the film, but its unclear if it was written as a revised opening to that cue, or an album cue that ended up in the film as a replacement

Only just learned that the beautiful Bach Adagio that's so pivotal in the film is actually a very faithful arrangement of a piece by another composer: an Oboe Concerto by Alessandro Marcello
 
Lovely
 
 

The only fault of Tintin is not having the two planned sequels.

It's great! 

I think it sounds bigger than it probably is. I doubt that they change the story at this point. Probably a minor reshoot which will amount to a perhaps 20 seconds in the finished film. And Williams probably just has to adapt  the existing material a bit. Nice, that they don't solve it by the usual hacking up of the soundtrack and copy/paste.

I think it sounds bigger than it probably is. I doubt that they change the story at this point. Probably a minor reshoot which will amount to a perhaps 20 seconds in the finished film. And Williams probably just has to adapt  the existing material a bit. Nice, that they don't solve it by the usual hacking up of the soundtrack and copy/paste.

I don't care for him as a person, but I respect James Cameron for sticking to his guns and also staying (mostly) to the genre of fantasy/sci-fi.  He could easily try to become the history professor like Spielberg, but he's clearly a showman.  
 
Don't really love Avatar, but I enjoyed it, and while the narrative is not new, it's at least not a reboot or adaptation.  And it's fine as entertainment.
 
Plus, I want 3D to come back.
 
#TeamCameron

Just realised who I was sat with for the rehearsal…
 
Am under 30. Got a ticket for tomorrow but thought I’d take my chances at the rehearsal today (despite sold out / no ticket). 
 
Ended up asking people outside if they had a spare ticket. Got one off a nice lady.
 
We sit together in the auditorium. I ask how she got a paper ticket, obviously she’s important! Says she’s worked with John.
 
I see this post after. Had heard of Anne from the Vienna concert. Obviously it turns out to be her! Didn’t realise till I saw this message, googled her, and thought “looks familiar” 😂
 
I was very grateful for the (free) ticket!

I've finally watched "The Fabelmans" and I am able to return to this forum so nothing could be spoiled for me. (I don't listen to JW scores before I hear them in the film.)
 
I think the score fits the tone of the film, and this is why I don't listen to the scores first. If I heard the music first, I would have been disappointed that it wasn't going to be some major theatrical film memoir about Spielberg's life. It's a very intimate portrait of his family and the "struggles" he endured (all of them pretty much expected), and the score, as John Williams has said, is a tribute to his parents. It was a good choice to make it an actors' film and not a director's film. The performances sell the movie, and everyone else is exercising great restraint, including John Williams. That also goes for cinematographer Janusz Kaminski, who didn't do too many "look at me" camera tricks (except the really funny one in the last shot).
 
I'm going to take a day or two to digest the film and score, then get to work on returning to my podcast "The Baton" for an in-depth episode. I'm really looking forward to returning to the show after two years away.

I think he usually does, yes

All the more reason to buy this album according to highresaudio.com.
 

And for old films, he did trailer music for:
Bachelor Flat (1962)
None But the Brave (1965)

1962 - Bachelor Flat trailer
1966 - None But The Brave trailer
1979 - 1941 teaser
1991 - Hook teaser
1995 - Nixon trailer
2001 - HP1 teaser
2001 - HP1 trailer
2001 - HP1 Coca-Cola
2003 - HP3 teaser
2015 - TFA teaser
2015 - TFA teaser unused
 
The 2002 HPCOS commercial cues I'm fairly certainly were entirely arranged by Ross. 

Perfection. 
 

We need a bigger boat!
 

I would not count such small afterwards additions as worthy of an entry. The amount of new music is smaller than that composed for most TV episodes.

We need a bigger boat!
 

We need a bigger boat!
 

I would not count such small afterwards additions as worthy of an entry. The amount of new music is smaller than that composed for most TV episodes.

I would not count such small afterwards additions as worthy of an entry. The amount of new music is smaller than that composed for most TV episodes.

We need a bigger boat!
 

We need a bigger boat!
 

As a fun experiment I spent about half an hour to see what would happen if Indy's Very First Adventure had scored this. Please forgive the slightly rough edits  
 
https://drive.google.com/file/d/1w59JuR6jbeGw8OPkgqYYgNaQRxK2fySE/view
 
(not sure how to embed, if even possible, sorry)

I understand and partially agree with your assessment, but why do you order it then??