Wojo 2,453 Posted July 5, 2018 Share Posted July 5, 2018 Quartet Records releases A Tribute to Michael Kamen, a live concert from Summer 2016 at Malaga. http://www.quartetrecords.com/a-tribute-to-michael-kamen.html Limited to 500 copies. Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted July 5, 2018 Share Posted July 5, 2018 Any Kamen tribute concert that doesn't include Brazil, but does include 101 Dalmatians and Jack, is immediately suspect. Jurassic Shark and Naïve Old Fart 2 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,067 Posted July 5, 2018 Share Posted July 5, 2018 I probably sound like an old fart now, but I don't see the point of suites/medleys which include music from multiple films. The highlight of the album could be the 13 minute Robin Hood suite. If performed well, that is. Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted July 5, 2018 Share Posted July 5, 2018 1 minute ago, Jurassic Shark said: I probably sound like an old fart now, but I don't see the point of suites/medleys which includes music from multiple films. I'm not a huge fan of it either. Link to comment Share on other sites More sharing options...
Jurassic Shark 12,067 Posted July 5, 2018 Share Posted July 5, 2018 Just listened to the samples, and that take on Band of Brothers is just too slow! Or maybe lackluster is a better description. Not buying this. Kamen's Opus is probably a much better collection of his music. I'm generally fed up with at-best-mediocre live recordings of film music. They do a disservice to the music. Link to comment Share on other sites More sharing options...
Erik Woods 555 Posted July 7, 2018 Share Posted July 7, 2018 On 7/5/2018 at 7:57 AM, Disco Stu said: Any Kamen tribute concert that doesn't include Brazil, but does include 101 Dalmatians and Jack, is immediately suspect. Have you heard those scores? 101 Dalmatians is one of Kamen's greatest achievements. And recording an underrated gem like Jack is daring and might help introduce Kamen's wonderful music to people who have never heard it before! On 7/5/2018 at 8:02 AM, Jurassic Shark said: I probably sound like an old fart now, but I don't see the point of suites/medleys which include music from multiple films. The highlight of the album could be the 13 minute Robin Hood suite. If performed well, that is. It's a compilation album in tribute to one of the best film composers of his generation. What is there NOT to understand. I'm sure there was a compilation album or two back in the day when you were first discovering film music that introduced you to music or a composer that you have never heard of before. On 7/5/2018 at 8:13 AM, Jurassic Shark said: I'm generally fed up with at-best-mediocre live recordings of film music. They do a disservice to the music. DISSERVICE? My God, what an ugly thing to say. If you don't like it fine, but don't be a dick about. And if this post gets me banned so be it. -Erik- Link to comment Share on other sites More sharing options...
Jurassic Shark 12,067 Posted July 7, 2018 Share Posted July 7, 2018 5 hours ago, Erik Woods said: I'm sure there was a compilation album or two back in the day when you were first discovering film music that introduced you to music or a composer that you have never heard of before. DISSERVICE? My God, what an ugly thing to say. If you don't like it fine, but don't be a dick about. And if this post gets me banned so be it. I think it takes more than that to get banned from this forum. I have nothing against compilation albums in general. But I do think that bad recording, bad playing and bad interpretation can make the music seem less than it is, whatever the genre. Don't tell me you're fine with the quality of, let's say, all the early Silva Screen compilations. If film music is to be respected like so-called "classical" orchestral music, it doesn't help to issue subpar recordings. Link to comment Share on other sites More sharing options...
Maglorfin 196 Posted July 7, 2018 Share Posted July 7, 2018 On 7/5/2018 at 2:13 PM, Jurassic Shark said: Just listened to the samples, and that take on Band of Brothers is just too slow! Or maybe lackluster is a better description. From the arrangement and the sound of it, it might also possible that they didn't actually perform the Main Theme but rather a slower, choirless version of if which occurs at 4:25 in the Band of Brothers Suite Two on the original sountrack. Link to comment Share on other sites More sharing options...
filmmusic 1,826 Posted September 13, 2018 Share Posted September 13, 2018 just posted in their facebook: Quote We are starting today the most ambitious and exciting project in the history of Quartet Records. Can’t wait! I hope this is something John Williams related! Link to comment Share on other sites More sharing options...
