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The Complete Cue Lists Thread

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I think there was just some misunderstanding...

mnac87, the purpose of this page is to collect official information about the original names of the cues and their reel/slate numbers (meaning: as they are written in the sheet music), which is something that in general cannot be just deduced from the track lists in CDs. The CD tracks can have different names than those given to the specific cues by the composer. The reel/slate numbers or the "M" numbers also cannot be assigned for sure just by inspecting the order of the cues in the score. In other words, if a given cue is the 7th piece of music in the movie, this does not imply that it was labelled as "M7" on the sheet music. It may have been given a different order number and then moved, or it may have been given a reel/slate number instead, and so on.

If I understand correctly by your words "I don't know how to assign reel numbers yet" and "effort on my part", you probably mean that you have assigned the "M" numbers to the cues of the recording based on the order of the cues in the movie. Fine, but it is not what people are looking for in this page. Here only official cue names and numbers are collected. In other words, you should not do any effort at all to assign numbers, you either have the official information or not. I am sure this is what Jay meant.

If instead your source for the "M" numbers is official, please state the source more clearly.

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Score:

I appreciate your input on this, but Jay and I are now discussing this matter in private.

However, I will tell you this much:

Leaked = illegal, no matter what label you assign it.

I will not steal information and post it as a form of prestige.

I always go through the proper channels to get my information out of academic integrity.

I hope you understand my position on this.

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I will not steal information and post it as a form of prestige.

Just so you know, many of these lists are publicly listed and notated in several academy libraries throughout the US (USC has many handwritten papers). You can see the exact cue titles and names on Omni Music releases. Also, Film Score Monthly and Intrada tend to include the cue assembly in many of their liner notes. No stealing necessary in so many cases.

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Just so you know, many of these lists are publicly listed and notated in several academy libraries throughout the US (USC has many handwritten papers). You can see the exact cue titles and names on Omni Music releases. Also, Film Score Monthly and Intrada tend to include the cue assembly in many of their liner notes.

That's fine. Libraries and approved releases through publishing companies and trade magazines are what I would use.

No stealing necessary in so many cases.

That doesn't excuse the rest of the cases where stealing does take place.

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No stealing necessary in so many cases.

That doesn't excuse the rest of the cases where stealing does take place.

You know what they say about people in glass houses...

I hope you enjoyed your copy of the handwritten Main Title from Mars Attacks.

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No stealing necessary in so many cases.

That doesn't excuse the rest of the cases where stealing does take place.

You know what they say about people in glass houses...

Just so I don't take what you've said the wrong way, what are you trying to say?

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I know what it means, thank you very much. I was simply extrapolating more information from Sharky.

I hope you enjoyed your copy of the handwritten Main Title from Mars Attacks.

Except I never made a cue list for Mars Attacks on this thread, so this example doesn't apply.

As I said before, I am taking up matters with Jay in private, so can we please end this conversation and retain the professional atmosphere of this thread?

I mean you no disrespect, and I don't want to walk away from this with bad blood between us.

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I know what it means, thank you very much. I was simply extrapolating more information from Sharky.

I hope you enjoyed your copy of the handwritten Main Title from Mars Attacks.

Except I never made a cue list for Mars Attacks on this thread, so this example doesn't apply.

So trading or sharing scores in private is fine, but once you once you start listing the original slate numbers and titles in public you've gone over the line? I just want to be clear. The distinction seems a bit arbitrary to me, especially when there are very educational and informative score analysis threads on JWFan. None of these would be possible without studying the PDFs - the sharing of which involves IPR infringement.

As I said before, I am taking up matters with Jay in private, so can we please end this conversation and retain the professional atmosphere of this thread?

I mean you no disrespect, and I don't want to walk away from this with bad blood between us.

Fair enough. I don't want any bad blood either. I just didn't like your haughty tone in this thread.

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Okay. Last one. I promise.

So trading or sharing scores in private is fine, but once you once you start listing the original slate numbers and titles in public you've gone over the line? I just want to be clear. The distinction seems a bit arbitrary to me, especially when there are very educational and informative score analysis threads on JWFan. None of these would be possible without studying the PDFs - the sharing of which involves IPR infringement.

