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What Is The Last Score You Listened To? (older scores)


Ollie

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The Ghost Writer by Alexandre Desplat

The Painted Veil by Alexandre Desplat

The Queen by Alexandre Desplat

Birth by Alexandre Desplat

Grand Budapest Hotel Alexandre Desplat

The Hours by Philip Glass

 

 

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Those were the days when Desplat used to have albums you could actually make it through! 

 

I miss when he used to do distinct genre scores like that. Now, too many of his drama scores, while well-written, are passable.

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4 hours ago, KK said:

I miss when he used to do distinct genre scores like that. Now, too many of his drama scores, while well-written, are passable.

 

It was the same back then. Only that the albums were generally shorter and the films more varied. Like most guys today, Desplat writes in a minimalist idiom that feels static if too few harmonic shifts are happening. 

 

P: 'Phantom Thread' by Greenwood won the LA Film Critics award last night. This shapes up to be his most remarkable since 'There Will B Blood'.

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8 hours ago, publicist said:

 

It was the same back then. Only that the albums were generally shorter and the films more varied. Like most guys today, Desplat writes in a minimalist idiom that feels static if too few harmonic shifts are happening.

 

That definitely helps. I just find it interesting that something like "The People's Princess" from an "Oscar-bait" biopic like The Queen, oozes far more personality than anything in Del Toro's eccentric The Shape of Water.

 

8 hours ago, publicist said:

P: 'Phantom Thread' by Greenwood won the LA Film Critics award last night. This shapes up to be his most remarkable since 'There Will B Blood'.

 

Excellent. A Greenwood score would be a much-needed breath of fresh air in a largely dull year for film music.

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:music: Close Encounters of the Third Kind by John Williams. The new set, of course. Might not be his most popular score but it certainly might be his greatest musical achievement in the art form of scoring films. In fact it's among the finest pieces of 20th century symphonic writing.

 

Karol

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Yasunori Mitsuda & Nobuo Uematsu - Front Mission: Gun Hazard (OST)

 

Tied with Chrono Trigger for me as the pinnacle of SNES-era chiptune music!

 

Koji Kondo - Super Mario World

 

I love the ragtime element he infused into this score - the whole thing is SO much fun!

 

Koji Kondo - The Legend of Zelda: A Link To The Past

 

Brilliant stuff

 

David Wise - Donkey Kong Country

 

Hey, this David Wise guy is pretty good!  This is a classic score right here.

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Of course I have, I played the game when it was a brand new game back in the day!  Did you?


This was also not the first time I've listened to the music isolated from the game.

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Snow Falling on Cedars

 

Anyone else feel like this is JNH's most Newman-esque score? A lot of it sounds like his answer to Shawshank Redemption. While the core idea (the one that makes up "Tarawa") is JNH through and through, a lot of the textures, cadences and voicings give off shades of 90s Newman (ex. "The Strawberry Field" or the more dramatic "Humanity Goes On Trial"). Beautiful stuff and one of my favourites from the man.

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- Empire of the Sun [Original Motion Picture Soundtrack] (1987) (2014, La-La Land Records, LLLCD 1300; Rainbird, Williams, Ambrosian Junior Ch./McCarthy) CD 1
- Rosewood [Music From The Motion Picture] (1997) (2013, La-La Land Records, LLLCD 1244; Caesar, Parks, Morgan, Williams) CD 1
- The Missouri Breaks [An Original MGM Motion Picture Soundtrack] (1976) (2013, Kritzerland Records, KR 20026-0) CD 1

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The Haunting (Deluxe Edition) by Jerry Goldsmith. Arrived today.

Die Another Day (LLL) by David Arnold

Close Encounters of the Third Kind by John Williams. The disc 1 programme.

 

Karol

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It's definitely a better listen than the horrid OST (I've never finished my first listen of that one). There is some good stuff in this score but sadly Arnold decided to ruin a lot of it with obtrusive and horribly misjudged use of electronics. Both DAD and TWINE aged really badly because of that. But there is enough solid material on this set for me to cut him some slack. And, of course,most of the music on LLL set is actually new so for me it's like having a brand new score.

 

Karol

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The electronics are why I never got into TWINE or DAD as much as I was into TND, a score I still love the shit out of to this day.  It has a PERFECT balance of orchestra and electronics, that one.  

 

I'm glad he reeled it back in for Casino Royale

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Because there is a lot more material on this album, it feels like the electronics are less present. A lot of the underscore is mostly acoustic. Think this helps a great deal. And the orchestral writing itself is actually quite strong.

 

I'm not a big David Arnold fan anyway. But I like his Bond scores overall.

 

Karol

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Makes sense, kind of like how the synth choir is less annoying in Titanic now that its a much lesser percent of the entire album :)

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It would be cool if they go backwards and do TWINE next, then TND.  I'd even buy an expanded Goldeneye!

 

Casino Royale might not be affordable until its 15 years old, I dunno

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Apparently more music from Yoko Kanno's brilliant Onna Joushu Naotora (2016) is out. There are some really great moments here. Wonderful. Surely some of the best stuff written this year.

 

 

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Currently listening to an homemade playlist, made with the End Credits of JW's scores from the 70's.

 

Jane Eyre

Pete 'n' Tillie

The Poseidon Adventure

The Cowboys

THe Long Goodbye

The Paper Chase

Earthquake

Jaws

The Eiger Sanction

Towering Inferno

Family Plot

Midway

The Missouri Breaks

Black Sunday

CE3K

Star Wars 

Jaws 2

Superman

The Fury

1941

Dracula

Empire Strikes Back (ok I know it's 1980) :P

 

image.png

 

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An old favorite. A great compilation album of the OT, with a gutsy orchestra performing the music with pace and vigour. I've always loved The Asteroid Field on this, and the then unreleased ROTJ cues.

Various_StarWar_CoverAr_3000DPI300RGB1000144412_grande.jpg

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