Marian Schedenig 8,192 Posted September 13, 2018 Share Posted September 13, 2018 Star Wars!!!!11 mstrox and filmmusic 1 1 Link to comment Share on other sites More sharing options...
Amer 2,102 Posted September 14, 2018 Share Posted September 14, 2018 Could it be Jerry Goldsmiths' LEVIATHAN expansion set at last? Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted September 14, 2018 Share Posted September 14, 2018 1 hour ago, Amer said: Could it be Jerry Goldsmiths' LEVIATHAN expansion set at last? I'm waiting for it to be released on Quartet Records, but "most abitious and exciting" seems a little bit much for that one. Link to comment Share on other sites More sharing options...
crocodile 8,006 Posted September 14, 2018 Share Posted September 14, 2018 It's John Williams: The Complete Sessions! It has to be! Karol filmmusic 1 Link to comment Share on other sites More sharing options...
Laserschwert 475 Posted September 14, 2018 Share Posted September 14, 2018 Quote We are starting today the most ambitious and exciting project in the history of Quartet Records. 2018 is gonna be one for the books. Can’t wait! Fixed. Amer 1 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,067 Posted September 14, 2018 Share Posted September 14, 2018 HP 1 - 3. Link to comment Share on other sites More sharing options...
Amer 2,102 Posted September 14, 2018 Share Posted September 14, 2018 4 hours ago, Brundlefly said: I'm waiting for it to be released on Quartet Records, but "most abitious and exciting" seems a little bit much for that one. Well they have been trying to nab this Title for years..so ambitious it maybe if all goes well i.e. On the other hand it could be from their own markets European based project. Link to comment Share on other sites More sharing options...
crocodile 8,006 Posted December 6, 2018 Share Posted December 6, 2018 Karol Link to comment Share on other sites More sharing options...
Luke Skywalker 1,795 Posted December 6, 2018 Share Posted December 6, 2018 One more Williams would be great. And no astronomic shipping fees for me! 😛 crocodile and bollemanneke 2 Link to comment Share on other sites More sharing options...
Amer 2,102 Posted December 6, 2018 Share Posted December 6, 2018 On 9/14/2018 at 11:14 AM, Brundlefly said: I'm waiting for it to be released on Quartet Records, but "most abitious and exciting" seems a little bit much for that one. From what I know, they have been trying secure its rights since last 11 years! And have been unsuccessful so far. It could qualify as a Most Ambitious and exciting release amongst other such projects. Link to comment Share on other sites More sharing options...
Popular Post publicist 4,643 Posted December 10, 2018 Popular Post Share Posted December 10, 2018 http://www.quartetrecords.com/the-bride-wore-black.html Re-recording of an intriguing late Herrmann thriller. crocodile, Amer and Naïve Old Fart 3 Link to comment Share on other sites More sharing options...
Amer 2,102 Posted December 10, 2018 Share Posted December 10, 2018 Mind blown! Link to comment Share on other sites More sharing options...
Jurassic Shark 12,067 Posted December 10, 2018 Share Posted December 10, 2018 Interesting. Link to comment Share on other sites More sharing options...
crocodile 8,006 Posted December 10, 2018 Share Posted December 10, 2018 Wonderful. 😊 Karol Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted December 10, 2018 Share Posted December 10, 2018 Sold! Link to comment Share on other sites More sharing options...
Wojo 2,453 Posted December 10, 2018 Share Posted December 10, 2018 Seven titles I wouldn't even pirate. Have it people. Link to comment Share on other sites More sharing options...
Jurassic Shark 12,067 Posted December 10, 2018 Share Posted December 10, 2018 You lazy pirate. Link to comment Share on other sites More sharing options...