Without going into too much detail...

All I'm saying that is that if I'm going to make a cue list on this thread, I don't want to feel ashamed of myself after finishing it or be branded as guilty for going through proper channels to make such a list.

I can't stop anyone here from illegally obtaining film scores or infringing on intellectual property, but I do have my standards. If I keep scores (including your Mars Attacks score which you gave me, thank you again), it's strictly for research purposes for my dream career as a film composer. Nothing more.

I'm sorry that I come off as haughty. I'm just very passionate about defending my beliefs.

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Score:

I appreciate your input on this, but Jay and I are now discussing this matter in private.

However, I will tell you this much:

Leaked = illegal, no matter what label you assign it.

I will not steal information and post it as a form of prestige.

I always go through the proper channels to get my information out of academic integrity.

I hope you understand my position on this.

Indeed, nobody has asked you to steal any information and post it here, as far as I know. So: just don't do it. I don't see the problem. As it has already been agreed, a great part of the information present in this page is publicly available from Omni Music releases or Libraries' websites, or some legal CD releases.

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Indeed, nobody has asked you to steal any information and post it here, as far as I know. So: just don't do it. I don't see the problem. As it has already been agreed, a great part of the information present in this page is publicly available from Omni Music releases or Libraries' websites, or some legal CD releases.

Well said. Now, let's move on please and let's post some cue lists! Illegal or not, I don't care as long as they are the real ones!

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All I'm saying that is that if I'm going to make a cue list on this thread, I don't want to feel ashamed of myself after finishing it or be branded as guilty for going through proper channels to make such a list.

I know I shouldn't start this topic again, but I don't quite follow, so please excuse me. You mentioned your endeavour again, using proper channels for the cuelists, but I still don't know where that Nightmare Before Christmas list came from exactly. All I know is that Burton+Elfman used the usual convention ([reelno.]M[cueno.]) on their older stuff (like Beetlejuice or Edward Scissorhands) and they still did on Corpse Bride later on, which was also stop-motion. So I reckon NBC is no different. I'm just confused.

I'd love to share another cuelist by the way, but I don't have any at the moment :)

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When I download pornos, I like to rename them based on girls from high school they look like the most. Is there a website where I can post my lists? I think they'd be pretty interesting.

On your Facebook timeline!

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Steve Jablonsky / 2007 / Transformers

Source: Recording Sessions

1m1 The Cube
1m1 The Cube (Alternate)
1m3 Soldier's Arrive
1m5 Bogey Approach
1m6 My Ladies
1m8-9 Soccent Attack
1m10 Crazy Grandfather
1m14-15 Angry Camaro
1m16 Deciphering The Signal
2m18 Keller Speech
2m20 Sam At The Lake
2m25 Belly Shot (Version 1)
2m25 Belly Shot (Version 2)
2m28 Pentagon To Air Force One
2m31 Frenzy Network Hack
2m32 Cargo Shootout
2m33 Camaro on The Run
3m36 Scorponok
3m36 Scorponok (Part 1 Alternate)
3m40 Scorponok (Part 2 Alternate)
3m42 Sim In The Compact
3m44 Embeded Message
3m45 Satan's Camaro
3m46 Sam's Pink Bike Pursuit
3m47 Are You Ladiesman217?
3m49 We're Locked In
4m51-52 Arrival To Earth
4m53 Cybertron
4m55a Whitwicky (Part 1)
4m55b Whitwicky (Part 2)
4m56 Whitwicky (Part 3)
4m58a Sector 7
5m58b Take Em' and Bake Em' (Part 1)
5m58c Take Em' and Bake Em' (Part 2)
5m59 Criminals Are Hot
5m60b Not To Hear That
5m60 Autobots To The Rescue (Version 1)
5m60 Autobots To The Rescue (Version 2)
5m61a Simmons Takes It Off
5m61b Speaker Phone
5m62a When Feds Attack
41 5m62b Bumblebee Captured
5m62b Bumblebee Captured (Alternate)
5m64a Hoover Dam
5m64b Optimus
5m64c Frenzy Falls
5m65 People Are Going To Die Here
5m66a NBE One
5m66b The All-Spark (Part 1)
5m66b Nokia Bot (Part 2)
6m69 Speeding Autos
6m69b Bumblebee
6m70 Optimus Sword
6m71 F22's To The City
6m72 Stumble Bumble / Devastator
6m72b Devastator Attacks
6m73a You're A Soldier Now
6m73b Sam Runs
6m73c Downtown Battle
6m74 Mountain Dew
6m75a Into The Building
6m75a Into The Building (Alternate)
6m75b Surreal Mikaela
6m76 Bumblebee Gets A Lift
7m77 Sam Flares It Up
7m78 Sam On The Roof
7m79a No Sacrifice, No Victory
7m79b Sam Our Hero
7m79b Sam Our Hero (Alernate)
All Spark
Attack
Brooding
Creeper
Decepticons (Version 3)
Decepticons (Version 11)
Decepticons (Cello)
Decepticons (Version 5)
Decepticon Vibe
Invasion Intl
Sam's Theme (Version 2)
Stonker
Tensaction

