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Jerry Goldsmiths POLTERGEIST II: THE OTHER SIDE - NEW 3CD Intrada edition


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INTRADA Announces:

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POLTERGEIST II
Composed and Conducted by JERRY GOLDSMITH
INTRADA Special Collection 370

In 1986, MGM premiered its sequel to the hit 1982 film Poltergeist. Returning to score Poltergeist II was composer Jerry Goldsmith, who had received an Oscar nomination for the first film's score. Relying sparingly on musical ideas and themes from the first film, Goldsmith wrote a new score, focusing on the new characters and supernatural ideas presented in the film. For Intrada, the film presented a landmark -- it was only its second release, following the prior year's inaugural release of the same studio's Red Dawn, but its first being tied to the premiere of a summer blockbuster (hopefully) film and its first Jerry Goldsmith album. The costs were enormous, including full payments to both the musicians' and singers' unions -- costs that only made a 30-minute album possible. The composer and music engineer Bruce Botnick assembled a program focusing on certain elements of the score, while ignoring others (mainly the aggressive action and large choral pieces).

Since that time, the soundtrack to Poltergeist II has been re-released and expanded by Intrada and several other labels, with alterations and additions along the way. The score has returned home now and it hails the most definitive version yet. This three-CD set presents the complete score from the digital Sony PCM 3324 mixes Goldsmith and Botnick prepared back in 1986 for presentation on CD. While clean and quiet as you'd expect from the digital medium, the producing team added a fair amount of reverb. The complete score is presented again, this time newly remixed from the 1/2" analog film mixes stored in the MGM vaults, designed more to suit the film. While not as balanced as the digital mix, it features a much more crisp, detailed sound, mainly due to the lack of reverb. 

The third disc features a wealth of alternate and unreleased material, the most impressive of which is the unreleased, complete initial version of the final confrontation, “Reaching Out/The Astral,” which features a distinctive three-part female chorus throughout the winding chordal sequences and, at one point, a solo soprano intoning her own descant. “The Astral” was Goldsmith’s own titling of the climactic sequence where Carol Anne reappears. For this early alternate confrontation music, besides the unique choral material, Goldsmith wrapped with a more detailed finale emphasizing a variety of colors before finishing with a deliberate, accented trombone coda. It is all being premiered here both with and without chorus. Both versions were dropped in postproduction and Goldsmith’s now-familiar re-scored sequence was used instead. Flipper-style booklet art plus all-new liner notes from Doug Fake chronicling entire history of this Intrada project complete this impressive Jerry Goldsmith presentation.

INTRADA Special Collection 370
Barcode: 7 20258 53702 7
Retail Price: $21.99
SHIPPING NOW
For track listing and sound samples, please visit:
http://store.intrada.com/s.nl/it.A/id.10863/.f
www.intrada.com

 

 

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POLTERGEIST II: THE OTHER SIDE (3CD)

Just in time for Jerry Goldsmith’s postumous receipt of coveted Hollywood Star! Intrada returns to its roots with totally remastered and expanded “specially-priced” 3-CD reissue of its own very first 1986 Goldsmith release! Oft-issued title courtesy several labels finally appears back home at Intrada, complete for the first time, including important sequences never before heard! Brian Gibson directs follow-up to wildly popular 1982 MGM fright-fest. Original cast returns with addition of Julian Beck (as evil Reverend Kane), Will Sampson (as shaman Taylor) headlining Native American storyline. Goldsmith anchors all-new score with not one but two themes associated with Taylor: first is lean, sinewy idea over sparse open chords, second is powerful, major-key theme typically heard in French horns, trumpet. For portions of film dealing with evil Kane, Goldsmith introduces dynamic satanic choral writing plus chilling variants on early hymn. Exceptionally dramatic and exciting music! “Carol Anne’s Theme” makes judicious appearances then wraps entire score in gentle fashion.

 

In its day, recording was considered state-of-the-art, utilizing then-new Sony PCM 3324 digital format. For initial 1986 release, Goldsmith and scoring mixer Bruce Botnick created pure digital two-track mixes designed for album and listening purposes. For film itself, Botnick created analog three-channel mixes, designed to balance with center channel dialog. For this definitive edition of Poltergeist II, Intrada presents both complete digital album mixes plus analog film mixes. Choose your preference.

 

CD 3 presents array of extras including all cues scored for orchestra and chorus but sans choir. Idea is not as redundant as it may seem: Finished film itself frequently drops chorus or dials it down to near-inaudibility. Cool highlight: Being presented for the first time ever is Goldsmith’s complete initial version of the massive final confrontation, “Reaching Out/The Astral”, which features a distinctive three-part female chorus throughout the winding chordal sequences and, at one point, a solo soprano intoning her own descant. “The Astral” was Goldsmith’s own titling of the climactic, heavenly sequence where Carol Anne re-appears. For this early alternate confrontation music, besides the unique choral material, Goldsmith wrapped with a more detailed finale emphasizing a variety of colors before finishing with a very deliberate, accented trombone coda. It is all being premiered here both with and without chorus. As it turned out, both versions were dropped in post-production and Goldsmith’s now-familiar re-scored sequence was used instead.

