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'Best Picture' Oscar Nominees That Should've Won?


John

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What are some examples of films that were nominated for best picture at the Academy Awards that didn't win but, in your opinion, should have won? Here are a few examples of films I personally think should have won the Oscar: E.T. over Gandhi, The Fellowship of the Ring over A Beautiful Mind, and Hugo over The Artist.

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The Shawshank Redemption > Forest Gump

 

Fargo > The English Patient

 

Saving Private Ryan > Shakespeare in Love

 

The Fellowship of the Ring > Beautiful Mind

 

The Pianist > Chicago

 

Hugo > The Artist

 

Life of Pi > Argo

 

Gravity > 12 Years A Slave

 

Boyhood > Birdman

 

The Big Short  > Spotlight

 

Hell or High Water > Moonlight

 

 

 

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  • La Grande illusion > You Can't Take It with You
  • Stagecoach >> Gone with the Wind
  • Citizen Kane >>>>>> How Green Was My Valley
  • Double Indemnity >>> Going My Way
  • *A Matter of Life and Death [not nominated] >> The Best Years of Our Lives
  • *Build My Gallows High [not nominated] >> Gentleman's Agreement
  • The Red Shoes >>>> Hamlet
  • *Kind Hearts and Coronets [not nominated] >>> All the King's Men

 

I  haven't even got beyond the 1940s yet...

 

*Admittedly, I didn't check on the eligibility of these films for nomination in the given years.

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RAGING BULL/TESS/THE ELEPHANT MAN > ORDINARY PEOPLE

 

E.T. > GANDHI

 

THE LION IN WINTER > OLIVER!

 

ALL THAT JAZZ/APOCALYPSE NOW> KRAMER VS KRAMER

 

THE DRESSER/THE BIG CHILL/THE RIGHT STUFF > TERMS OF ENDEARMENT

 

BROADCAST NEWS/THE LAST EMPEROR

 

JFK > THE SILENCE OF THE LAMBS

 

TRAFFIC > GLADIATOR

 

IN THE BEDROOM > A BEAUTIFUL MIND

 

ANY FILM EVER MADE, EVER!!! > CRASH

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4 minutes ago, Richard said:

JFK > THE SILENCE OF THE LAMBS

 

:eh:

 

 

 

Quote

IN THE BEDROOM > A BEAUTIFUL MIND

 

Oh yes, that's a good one, forgot about that one

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The Silence Of The Lambs is (I s**t you not) one of the funniest films that I've ever seen. Its not disturbing, and its not chilling, and its not scary. I just laugh at the whole pretentious, poe-facedness of it all. Sorry to criticise what is a well-loved film, but I can't help it. It doesn't do it, for me.

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Oh, just an unusual reaction to the film you have there.  Most people love it.  But I understand it is not for everyone.

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It would be quicker to list the years in which a worthy candidate won the award. For example, the years of On the WaterfrontLawrence of ArabiaAnnie HallAmadeusUnforgiven, and of course 1964 in which they passed over Dr. Strangelove for the far superior My Fair Lady.

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23 minutes ago, Richard said:

Theatrical, or extended?

 

Great question. It was whatever Amazon Prime had, so probably the theatrical.

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Oooh, that's nice, considering that the director's cut is all that's available on DVD & Blu-ray for JFK.

 

My two cents: as much as I like Dances With Wolves and recognize the importance of its subject matter, in hindsight it made more sense to give top prizes to Scorsese and GoodFellas that year

 

And Letters From Iwo Jima >> The Departed

Pulp Fiction > Forrest Gump

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Munich didnt belong as a nominee let alone Win.

 

And no film deserved to beat Silence of the Lambs except possibly Beauty and the Beast.

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2 hours ago, Richard said:

I think that JFK is a genuine f***ing masterpiece, but a lot of people think that it's conspiracy-theory hogwash. It's horses for courses.

 

Well, for a lot of people, myself included, it is conspiracy-theory hogwash, but it is also an excellent and extremely well-made film.  Not sure I'd take it over SotL, but it'd be a worthy winner.

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46 minutes ago, John said:

This might be an unpopular opinion around here, but Up > The Hurt Locker.

UP was one of the better Disney Pixar ones of that time. WallE was also a good watch.

