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BrotherSound

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  1. I recently learned Jerry Goldsmith’s final recording session for Star Trek: The Motion Picture was November 29th 1979, with a release date of December 7th! Of course, they didn't do simultaneous worldwide releases at that point, right?
  2. Know anybody in the L.A. area? There's an easy way to find out: http://collections.new.oscars.org//Details/Archive/71303042 EDIT: So, the answer turns out to be right in the booklet, which shows a bit of the original cue sheet. The selected take of 'The Parachutes' was 2:05, so nothing was edited out.
  3. I think it’s just unfortunate fallout from rule changes that do benefit musicians in most cases. Let’s not forget soundtrack expansions account a pretty minuscule portion of the industry, and I doubt they were even considered when the rules were changed. The re-use fees apply when a theatrical release is released on digital or disc, for example, and of course the studios are going to pay in those cases. My hope is that perhaps in the future the rules could be modified to provide an exception for these sort of specialized uses that wouldn’t otherwise be possible.
  4. Really surprised that's part of the live version, yet 'Cantina Band' is not!
  5. @crumbs @Chewy @Holko Also posted in the Prisoner of Azkaban cue list thread, but wanted to be sure you saw this. These are usually 98% accurate, judging by when I've been able to compare to the original sheets, except for omitting indications of alternates, inserts, etc. So, I think you're probably safe to add the new ones here to your list. Notes in brackets are my own. Harry Potter and the Prisoner of Azkaban (In Concert) Complete Cue List Act I 1M1 Opening III 1M2 That's A Lie 1M4 Aunt Marge's Waltz 1M5 Parents Portrait 1M6-1M7 The Empty Playground - The Knight Bus 1M8 The Knight Bus Ride 1M9 Newspaper Headliner - Second Collision 1M10 Pub Source 2M1 The Book Attacks 2M2A Discussing Black 2M3 The Train to Hogwarts 2M4 The Dementor Appears 2M5 Double Trouble [including 'Something Wicked Intro'] 2M6 Dumbledore's Warning 2M8 Double Trouble March 2M9 Rainy Nights, Dementors, and Birds 2M10 You Have the Grim 3M1 Double Trouble on the Hill 3M2 Befriending the Hippogriff 3M3 Riding the Hippogriff 3M4 Bonding with the Hippogriff and Sir Cadogan Again 3M5 Kids Inspect Newspaper etc 3M6-3M7 Snape Dresses Up - The Spider - The Snake - Clown Out of the Cupboard 3M9 Revealing the Bridge 3M10 Remembering Mother 3M11-3M12 The Portrait Scene - The Great Hall Ceiling 4M1-4M2 Quidditch 4M3 Woods Walk and Bird's Flight 4M5 Up The Stairs 4M6 Snow Fight 4M7 The Elves Song [A Winter's Spell] 4M10 Brief Snow Scene 4M11 Explore Your Past 4M12 Opening the Trunk 4M15 Harry and Voices 4M16-4M17 Dueling the Dementor - Insert for Patronus Light 4M18 Entr'acte - Solo Flute Act II 5M1 Buckbeak's Sentence 5M2 Reading the Map 5M3 The Mention of Pettigrew 5M5 Pt.1 The Crystal Ball 5M5 Pt.2-5M6 The Crystal Ball - The Executioner 5M7 The Walk to Buckbeak 5M8-5M9 Buckbeak is Sentenced - Scabbers Runs 5M10 The Whomping Willow 6M1-6M2A Entering the Shrieking Shack - The Confrontation Scene - Part 1 6M2B The Confrontation Scene - Part 2 6M2C The Confrontation Scene - Part 3 6M3 [No title] 6M4-6M5-6M5AN Sirius and Harry - Werewolf Scene - First Frozen Lake 6M7-7M1-7M1A Reviewing the Recent Past - Viewing the Recent Past - Saving Buckbeak 7M2 My Dad Conjured the Patronus 7M3-7M4 Buckbeak Saves the Day - Watching the Past - The Patronus Light 7M5 The Resuce of Sirius 7M6 Sirius Final Scene - Turning Time Back 7M7 The Whomping Willow 7M8 Jungle Jazz Room [source, composed by Steve Grey] 7M9 Lupin's Departure 7M11-7M12-End Credits Potter Titles - End Credits
  6. No problem! Those are the only new ones I caught, but here's everything (my notes are in brackets): Harry Potter and the Prisoner of Azkaban (In Concert) Complete Cue List Act I 1M1 Opening III 1M2 That's A Lie 1M4 Aunt Marge's Waltz 1M5 Parents Portrait 1M6-1M7 The Empty Playground - The Knight Bus 1M8 The Knight Bus Ride 1M9 Newspaper Headliner - Second Collision 1M10 Pub Source 2M1 The Book Attacks 2M2A Discussing Black 2M3 The Train to Hogwarts 2M4 The Dementor Appears 2M5 Double Trouble [including 'Something Wicked Intro'] 2M6 Dumbledore's Warning 2M8 Double Trouble March 2M9 Rainy Nights, Dementors, and Birds 2M10 You Have the Grim 3M1 Double Trouble on the Hill 3M2 Befriending the Hippogriff 3M3 Riding the Hippogriff 3M4 Bonding with the Hippogriff and Sir Cadogan Again 3M5 Kids Inspect Newspaper etc 3M6-3M7 Snape Dresses Up - The Spider - The Snake - Clown Out of the Cupboard 3M9 Revealing the Bridge 3M10 Remembering Mother 3M11-3M12 The Portrait Scene - The Great Hall Ceiling 4M1-4M2 Quidditch [4M1 = 'Page 394'?] 