 

Flipper-style booklet art plus all-new liner notes chronicling entire history of this Intrada project complete this impressive Jerry Goldsmith presentation. Arthur Morton orchestrates, Jerry Goldsmith conducts. Intrada Special Collection 3-CD set available while quantities and interest remain!

 

CD 1 – Complete Soundtrack
(Digital Mixes)
01. The Power (7:49)
02. Things (1:58)
03. The Mall (2:11)
04. The Past (0:27)
05. Late Call (With Ringtone) (3:26)
06. The Dream (0:38)
07. Clouds (0:53)
08. It’s No Use (2:50)
09. Take Care (0:31)
10. Butterflies (0:51)
11. The Visitor (6:39)
12. Wild Braces (2:19)
13. Leave Us Alone (4:12)
14. The Smoke (4:45)
15. The Drink (0:47)
16. The Worm (7:00)
17. Out Of The Ceiling (1:11)
18. Back To Cuesta Verde (3:16)
19. Reaching Out/The Astral (8:31)
20. Carol Anne’s Theme (End Title) (3:05)
CD 1 Total Time: 64:03

CD 2 – Complete Soundtrack
(Analog Mixes)
01. The Power (7:49)
02. Things (1:58)
03. The Mall (2:11)
04. The Past (0:27)
05. Late Call (With Ringtone) (3:26)
06. The Dream (0:38)
07. Clouds (0:53)
08. It’s No Use (2:50)
09. Take Care (0:31)
10. Butterflies (0:51)
11. The Visitor (6:39)
12. Wild Braces (2:19)
13. Leave Us Alone (4:12)
14. The Smoke (4:45)
15. The Drink (0:47)
16. The Worm (7:00)
17. Out Of The Ceiling (1:11)
18. Back To Cuesta Verde (3:16)
19. Reaching Out/The Astral (8:31)
20. Carol Anne’s Theme (End Title) (3:05)
CD 2 Total Time: 63:53

CD 3 – The Extras
01. The Power (Without Choir) (7:49)
02. Late Call (Without Ringtone) (3:25)
03. The Dream (Revised) (0:39)
04. It’s No Use (Without Choir) (2:50)
05. The Visitor (Without Choir) (6:39)
06. Wild Braces (Without Choir) (2:19)
07. The Smoke (Without Choir) (4:45)
08. The Worm (Without Choir) (7:00)
09. Reaching Out/The Astral – Alternate (8:30)
10. Reaching Out/The Astral – Alternate (Without Choir) (8:30)
11. Reaching Out/The Astral (Without Choir) (8:31)
12. The Star-Spangled Banner (Francis Scott Key) (0:14)
CD 3 Total Time: 61:37

 

 

http://store.intrada.com/s.nl/it.A/id.10863/.f

 

http://www1.screenarchives.com/title_detail.cfm/ID/33485/POLTERGEIST-II-THE-OTHER-SIDE-3CD/

 

http://www.moviemusic.com/soundtrack/M10909/poltergeist2-the-other-side/

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Thanks for that, Inky. Once I start earning again, I'll invest in this (along with the other 25 OSTs that I need!). Looking forward to hearing the analog mixes (well, I am The Analog Kid!).

Am I missing something? The 20 tracks on both CD1 and CD2 are exactly the same length, yet CD1 has an extra 10 seconds on it. 

Anyway, the score is "an island of class, in a sea of dross", so...an essential purchase.

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1 hour ago, Richard said:

Am I missing something? The 20 tracks on both CD1 and CD2 are exactly the same length, yet CD1 has an extra 10 seconds on it. 

 

Typo.

 

 

1 hour ago, crocodile said:

I wonder how does it differ from the 2013 Kritzerland release. 

 

 

Did you not read the paragraphs Roger prepared that explain exactly how it's different?

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If anyone's willing to part with their old Kritzerland album for cheap, I'd be interested in buying it!

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5 hours ago, Jay said:

 

Typo.

 

 

 

 

Did you not read the paragraphs Roger prepared that explain exactly how it's different?

I did. But that doesn't really say much.

 

Karol

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I don't own this score, and I don't know it either. This is from someone who's favourite Goldsmith score is Poltergeist. Did Jerry build on the first score in a worthwhile way? 

 

It's been decades since I saw the movie to this. 

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It's not necessary to revisit the film, and if you've never heard this in almost 31 years, then don't bother, but if you do...the original LP had all the stuff one needed.