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1971: A Clockwork Orange > The French Connection

 

1975: Barry Lyndon >> One Flew Over the Cuckoo's Nest

 

1976: Taxi Driver > Rocky

 

1986: The Mission >>> Platoon

 

1990: They nominated The Godfather Part III and Awakenings?!:eh:

 

1994: Pulp Fiction >>> Forrest Gump

 

1995: Neither Casino nor Leaving Las Vegas get nominated and Braveheart wins?!:eh:

 

1997: L.A. Confidential >> Titanic

 

2000: Traffic > Gladiator

 

2005: Brokeback Mountain >> Crash

 

2012: Django Unchained > Argo

 

2013: The Wolf of Wall Street >> 12 Years a Slave

 

2017: Phantom Thread >>> The Shape of Water

 

 

 

 

 

In the history of the Oscars there were only three serious Oscar-thieves:

 

1986: Platoon <<< The Mission

1994: Forrest Gump <<< Pulp Fiction

1995: Braveheart <<< Casino

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7 hours ago, Glóin the Dark said:

Even Quiz Show > Forrest Gump.

QUIZ SHOW is seriously good. Cheating on a quiz show is like plagiarising a comic-strip.

 

 

7 hours ago, Glóin the Dark said:

Even Andie MacDowell unconvincingly feigning obliviousness to adverse weather conditions > Forrest Gump!

Is it raining? I hadn't noticed :pukeface:

 

Fuck!

Fuuuuk!

Fuck fuckitty fuck.

Don't say its the B358.

It's the B558.

Fuck iiiiit!

Bugger.

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10 hours ago, Brundlefly said:

2017: The Shape of Water >>> Phantom Thread

 

I think you have this in reverse; The Shape of Water won the Oscar, not the other way around

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41 minutes ago, Chen G. said:

Braveheart>>>>Everything, except Return of the King.

Braveheart is an intense, but trivial and one-dimensional film and as such one of the biggest Oscar-catastrophes. The appreciation of a racist film like Blind Side is also quite scandalous.

 

Enjoy Braveheart, but do not claim it deserved the Oscar for Best Picture.

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1 hour ago, Glóin the Dark said:

 

I know. It's a pile of shite!

You are so mistaken.

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Just now, Richard said:

 

Don't you mean

"You are so..wrong!"? :)

No. He is wrong because he's mistaken.

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I'll take your word for that. I watched it in 19whenever, and I've not wanted to watch it, since. I'm not denying that it's a good film, its just that it's a film that doesn't interest me. I would have awarded the Oscar to IL POSTINO.

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20 minutes ago, JoeinAR said:

You are so mistaken.

 

About it being "shite", perhaps. About it not being the best film of 1939, no way! Stagecoach wipes the floor with Gone with the Wind, and there's a whole bunch of other great films from that year that I would also place higher (The Wizard of Oz and Ninotchka among them; I'd say the very best film of 1939 is La Régle du jeu, though I don't know what it's status was regarding Oscar eligibility).

 

18 minutes ago, Richard said:

"You are so..wrong!"? :)

 

It rubs the lotion on its skin or else it gets the hose again.

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3 minutes ago, Chen G. said:

It doesn't deserve Best Picture.

 

It deserves "The Best of Best pictures."

 

Casablanca? Lawrence of Arabia? The Godfather? The Godfather Part II?

 

Braveheart is alright, I guess, but it's nowhere near as good as many, if not most, of the films that have won best picture.

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49 minutes ago, Glóin the Dark said:

 

About it being "shite", perhaps. About it not being the best film of 1939, no way! Stagecoach wipes the floor with Gone with the Wind, and there's a whole bunch of other great films from that year that I would also place higher (The Wizard of Oz and Ninotchka among them; I'd say the very best film of 1939 is La Régle du jeu, though I don't know what it's status was regarding Oscar eligibility).

 

 

It rubs the lotion on its skin or else it gets the hose again.

39 IS a great year for film but Gone With The Wind derserves its place. Its a great film. Its an important film. Its a film the pc dickheads can shut the fk up about. It is a wonderful snap shot of a different era

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1 hour ago, John said:

Lawrence of Arabia?

 

In terms of historical epics, Braveheart's my favorite. I like it more than Lawrence of Arabia; I like it way more than Ben Hur.

 

It moves me far more, therefore it is the better film.

 

And "Best Picture" is, to no little extent, the "best producer" award: That's why its given to the producer. And Braveheart is the most ambitious production of that year. A 3-hour, thick-accented, R-rated, on-location, harrowing historical war epic and a period piece, and a tragedy on top of that, with a script that eschews the three-act structure, all helmed by an actor of "mindless" action roles in his second directorial role, whose also starring the picture? the potential for it to be a disaster was there, but it turned out amazing.

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