Jay 37,352 Posted December 10, 2018 Share Posted December 10, 2018 The Bride Wore Black isn't the only title announced today; Here's the whole batch THE BIG COUNTRY (2-CD) CINEMA PARADISO 8 1/2 (2-CD) WARGAMES (2-CD) THE BRIDE WORE BLACK MUJERES AL BORDE DE UN ATAQUE DE NERVIOS EL HOMBRE Y LA TIERRA (4-CD SET) bollemanneke and Yavar Moradi 2 Link to comment Share on other sites More sharing options...
Holko 9,525 Posted December 10, 2018 Share Posted December 10, 2018 8 1/2? I haven't seen the film yet, planning to rectify that soon, but some pieces from the score are staples of my childhood. We'll see. Link to comment Share on other sites More sharing options...
Jurassic Shark 12,067 Posted December 10, 2018 Share Posted December 10, 2018 I don't particularly like circus music. Link to comment Share on other sites More sharing options...
Wojo 2,453 Posted December 10, 2018 Share Posted December 10, 2018 Is 8 1/2 a prequel to 9 1/2 weeks? Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted December 10, 2018 Share Posted December 10, 2018 It literally is a prequel to Nine... sort of https://en.wikipedia.org/wiki/Nine_(2009_live-action_film) Yavar Moradi 1 Link to comment Share on other sites More sharing options...
crocodile 8,006 Posted December 10, 2018 Share Posted December 10, 2018 Is it also a train platform at King's Cross? Karol Link to comment Share on other sites More sharing options...
Ollie 1,059 Posted December 10, 2018 Author Share Posted December 10, 2018 Nice batch, gotta get the Herrmann. I’m content with Intrada’s War Games release. Might grab The Big Country. Yavar Moradi 1 Link to comment Share on other sites More sharing options...
crocodile 8,006 Posted December 10, 2018 Share Posted December 10, 2018 I've never seen the film or heard the full score but always loved this suite conducted by Elmer Bernstein: Karol publicist 1 Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted December 14, 2018 Share Posted December 14, 2018 Qartet really kicks ass! Eight releases - Wow! Yavar Moradi 1 Link to comment Share on other sites More sharing options...
crocodile 8,006 Posted December 15, 2018 Share Posted December 15, 2018 Jose of Quartet on the Herrmann recording: Quote Hi to everyone, I have not posted on this board – or even announced our new releases here – for several months because, besides being very busy, I’m a shy man and don’t know what I can contribute. I always prefer that our albums speak for themselves. But now, I think it will be good to clarify certain things in a positive mood. I expected this brand-new recording might generate some controversy (what release doesn’t these days?), but I honestly did not expect the discussion to go where it has gone. Some comments that have been posted elsewhere – on the Herrmann Facebook board and on our own Facebook page (and that we deleted, because it's our Facebook page after all) – have implied that we stole this project from Mr. William Stromberg. I want to assure everyone that this is absolutely not true. I'm a huge admirer of Mr. Stromberg and his work; I have all his recordings on both Marco Polo and Tribute. I think his approach to Herrmann is first-rate, as is his interpretation of Steiner (“King Kong” is one of the best re-recordings I've heard), and I'm looking forward to “Dial M For Murder.” But I can’t get into anyone's head and know what they’re thinking. Mr. Stromberg recorded his last album for Tribute seven or eight years ago, and until last September he hadn’t announced his return to the podium with Intrada, or if he had announced it before, I certainly did not know about it. I deeply regret it if he feels disappointed, but I can’t feel guilty about anything. The story behind “The Bride Wore Black” is as follows: We started thinking about this album in November 2016, the work started in September 2017, and it was recorded a year later, in September 2018. Getting the funds was not easy, and those who have followed Intrada’s and Tadlow's Kickstarter campaigns know how much money we're talking about. A project of this magnitude can’t be organized in a few weeks. Before preparing the new recording of The Orphanage with Fernando and The Basque National Orchestra last year, we managed to combine a commitment from the orchestra with some financial aid in order to start a series of re-recordings. We had been trying to do this for several years and were excited to see the arrangements coming together. We were hoping to make one new recording a year, starting with "The Orphanage" (a personal desire of Fernando), and