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Harry Potter 7CD Collection - MUSIC discussion

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So how come these obvious widespread grand sheet music revelations never made it into the 10 year old accessible cue lists on the main page or your brand new fandangled updated 20 page spreadsheet instead of keeping up the gatekeeping or (sometimes condescendingly) implicating more info is available... somewhere...

 

Or maybe the booklets could have included the cue names and slates already, with an additional few pages, or cutting down on repeating some of the pictures like the Radcliffe/Columbus pointing one, but Mike only does them occasionally, seemingly randomly. A.I. gets one, ST:TMP gets one, Superman gets one, Potter and CE3K don't for some reason.

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10 hours ago, mrbellamy said:

"These 5 seconds are everything. Without them we are deaf. Without them we leave the fate of JWFan to chance. You have no choice. You must not fail."

 

Halfblood-02485.jpg

Turn out your pockets.

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7 minutes ago, fommes said:

Is the Diagon Alley Reveal insert supposed to supplant 0:11-0:17 of the track, or was it indeed an insert that extends it?

 

I have no clue but my sync attempt seems to fit pretty well as far as only the opening is concerned:

 

 

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The other day I started wondering about the alternate HP1 logo music. Where do we think was its original placement? Looking at the slate number and looking at it from a purely musical level, I can't imagine that it could havpe played right before the arrival cue, but then where would it have been? Somewhere between 1M1 and 1M3, for instance, right before they enter the zoo?

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I just guess it was the original opening, for the Warner logo at the very beginning, before Williams, Columbus or both decided it wasn't right and the new Logo at the beginning of the film and LLL Track 1 was written.

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Just noticed something interesting: I have embraced the train station-flying car transition. My new computer comes with some great Dolby Atmos normalise/crystalise tool and makes the transition sound much, much better, even perfect!

 

(Listening to the HP3 pub music now and feeling at peace with the world.)

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5 hours ago, bollemanneke said:

It does! I know it's weird, but now it sounds great.

 

Does it still sound "off" to you if you listen to it on other equipment? I'm wondering if you've simply gotten used to the timing of the edit. In my experience, these sorts of segues sound more and more natural the more you listen to them.

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Is that choir little cue at the beginning an edit from the editors or really an unreleased cue that isn't on the LLL set but plays in the movie?

 

 

I can't see what cue we have on the LLL set this could come from :( 

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We know the Azkaban editors did a great job making their edits unnoticable but this seems a bit too much to pitchshift and reedit from the following cue, and too similar to be some synth choir which I could maybe believe the film's Apparition ending could be.

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53 minutes ago, bollemanneke said:

So is this the guy who is finally going to give us the isolated score? I must say I prefer the original composition, though (end of Three Broomsticks), must be one of the most haunting cues I've ever heard.

That guy seems to get the "film-only" cues from 5.1/7.1 channel isolation.

 

By the way, another thing: in "Befriending the Hippogriff", there is a big difference between the film and the LLL version in the beginning of the cue when the harpsichord plays:

 

Did Mike use a wrong take for his presentation?

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