Dixon Hill 4,234 Posted September 13, 2017 Share Posted September 13, 2017 As always, TheUlyssesian shows a shocking lack of nuanced thinking. Link to comment Share on other sites More sharing options...
TheUlyssesian 2,478 Posted September 13, 2017 Share Posted September 13, 2017 Whoa! What did I do to you. Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted September 13, 2017 Share Posted September 13, 2017 When normies refer to an LOTR "main theme" they always mean either the Shire theme or the Fellowship theme. Link to comment Share on other sites More sharing options...
KK 3,307 Posted September 13, 2017 Share Posted September 13, 2017 20 minutes ago, Disco Stu said: When normies refer to an LOTR "main theme" they always mean either the Shire theme or the Fellowship theme. This. But the work as a whole is hardly one built on a single "principle theme". Much like Wagner's cycle, there are certain themes that are more upfront melodically, and those that have more screen-time (hence why most audiences would latch on to the Fellowship Theme and the Shire theme), but trying to designate any one theme the status of "main theme" is a pointless exercise. Link to comment Share on other sites More sharing options...
Jay 37,346 Posted September 14, 2017 Share Posted September 14, 2017 2 hours ago, JohnSolo said: I heard somewhere that Shore originally intended for the "History of the Ring" to be the theme for Gondor, as that is the reason the cue plays during the scene when the Fellowship passes the Argonath in FOTR, but then was later designated the theme for the One Ring itself, as well as the trilogy. No, that's not right. Shore mentions the music in that scene as being Gondorian in the commentary track on the DVD because the original version of the cue featured the Gondor theme. The version used in the film (and OST CD) is a rewrite. If you buy Doug's book, it comes with a bonus CD of unreleased cues, one of which is the Gondor theme version of the cue. John 1 Link to comment Share on other sites More sharing options...
John 2,032 Posted September 14, 2017 Author Share Posted September 14, 2017 55 minutes ago, Jay said: No, that's not right. Shore mentions the music in that scene as being Gondorian in the commentary track on the DVD because the original version of the cue featured the Gondor theme. The version used in the film (and OST CD) is a rewrite. Ah, I see. Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted September 14, 2017 Share Posted September 14, 2017 6 hours ago, TheGreyPilgrim said: As always, TheUlyssesian shows a shocking lack of nuanced thinking. ??? He had the most helpful comment here. The right argument to identify a film's main theme. Link to comment Share on other sites More sharing options...
Dixon Hill 4,234 Posted September 14, 2017 Share Posted September 14, 2017 47 minutes ago, Brundlefly said: ??? He had the most helpful comment here. The right argument to identify a film's main theme. No. It's reductive to the point of irrelevance, which is something I've found his arguments often are, hence my dismissal. What's the "main theme" of Wagner's Ring? Parsifal? The notion of an obvious central theme being a necessity is something native to film music, and Shore's scores have their roots so firmly in these larger operatic traditions that it seems nonsensical to wonder about whether something could or should be classed as its main theme, and that the lack of one is a weakness in some way. Brónach 1 Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted September 14, 2017 Share Posted September 14, 2017 11 hours ago, Jay said: Yea, its the entire palette that makes LOTR the rich and rewarding experience it is, but the HOTR theme is still the main theme of the score! No it isnt! Link to comment Share on other sites More sharing options...
BloodBoal 7,538 Posted September 14, 2017 Share Posted September 14, 2017 Link to comment Share on other sites More sharing options...
crocodile 8,000 Posted September 14, 2017 Share Posted September 14, 2017 I'm not a massive fan of Potter music in general but Hedwig's theme is as famous as any theme as Williams has ever composed. it's no competition. Fellowship theme is bit more of a competition but still not enough. But then, Shore's music sets different goals for itself. It was never really about famous movie tunes. Karol Link to comment Share on other sites More sharing options...
SafeUnderHill 205 Posted September 14, 2017 Share Posted September 14, 2017 Jay and John 2 Link to comment Share on other sites More sharing options...
Jay 37,346 Posted September 14, 2017 Share Posted September 14, 2017 Cool, thanks! Link to comment Share on other sites More sharing options...
Brónach 1,302 Posted September 14, 2017 Share Posted September 14, 2017 21 hours ago, KK said: This. But the work as a whole is hardly one built on a single "principle theme". Much like Wagner's cycle, there are certain themes that are more upfront melodically, and those that have more screen-time (hence why most audiences would latch on to the Fellowship Theme and the Shire theme), but trying to designate any one theme the status of "main theme" is a pointless exercise. There's the three-note-"good" thing going on, but that's more like a word used in different phrases, and the scales and tonalities associated with stuff, which same Link to comment Share on other sites More sharing options...
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