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When I download pornos, I like to rename them based on girls from high school they look like the most. Is there a website where I can post my lists? I think they'd be pretty interesting.

PM me please. Strictly for research purposes, of course,

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Steve Jablonsky / 2009 / Transformers Revenge Of The Fallen

Source: Recording Sessions

1m1 17,000 B.C.
1m2 Shanghai
1m2a Ice Cream Truck (Source)
1m3 Soldiers and Ironhide Get Ready
1m3b Autobots Into Action
1m4a Audibot
1m4as Asian Diner (Source)
1m4b Audibot Joins In
1m4bs Ice Cream Truck Melts (Source)
1m5a Audibot Splits
1m5b Wheelbot On The Bridge
1m5c Optimus To The Rescue
1m5c Optimus To The Rescue (Short)
1m6a The Fallen Shall Rise Again
1m6b Sam Off To College
1m6b Sam Off To College (Alternate)
1m7 The Shard Drops
1m7 The Shard Drops (Insert)
1m7 The Shard Drops (End Revised)
1m7 The Shard Is Saved
1m8 Bee Weeps
1m8 Bee Weeps (Alternate)
1m12 NEST Operations Center
1m12a NEST Operations Center (Alternate Start)
1m14 Galloway's Arrival
1m14b Satellite Hack
1m15 Galloway Meets Optimus
1m15b Galloway Grills Optimus
1m15c What If You're Wrong?
1m16a Tech Head (Part 1)
1m16b Tech Head (Part 2)
1m16a You Work For Me Now
1m17 Hot Freshman 55
1m17a Mommy High
1m18 Ravage Drops His Balls
1m18b Reed Man Forms (0:27)
1m18c Stealing Shard
2m19 Cakey Symbols
2m21 You Don't Need Me
2m21 You Don't Need Me (Alternate)
2m25 Diving For Megatron
2m26 The Fallen's Lair
2m27 Einstein Is Wrong
2m28 Chop Shop Torture
2m29 Autobots On The Move
2m30 Eighteen Inches Of Meat
2m31 Alice Seduces Sam
2m32 Alice Gets Angry
2m33a Escaping Alice
2m33b Helicopter Hell
2m34 Foundry Exam
2m34 Foundry Exam (Original)
2m35 Foundry Save To Forest Fight
2m35a Forest Battle
2m35 Forest Battle (Alternate 1)
2m35 Forest Battle (Alternate 2)
2m36 Prime Down
2m36 Prime Down (Original)
2m37-40 Decepticons Invade / The Fallen On TV
3m37
3m39
3m40 The Fallen On TV (Alternate)
3m41 Optimus Delivered
3m42 Don't Give Up
3m42a Drive To Robowarrior
3m43 The Meat Locker
3m43a Simmons' Symbols
3m43a Simmon' Symbols (Alternate)
3m44 The Seekers
3m45a Simmons In A Funk (Part 1)
3m45b Simmons In A Funk (Part 2)
3m45a Fun With Tazers
3m46 Model Airplanes
3m48 Symbols In The Dirt
3m48 Symbols In The Dirt (Original)
3m49 Jetfire Rambles The Plot
3m51 Moving Forward
3m52 Call To Lennox
3m52 Call To Lennox (Alternate)
3m53 Pyramid Romance
3m54 Sam Gets An Idea
4m54 The Three Stars
4m54 The Three Stars (Alternate)
4m55 Galloway Parachutes
4m56-57 Petra
4m58 Tomb Of The Primes
4m59 The Drop
4m60 One Man
4m61 We Need Assist
4m64 Sam and Mikaela Find Hut
4m64 Sam and Mikela Find Hut (Alternate)
4m66 Escaping The Hut
4m66 Escaping The Hut (Alternate)
4m67 Sucking Up Red
4m68 Red Twin Escapes
4m69 Bumblebee Attacks / Parents Goodbye
4m70 Bumblebee Kicks Ass
4m71 Simmons' Moment / Wilder Chat
4m74 Precious Cargo
4m75 Devastator Blown
4m76 Orange Smoke
4m77 Sam Down / Infinite White / Optimus Reborn
4m80 Optimus Rebuilt / The Final Battle
4m80 Optimus Rebuilt / The Final Battle (Alternate)
4m81 The Fallen Falls
4m81 The Fallen Falls (Alternate)
4m81b Sam Our Hero
4m81b Sam Our Hero (Short Version)