continuing with other titles. "The Bride Wore Black" immediately came to mind. It was one of the most popular unreleased scores of Bernard Herrmann, a famous film by François Truffaut, the 50th anniversary of the film would be in 2018, and, above all, I have always felt a personal fascination for this underrated but solid score. Recording was initially planned for October 2018, but due to a conflict in the orchestra schedule the sessions were advanced to September 13, 14 and 15. The earlier date was not a problem since everything had been prepared by Fernando and his team before the summer. We prepared an official announcement of this recording, with suitable fanfare, and even made a video about the project. We also planned videos of the sessions, that we had intended to post on Facebook every day of the recording. But suddenly, on Saturday, September 11, a post announcing a Kickstarter program to finance a new recording of "Dial M for Murder" appeared on both the Intrada forum and on this board. It was a big surprise – and a coincidence. My first human reaction was sadness, but a few hours later I decided to cancel the whole promotion prepared for the recording of "The Bride Wore Black" so as not to steal any thunder away from Intrada’s exciting project. Can you imagine how unpleasant it would be if a label started a Kickstarter campaign to finance a project, in a legitimate and honest way, and another label announced just 48 hours later that they were starting a new Herrmann recording with others to come later? Honestly, as a professional and colleague, I could not have done this. So we shelved our promotion and continued discreetly with our album. Several people in the business can confirm that this happened exactly as I am saying. It seems totally insane to read comments on our Facebook page that accuse us of having “stolen this project from Intrada and Stromberg!" Intrada knew about our “Bride” recording in August 2018, and expressed gratitude to us for canceling our promotion and leaving the Intrada announcement without “competition” so that it would have the greatest chance of success. So why are posters trying to create a problem between two labels when none exists? Responding to some comments I have seen on the Herrmann board and other places: – Someone took us to task for using trumpets instead of French horns in the cue “The Wedding,” but they are wrong! We used French horns just as Herrmann’s score indicated! There were no trumpets at our sessions. What more can I say? – Someone pointed out that Herrmann used lots of quick notes in “The Wedding” to create an effect. If this refers to the film version … well, this cue was cut and edited in a rather abrupt manner. We have recorded every note that Herrmann wrote in a coherent way. – Someone criticized us for only recording the music included in the film and none of the unused material. The film contains 34 minutes of music, our album 57. And if you read Frank K. DeWald’s booklet notes you can discover what was in the film, and what was not. – “The violins are a disaster because they have little brightness”... In fact, there are no violins in this score. The string section consists of only violas, cellos and basses. – Someone wondered why our track titles differed from those on file at UCSB ... After a thorough search, the publisher couldn’t find any registered cue titles for this score beyond M1, M2, M3 ... so we had their permission to include our own titles as long as in the mechanical license agreement these were in parentheses after the official film titles. That wasn't necessary in the album, only in the agreement (you can check it on our website), so we decided to create titles that better reflected what is happening in the film. After all, Herrmann's manuscript has no titles other than M1, M2, M3 ... – "I prefer the synthesizer version that one guy is doing instead of your trash recording" … I don’t have an answer to that. Other posters seem disappointed because they would have preferred William Stromberg conducting. That’s OK, and I can understand that everyone has their preferences, but sorry, this is a recording of an unreleased score by Bernard Herrmann made by another team. No one could be sure that another version could happen. Do I have to apologize for producing this? About the recording, everything in life can be done better, but something that makes this album special is the spirit that Fernando Velázquez has given it. A conductor is not simply a hand that waves a stick; his personality is also an important part of