4M3 Woods Walk and Bird's Flight 4M5 Up The Stairs 4M6 Snow Fight 4M7 The Elves Song [A Winter's Spell] 4M10 Brief Snow Scene 4M11 Explore Your Past 4M12 Opening the Trunk 4M15 Harry and Voices 4M16-4M17 Dueling the Dementor - Insert for Patronus Light Act II 4M18 Entr'acte - Solo Flute 5M1 Buckbeak's Sentence 5M2 Reading the Map 5M3 The Mention of Pettigrew 5M5 Pt.1 The Crystal Ball 5M5 Pt.2-5M6 The Crystal Ball - The Executioner 5M7 The Walk to Buckbeak 5M8-5M9 Buckbeak is Sentenced - Scabbers Runs 5M10 The Whomping Willow 6M1-6M2A Entering the Shrieking Shack - The Confrontation Scene - Part 1 6M2B The Confrontation Scene - Part 2 6M2C The Confrontation Scene - Part 3 6M3 [No title] 6M4-6M5-6M5AN Sirius and Harry - Werewolf Scene - First Frozen Lake 6M7-7M1-7M1A Reviewing the Recent Past - Viewing the Recent Past - Saving Buckbeak 7M2 My Dad Conjured the Patronus 7M3-7M4 Buckbeak Saves the Day - Watching the Past - The Patronus Light 7M5 The Rescue of Sirius 7M6 Sirius Final Scene - Turning Time Back 7M7 The Whomping Willow 7M8 Jungle Jazz Room [source, composed by Steve Grey] 7M9 Lupin's Departure 7M11-7M12-End Credits Potter Titles - End Credits
  7. @bollemanneke @Datameister As promised, here’s some more cue titles and numbers, according to the live-to-projection version: 1M10 Pub Source 2M5 Double Trouble 4M7 The Elves Song [A Winter’s Spell] 7M8 Jungle Jazz Room [Steve Grey]
  8. @Yavar Moradi Thought you might like to know the Academy of Motion Picture Arts and Sciences Collections site was recently revised, and now has details about the sketches of almost every Goldsmith score, including cue lists and page counts: http://collections.new.oscars.org/Details/Collection/661
  9. Air Force One (1997) – Jerry Goldsmith Source: Margaret Herrick Library - Special Collections 1M2 The Parachutes 1M2a Parachute Attack 1M3 The Motorcade 1M4 Guided Tour 1M5 No Security 2M1 The Hi-Jacking (part 1) 2M1 The Hi-Jacking (part 2) 2M2 Empty Capsule 2M3 Empty Hall 2M4 Downstairs 2M5 Hanging About 2M6 Terms 3M1 Stalking the Plane 3M2 Empty Rooms (new) 3M6 Mother Russia 4M1 Plane on the Ground 4M3 The First Hostage (new) 5M1 Free Flight 5M3 I'll Do It 5M5 Get Off My Plane 6M1 Radek's Release 6M5 Escape from A.F.O. 7M1 Welcome Aboard
  10. Monday’s premiere of The Last Jedi in concert with the Tokyo Philharmonic conducted by Nicholas Buc (of the Art of Score podcast): https://www.instagram.com/p/B3mbS9bh221/?igshid=zffwyqydj78t
  11. There’s just no way the end credits get an entire day: even half a session would be a lot, especially since they’re rarely one of the more difficult parts, and there’s not the added difficulty of precisely timing to picture. The original Star Wars end title was one of eight cues recorded the same day!
  12. You don’t think this is just that poster’s attempt to decipher the name of 1M11? It fits the basic shape, but seems incredibly unlikely for that early in the film
  13. Yep, Randy Kerber mentioned he knew that part was going to be a monster when he learned they would send it to him in advance, because of how unusual that is. The poor violins did not, though!
  14. Parts are often prepped to record the next day, or even the same day! Those parts never leave the studio: the musicians come in and read it down. One or two run-throughs, maybe touch up a spot or two, and then that red light is on and it’s time to record. It’s a pretty specialized skill, even in the music world. Even a lot of musicians with top symphonies don’t have the kind of sight-reading skills that demands.
  15. They were still recording in mid-November for TFA! I’d be surprised if it goes that late again.
  16. That’s right! There’d have to be at least 7 measures on that line to include that bit, and these parts usually only have 3-4. So, I’d expect to hear that same version of the end credits opening as TFA and TFJ with only one Rebel Fanfare statement.
  17. The visible section of 1M14 doesn't appear to feature any known themes: Some sections of the standard end credits beginning appear to be visible on some of the parts they're taping together. This is probably a flute part: As blurry as that is, at the end of the fourth line, I can even just make out the change back to 4/4! (That's where the part says 'A Little More Deliberate'.) 1m1a was 'Starry Night' in The Force Awakens, the music right after the main title.
  18. I wouldn’t try to read too much into those numbers: the numbers go as high as 14 for each reel of The Book Thief, but I don’t think it had a lot of revisions or anything out of the ordinary.
  19. Tempi and meter make a big difference, but here's some points of comparison: Episode IV: 180 measures (~3:45) Episode V: 144 measures (~4:30) Episode VI: 202 measures (~6:00) Episode VII: 224 measures (~6:40)
  20. Here's my wild speculation for Episode IX, especially since JW showed a willingness to re-use concert arrangements as underscore with TLJ: film ends with the second half of the Throne Room concert arrangement, starting with the force theme, so we still get a bit of that without it being the ending. Honestly, I'd prefer that to Binary Sunset ending (number 4)! And it'd beat just straight up reprising the original throne room...
  21. It was most likely “corrected”, because they would have started with the same Finale files used for the sessions…
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