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Steve Jablonsky / 2011 / Transformers Dark Of The Moon
Source: Recording Sessions

1m0 Logos
1m1a Main Title / Moon Mission
1m1b Lost Signal
1m1c Astronauts Return
1m4 Chernobyl
1m5 Optimus Arrives At Chernobyl
1m5b Laserbeak Chernobyl Attack
2m7 Accuretta Interview
2m7a I Need To Matter
2m8a Director Of National Intelligence (Part 1)
2m8b Director Of National Intelligence (Part 2)
2m9 The Ark
2m11 Meet Dylan Gould
2m12 Car Collection
3m13 Finding Sentinel Prime
3m14 Megatron In Africa
3m15 Kill Human Collaborators
3m18 Paying Your Dues
3m19 I'm His Girlfriend
3m21 Meet Deep Wang
3m21b Wang Stare Down
3m22 Hemorrhoids
3m23 Wang Out Window
3m24a Clean Up Wang
3m24b Laserbeak Attacks Office
3m25 That's My Car
4m28 Sentinel Revived
4m29 Bumblebee At Home
4m31 Simmons Interview
4m32 Simmons Back In Action
4m33 Prime's In Africa
4m34 Intel Confab
4m35 Are You Coming With Me?
4m36 Tracking Russians
5m38b Russians Find Pillars
5m39 Freeway Chase
5m39b Ironhide To The Rescue
5m40 Robot Standoff
5m41 Traitor Sentinel
5m42 Megatron In DC
5m44 Go Get Carly
5m46 Assault At Dylan's
6m47 Sentinel's Demands
6m48 Prepping Xanthium For Liftoff
6m50a Goodbyes
6m50b Shuttle Liftoff
6m50c Shuttle Explodes
6m50d Tracking Dylan
7m51 Dylan Arrives With Pillars / Seal Off City
7m53 Sneak Into City
7m53B Decepticons Attack
7m54 Autobots Return
7m55 Saving Carly
8m56 Communicating With NEST
8m56 Communicating With NEST (Alternate)
8m57 Planning Attack
8m58 Autobots Storm Chicago
8m59 Osprey Assault
8m60 Driving Into Chicago (Part 1)
8m60b Driving Into Chicago (Part 2)
8m62a Trapped In Building
8m62b Falling Down Side
8m63 Driller Attack
8m64 Starscream Loses His Head
9m66 Teams Surrounding Pillar
9m67a No Prisoners (Part 1)
9m67b No Prisoners (Part 2)
9m68 Teams Converge
9m69a Parachuting In (Part 1)
9m68b Parachuting In (Part 2)
9m69c Pillar Assault
9m69d Cyberton Descends
9m69e Optimus To The Rescue
9m70 Prime's Fight
9m71 Megatron's Revenge
9m72 Victory
Battle Glorious
Chicago
Conspiracy
Cwejman CD
Death and Return
Sentinel
The Dark

