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Early Williams 9: Nightmare in Chicago (1964)


Thor

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Courtesy of member filmmusic here on the board, here are two clips from the TV movie adapted from the episode "Once Upon a Savage Night" from KRAFT SUSPENSE THEATER, directed by Robert Altman. It's the main title theme and the march for the convoy. More opinions on film and score here:

http://www.filmscoremonthly.com/board/posts.cfm?threadID=85885&forumID=1&archive=0&pageID=1&r=409#bottom

http://www.celluloidtunes.net/non-website/chicago1.mp3

http://www.celluloidtunes.net/non-website/chicago2.mp3

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Well, as I've said before, the main title theme which appears in the TV movie (and NOT in the Kraft Suspense Theatre) seems totally cut out from the rest of the score and I'm not sure if Williams composed this specifically for the movie or if it's an earlier composition of his that they added there.

All the rest of the score is very coherent and unified but this stands out and sounds totally irrelevant..

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@Thor & Filmmusic

Main Title (for the feature presentation of this episode) is most probably

by Stanley Wilson.

I have spotted the whole episode back in November. As well as half of all

existing Kraft Suspense episodes, and I seriously doubt it's Opening Titles

are out of JW's pen. It's a different, pretty anonymous style. It doesn't even

sound like it was only arranged by JW.

The music in the series was partially composed (mostly about 10 minutes

of score for each episode) and partially tracked from other shows and the

studio's audio libraries.

Stanley Wilson, at the time, was head of Revue Studios/Universal Music

and therefore Johnny Williams' boss and supervisor, also working with him

on Kraft Suspense.

Augie

The rest of the score is vintage Williams, of course!

Actually I'm working on a listenable suite of the original music featured

in this episode. The convoy theme gets repeated over and over again,

sometimes tracked. I have to sort it out.

The movie itself is quite difficult to find if you want to track it down. Even

Robert Altman didn't have a copy.

Augie

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Yeah, Jeff Eldridge over at FSM alluded to the fact that the main title music may not be by Williams, after all. Personally, I thought it sounded quite a lot like his crime jazz music (reminiscent of M SQUAD, for example). Would be interesting to know for sure.

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