his job. That’s the art of live music: there are human beings playing, not machines. This and any other score would sound different with Velázquez or William Stromberg, with Nic Raine or Joel McNeely, or Elsa-Peka Salonen, David Newman, Carl Davis, Allan Wilson, Dirk Brossé, Diego Navarro, Bruce Broughton or any other talented conductor at the helm. And the same applies to the orchestras, the environment of any studio, or the mixing engineer. Some recordings are superb and others a disaster. Jerry Goldsmith was highly criticized for his recordings of Alex North and some of his own works, and even Bernard Herrmann was lambasted for taking some of his music too slowly on re-recordings. Many factors impact the final result, and every person has his or her own personal taste. Most of my friends prefer the James Conlon version of “Vertigo,” but I prefer the McNeely. And it's OK. I would like to say that it is not wise to judge the music of “The Bride Wore Black” by the film recording. Some of the musicians who were at the recording session in Paris still remember how tense was the relationship between Herrmann and Truffaut, and the large number of changes that were improvised on the spot. The recording was not especially terrific; Herrmann conducted some parts but later ceded the work to Andre Girard. So, the choice we made with Fernando was to record the score as it was conceived by Herrmann, respecting the tempo and the intention of what was written. The sound is intentionally a bit raw and dry, due in part to the unusual orchestration but also to Fernando's preference (and our own), without any unreal or processed reverb. Some of the other film recordings from Herrmann’s last period were also beautifully raw and dry (“Sisters,” “It’s Alive,” “Taxi Driver”). This album is a declaration of love and respect for the composer and his music, bringing to life a score that nobody had cared about in 50 years. (Well, that's not entirely fair, since we and many other labels have made great efforts to find the original elements, albeit unsuccessfully.) But the album is no longer ours, it’s yours, and everyone who spends their money to buy it has the full right to give their opinion, praise or criticize it. But, please, although I'm very used to the heat in the kitchen, it's not fair to say what has been said before even listening to it. This takes away the strength, the courage and the energy of those of us who are trying to save the music we love at a time when the music industry is totally in crisis. Are any of the major companies recording complete classic film scores with a symphony orchestra? Whoever buys the CD and reads the liner notes will discover on page 21 that we are working (also with Fernando) on “Endless Night” for 2019. Yes, it's a fact. Initially, the intention was to record an album with “The Bride Wore Black” and “Endless Night” together. We mistakenly thought that the scores, about 35 minutes each, could be paired together. But when “Bride” grew to 57 minutes, we chose to focus solely on the Truffaut film. “Endless Night” is booked with the orchestra for next spring, and the reconstruction work is almost finished, so we have already invested a lot of money. As I said before, "The Orphanage" started a new series with Fernando Velázquez and after these two Herrmanns others could follow. We have our own wish list, which includes “Vera Cruz,” “The Four Feathers,” an album pairing “The Soft Skin” and “Une femme est passé” (Delerue), another devoted to John Addison with “Guns for Batasi” and “Start the Revolution Without Me.” There was also “Murder by Death,” which doesn't make any sense now that Varese has given us the original tracks (at last!) All these are just wishes; nothing is confirmed yet. First, we need to see how our initial titles fare. One recording every year, if finances and energies permit, and perhaps with the help of Kickstarter if necessary, would make this a beautiful long-term project, which together with the gems brought to us by Tadlow, Prometheus, Intrada and other brave souls, could preserve the legacy of film music. Personally, I’m very excited about this, and I don’t want to feel differently. At the end of the day, it's all about the music. Jose Karol Amer 1 Link to comment Share on other sites More sharing options...
publicist 4,643 Posted December 15, 2018 Share Posted December 15, 2018 Poor Jose. You should never read film music messageboards after you released your precious new album. Ulcers will follow. Link to comment Share on other sites More sharing options...