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Dark Shadows

1M1 Intro
1M3 Vicky Enters
1M4 The Portrait
1M5 David's Mother

2M2 David Stinger
2M3 Ghost
2M4 Resurrection
2M7 Pt. 1 Barnabus Comes Home pt 1
2M7 Pt. 2 Barnabus Comes Home pt 2
3M1 Barnabus Sees Vicky
3M3 Realization
3M5 Deadly Handshake
3M7 Pep Talk

3M10 Hypnotizing Captain
3M11 #1 Roger Spies
3M12 Lava Lamp
4M4 Examination
4M4a Hippie Death
4M5 Mean Anything?
4M8 Sexual Stalker

4M10 The Comedown
4M11 Vicky's Nightmare
5M3 Hanging Out

5M4 Killing Dr. Hoffman
5M5 Dumping the Body
5M6 Roger Threatened

5M7 Roger Departs
5M9 Confession
5M10 Burn Baby Burn
5M11 In-tombed

6M01-02 Faceoff
6M03 House of Blood
6M4ALT Final Confrontation
6M5 Pt 1 Widow's Hill
6M6 End Credits REV

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James Horner / 1995 / Apollo 13

Source: Recording Sessions

1m1 Main Titles
1m1alt Main Titles (Alternate)
1m4 Lunar Dreams
2m1 Docking Simulation
2m1alt Docking Simulation (Alternate)
3m1 Marilyn's Nightmare
3m2 Father and Son
3m2alt Father and Son (Alternate)
4m0 Re-Entry Simulation
4m1 The Night Before
5m1 The Launch
6m1 Docking
7m0 Explosion
7m1 Master Alarm
7m1alt Master Alarm (Alternate)
7m3 Bad News
7m4 Into The LEM
8m2 Out Of Control
8m3 Odyssey Shutdown
9m1 Dark Side Of The Moon
10m2 New Problem
11m2 Carbon Dioxide
12m3 Pre-Manual Burn
13m1 Manual Burn
13m3 Jim's Story
13m4 Four More Amps
15m1 Distant Thoughts
15m2 Aquaris Farewell
16m1 Re-Entry and Splashdown
16m2 End Credits

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Vikaren - Marco Beltrami (2007)

Source: recording sessions (for slate numbers) and Marco Beltrami's official page, and Bandcamp and Soundcloud pages (for the cue titles).

01. 1M1A Prelude (01:23)
02. 1M1B Main Titles (01:33)
03. 1M2 The Arrival (03:06)
04. 1M3 Remembering Mom (01:06)
05. 1M4 Carl (01:47)
06. 1M5 A Single Father (00:44)
07. 1M6 (00:49)
08. 1M8 Ulla Harms Does Not Exist (01:37)
09. 1M9 The Dream (00:39)
10. 1M10 (00:33)
11. 1M11 (00:41)
12. 2M12 In Gym (01:02)
13. 2M14v1 (00:18)
14. 2M14v2 (00:18)
15. 2M15 Ulla & The Minister (02:39)
16. 2M16v1 Carl's Discovery (00:27)
17. 2M16v2 Carl's Discovery (00:27)
18. 2M17A (00:33)
19. 2M17B Toilet Search (01:21)
20. 2M17C Toilet Escape (01:00)
21. 2M19 Printing The Symbols (01:03)
22. 3M20 Kids In The Picture (02:39)
23. 3M21v1 (00:36)
24. 3M21v2 (00:38)
25. 3M22 (00:47)
26. 3M23 Ulla's House (01:25)
27. 3M24 Exploring The House (04:18)
28. 3M25 Escape From The House (01:53)
29. 3M25X She Is A Monster (00:41)
30. 4M26 Talking With Parents (01:02)
31. 4M28v1 (00:15)
32. 4M28v2 (00:14)
33. 4M29 We Have A Guess Tonight (02:14)
34. 4M30v1 Ulla the Alien (00:16)
35. 4M30v2 Ulla the Alien (00:16)
36. 4M31 Kiss Interrupted (01:07)
37. 4M32 The Farm (04:34)
38. 4M33 Ulla Prepares (01:41)
39. 5M345A Discovering The Hens (01:12)
40. 5M34B Bus Escape (02:28)
41. 5M35 (01:01)
42. 5M36 Carl Remembering (01:17)
43. 5M37 Into The Farm (01:30)
44. 5M38A The Ball (03:08)
45. 5M38B Destroying The Ball (01:31)
46. 5M39 Finale (03:14)
47. Lib Search (00:44)
48. Lib Shadows (00:45)