JG adds a new theme for grandma, and has an Native American sound for the Will Sampson character. He also makes use of the hymn GOD IS IN HIS HOLY HEAVEN, to illustrate Kane. The descending "house" motif also makes an appearance. Other than that it's as different from POLTERGEIST, as DAMIEN is from THE OMEN. It's cut from the same cloth, but instead of a bespoke Saville Row suit, one gets an off-the-peg M+S. Still, it is, without a single hint of a shadow of a doubt, the best thing about the film.

 

To add to what Jay has just posted: I'd recommend THE POWER, BUTTERFLIES, and THE SMOKE. 

If, however, you're expecting TWISTED ABDUCTION, or REBIRTH, you're going to be disappointed.

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8 minutes ago, Quintus said:

I don't own this score, and I don't know it either. This is from someone who's favourite Goldsmith score is Poltergeist. Did Jerry build on the first score in a worthwhile way? 

 

It's more 'Total Recall' than 'Poltergeist' (1982), though. Kind of mixed with 'The Omen', purged of its more challenging complexities. If you need this set (3 fucking discs) that is clearly geared towards hardcore collectors, is another question.

 

 

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Well, its only $22, so the fact that its 3 discs instead of 2 is really irrelevant, you just pick either disc 1 OR 2 as your listening disc, whichever mix you like more.  The alternates are not stuff you'll listen to every time

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9 minutes ago, Quintus said:

That eBay one looks more than adequate. Does Poltergeist 2 have big set piece cues like the first one does? 

 

THE POWER

THE SMOKE

THE WORM

REACHING OUT

There's also the very beautiful  BUTTERFLIES.

 

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'The Worm' was one of the inexplicable cuts on the original album where Goldsmith cut off the whole explosive finale of the cue but kept the slow-rising build-up. 

 

 

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1 hour ago, Jay said:

Well, its only $22, so the fact that its 3 discs instead of 2 is really irrelevant, you just pick either disc 1 OR 2 as your listening disc, whichever mix you like more.  The alternates are not stuff you'll listen to every time

Who would pay 15 bucks more for the same content? :pfft: This was a wise decision by Intrada.

 

But in general it can be seen as reissue. The main reason it was made is that the Kritzerland version is sold out. And the few additional extras are not worth buying it - for those who own the Kritzerland version:

 

The Power (without choir)

It's No Use (without choir)

Reaching Out/The Astral (without choir)

Reaching Out/The Astral - alternate

Reaching Out/The Astral - alternate (without choir)

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1 minute ago, Brundlefly said:

But in general it can be seen as reissue. The main reason it was made is that the Kritzerland version is sold out.

 

Well yes, obviously, of course that is the reason for it no doubt.

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2 hours ago, Quintus said:

That eBay one looks more than adequate. Does Poltergeist 2 have big set piece cues like the first one does? 

The opening cue is awesome:

 

 

Karol

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I'll buy the 15-disc complete sessions deluxe box-set, with an additional Blu Ray of the complete score in DTS Master Audio 7.1, remixed by Botnick himself, retailing at $649:95 (plus tax, and shipping - please allow up to 28 days for delivery), or I won't buy it! Such is my dedication to P2!

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Excessive.  The complete score with worthwhile alternates would happily fit on a single disc.  If both existing mixes were sub-optimal, why not have Bruce Botnick supervise a remix from the best available elements? 

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Its not something I would just rush out and buy it (But perhaps when I have some spare dough). I already paid about $31 for the Kritzerland 2cd from private seller and barely played 2 or 3 times last year. The analogue mix is quite good on it and blows away the reverby sound on Varese DE 1cd set. That Kritzerland expansion improves with repeated playback but to me on the whole (the sequel score) doesn't compare well to the original first film.Its too electronics quirky but enjoyable.

While, Intrada has a very good track of handling Goldsmith mixes and their recent WARLOCK was just nothing short of stunning. I'm only curious about the various alternates and different mix version on disc 3. Intrada being aware that most fans/collectors already have had multiple issues of this score; thus made a wise choice of dropping the price to a mere $22 is quite a bargain as it has been pointed out. 

Proper liner notes and the quintessential disc 3 are the only reasons to get it and its price tag is hence justified.

On another note; I must say that perhaps Intrada is the only label now showcasing multiple mixes of entire score presentations twice! Recent examples being: THE ROCKETEER, RAMBO: FIRST BLOOD PART II and now POLTERGEIST II: THE OTHER SIDE joining this new presentation bandwagon. Luxury or overkill? You decide?

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There will be much more reissues by Intrada and La-La Land. What else should they do after having completed "The Last Castle", "The Mummy" and "The Russia House". There is nothing left for these labels to expand.

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They will re-issue these again with very minor alterations. Some of you will re-buy them again. (I know I did. But I have to stop!) 

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2 minutes ago, Godzilla said:

 

I didn't even buy Deep Rising since I barely ever listen to the OST.

You should buy it. There are a few surprising cues. No one has ever raped the brass players like Goldsmith. The Intrada treatment improves the score although more tracks could have been connected. 33 tracks is too much for a 60 minute score.

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