crocodile 8,006 Posted December 15, 2018 Share Posted December 15, 2018 The violins bit killed me. Karol Naïve Old Fart 1 Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted December 17, 2018 Share Posted December 17, 2018 What are the chances that Secret of the Sahara will eventually get the Cinema Paradiso-treatment by Quartet? The GDM release is really half-heartedly produced! Nick Parker 1 Link to comment Share on other sites More sharing options...
crocodile 8,006 Posted December 17, 2018 Share Posted December 17, 2018 I would absolutely love that! It is such a beautiful and otherworldly score. I still haven't got a single album of this. Karol Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted December 18, 2018 Share Posted December 18, 2018 I'm not gonna buy it, but my heart smiles to see Otto e mezzo get a deluxe release. Never really thought of Rota as a complete score kind of guy. Link to comment Share on other sites More sharing options...
Incanus 5,714 Posted December 18, 2018 Share Posted December 18, 2018 On 12/15/2018 at 5:48 PM, crocodile said: The violins bit killed me. Karol Heh that was pretty funny. But film music fans are probably the most persnickety fanbase out there. You really can't win which ever way you do things. Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted December 18, 2018 Share Posted December 18, 2018 13 hours ago, crocodile said: I would absolutely love that! It is such a beautiful and otherworldly score. I still haven't got a single album of this. Don't buy the GDM album. Production-wise it is a piece of shit. Link to comment Share on other sites More sharing options...
crocodile 8,006 Posted December 18, 2018 Share Posted December 18, 2018 27 minutes ago, Brundlefly said: Don't buy the GDM album. Production-wise it is a piece of shit. Thanks for the warning! I probably wouldn't do that anyway as the cheapest available copy on Amazon is something around £50. Karol Link to comment Share on other sites More sharing options...
publicist 4,643 Posted December 18, 2018 Share Posted December 18, 2018 The old RCA album is sufficient. https://www.discogs.com/de/Ennio-Morricone-Secret-Of-The-Sahara-Original-Soundtrack-From-The-TV-Series/release/2055639 Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted December 18, 2018 Share Posted December 18, 2018 10 hours ago, publicist said: The old RCA album is sufficient. https://www.discogs.com/de/Ennio-Morricone-Secret-Of-The-Sahara-Original-Soundtrack-From-The-TV-Series/release/2055639 That is what I usually listen to, because I deleted the extra tracks from my playlist. They are awfully integrated (=just put at the end of the OST) and sound awful (=hiss, continuous beeping, bad mixing) and the volume is much louder than the volume of the OST tracks (let alone the awful compression of "The Mountain"). I'm interested in a (proper) expansion, because the thematic material is hardly repititive and the (as I said awful sounding) bonus tracks include totally new aspects of the score. I would like to know what else is there. Link to comment Share on other sites More sharing options...
Jurassic Shark 12,067 Posted March 10, 2019 Share Posted March 10, 2019 I'm planning to make an order from the site of Quartet Records. Which of the CDs that they distribute are must-haves? I've already got their best title; Lady Jane by Stephen Oliver. Link to comment Share on other sites More sharing options...
Koray Savas 2,251 Posted March 10, 2019 Share Posted March 10, 2019 10 hours ago, Jurassic Shark said: I'm planning to make an order from the site of Quartet Records. Which of the CDs that they distribute are must-haves? I've already got their best title; Lady Jane by Stephen Oliver. Might want to be more specific. They’ve released a ton of great titles over the years. Link to comment Share on other sites More sharing options...
Jurassic Shark 12,067 Posted March 10, 2019 Share Posted March 10, 2019 I'm just wondering about what other people think are the best soundtracks at their store. Link to comment Share on other sites More sharing options...
Koray Savas 2,251 Posted March 10, 2019 Share Posted March 10, 2019 Well most of their best releases are sold out, but from a cursory glance at their site, I would recommend: Cinema Paradiso by Ennio Morricone Total Recall by Jerry Goldsmith The Long Goodbye by John Williams The Two Faces Of January by Alberto Iglesias Link to comment Share on other sites More sharing options...
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