The recording sessions have a few wrong slate numbers (more precisely for the first reel), which I corrected. Indeed, going by the recording sessions, the first reel supposedly goes from 1M1A to 1M21, with the next cue (3M22) starting the third reel (which would mean there was no cue written for the second reel). However, if you look at the Soundcloud page and the official site, you can see that there are cues that have a slate number starting with 2M (2M12 In Gym, 2M15 Ulla & The Minister, etc.). Thus, that means that the slate numbers in the recording sessions are incorrect here, and the second reel starts with 2M12, possibly sooner (on the Bandcamp page, 1M9 is listed as 1M9 The Dream, so the only other possible start for the second reel is either 1M10 or 1M11, though both slate numbers could be correct in the recording sessions). In the same way, the third reel actually doesn't start with 3M22 (like the recording sessions' slate numbers would have believe), but with 3M20, as seen on the Soundcloud page.

On a sidenote: I have no idea what the cues Lib Search and Lib Shadows are. Possibly cues that weren't written for specific scenes, but rather composed to be used anywhere in the film.

Missing on the list are the cue titles for the following cues: 1M6, 1M10, 1M11, 2M14, 2M17A, 3M21, 3M22, 4M28, and 5M35.

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On a sidenote: I have no idea what the cues Lib Search and Lib Shadows are. Possibly cues that weren't written for specific scenes, but rather composed to be used anywhere in the film.

Most likely Lib stands for Library cue, meaning that they weren't written for specific scenes like you said.

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Bruce Broughton - The Presidio (1988)

Source: Intrada liner notes

Main Title [1M1]
March "National Emblem" [1M2]
The Lincoln [1M2A]
Patti Jean [1M3]
Car Chase - Part 1 [1M4/2M0]
Car Chase - Part 2 [1M4/2M0A]
Sgt. Garfield [3M1]
Follow Me [4M2]
I'll Call You [4M3/5M0]
Tokarev Slug [5M1]
Empty Bottle [7M1]
Phone Booth [7M2]
Chinatown Chase - Part 1 [7M3]
Chinatown Chase - Part 2 [7M3ALT]
The Car [8M2]
Your Fault [9M1]
Donna & Jay [10M1]
Tailing Spota [10M2]
Waterhouse Fight - Intro [10M3]
Waterhouse Fight - Part 1 [11M1]
Waterhouse Fight - Part 2 [11M2]
Waterhouse Fight - Part 3 [11M2A]
Impatient To Say Goodbye - Part 1 [12M1]
Impatient To Say Goodbye - Part 2 [12M1A]
End Credits [12M3]

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Clint Mansell - Noah (2014)
Source: http://www.paramountguilds.com/noah/score/

Logos [1M0]
Prologue [1M1]
King Of Kings [1M1B]
Tubal-Cain [1M1C]
Bad Guys [1M1D]
Apocalypse [1M1E]
God’s Flower [1M2A]
Dog [1M2B]
Poacher Fight [1M2C]
Noah & Naameh [1M3]
God’s Flower [1M4A]
Premonition [1MB]
Destroy The World [1MC]
Travelling [1M5A]
Ila [1M5B]
Raiders [1M5C]
Watcher’s Pit [1M6A]

Ugly Wound [2M6B]
Follow Me [2M7]
Og’s Story [2M10]
Methusela’s Cave [2M11]
Tea Time [2M12]
The Seed [2M13]
The Plan [2M14]
Rivulets & Doves [2M15]
Birds [2M16]

Reptiles [3M18]
Confrontation [3M19A]
Tubal-Cain [3M19B]
Bad Guys [3M19C]
Confrontation [3M19D]
Watchers [3M19E]
Apocalypse [3M19F]
Mammals Arrive [3M20]
Tubal-Cain Camp [3M21]
Ila / Noah [3M22A]
Travelling [3M22B]
Refugee Camp [3M22C]
No Wives / We Are Wicked [3M23A/B/C]

Naameh & Methusela [4M24]
Ham Meets Na’El [4M25]
Methusela Heals Ila [4M26]
Dark Clouds / Rain Begins [4M27B]
Rain Begins [4M28A/B]
Rain Begins [4M29A] / Battle [4M29B] / Apocalypse [4M29C]
Ham Spies [4M29D]

In The Beginning [5M30A]
End Of Creation Story [5M30B/C]
Revenge [5M31]
New Dark Age [5M33]
Ham Eats Beast [5M35]
Ila Is Pregnant [5M36A/B] / Noah Will Cut Her Down [5M38A]
Raven Returns [5M38B]

Ham Will Kill Noah [6M40]
Water Breaks [6M41]
Ham Lays Trap / Fight / Baby [6M42A/B/C/D]
Ham Kills Tubal-Cain / The Twins [6M42E]
Knife Up [6M45]
Mercy / The New World / Ham Leaves [6M45A/6M46A/B]

Forgiveness [7M47A]
End Crawl / In The Beginning [7M49]

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Trevor Rabin / 2004 / Exorcist The Beginning

Source: Recording Sessions

1m1 Logo / Main Title
1m4 Travel To Turkanna Village
1m6a I'm A Archaeologist
1m7-8 Travel To Dig Site
1m7-8 Travel To Dig Site (Alternate Ending)
1mM9 Man Collapses At Site
2m1 Church Entrance
2m2 Merrin Enters Bession Tent
2m6 Upside Down Cross / FB#2
2m8 Hyena Attack
3m1 Merrin Visits Bession
3m3 Sarah's Nightmare
3m6-7 Child Birth
3m9 Jefferies Follows Sarah
4m1-2 Sarah's In The Dark
4m4 Gen Sees Evil
4m5 Cremation Ceremony
4m6 African Exorcism
5m1 Truth About Church
5m2 Jefferies Found
5m3 Soldiers / Butterflies
5m4 Battle Continues
5m5 FF Performs Exorcism
5m6A Sarah's Room (Part 1)
5m6B Sarah's Room (Part 2)
5M6c Discussing Sarah
6M1a Merrin Inside Church Tunnel (Part 1)
6M1b Merrin Inside Church Tunnel (Part 2)
6m2 Sarah Attacks Merrin
6m4 It's Father Merrin
7m1 End Credits

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Marco Beltrami / 2013 / World War Z

Source: Recording Sessions

1m4 Remain In Your Vehicle
1m5 Z-Shock In Philadelphia
1m6 Her Inhaler
1m7a NJ Mart
1m7b Newark Apartment
2m8 Her Talking Voice
2m9a Up To The Roof
2m9b The Argus
2m9b The Argus (Alternate)
2m10-11 How Scared Are You? / It's On Us
2m12 Daddy's Gonna To Work
2m12 Daddy's Gonna Go To Work (Alternate)
2m13a Mother Nature Is a Serial Killer
2m13b Quisling
3m14 Korea
3m15-16 It Was An E-Mail, Not A Memo
3m17 No Teeth, No Bite
3m18a Spines are Divine
3m18b Israel Better Pay Off
3m19ab Atomic Phone Call / Jerusalem
3m19a Atomic Phone Call (Alternate)
3m20 I'm Always The 10th Man
3m22 They Hear the Singing
4m23 They're Coming Over The Top
4m23 They're Coming Over The Top (Insert)
4m24a Zombie Via Dolorosa
4m24c Catch That Plane!!
4m24d Armageddon
4m25 Just A Liability
4m26 Zombies In Coach
4m27abc Wales Crash Landing / Mom (Mix A)
4m27abc Wales Crash Landing / Mom (Mix B)
5m28 Bona Fides
5m29 Deadly Pathogen
5m30 B-Wing
5m31 Sneaking Past Zekes
6m32 Squeaky Door
6m33 Skybridge
6m34 56964
6m35 Temporary Injection
6m35 Temporary Injection (Alternate)
6m36 Camouflage
6m37-38 Epilogue / Freezin' In Nova Scotia
7m1 Korean End Credits
7m2 Family End Credits

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