Mr. Who 919 Posted February 10, 2022 Share Posted February 10, 2022 Good to hear! I''m seeing it tomorrow Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 11, 2022 Share Posted February 11, 2022 Better than the first one, for sure. Yavar Moradi, Mr. Who and Demondm810 2 1 Link to comment Share on other sites More sharing options...
Jay 37,287 Posted February 11, 2022 Share Posted February 11, 2022 Here's every digital music retailer / streamer I can find this at today - if anybody knows other places, please share! https://www.qobuz.com/us-en/album/death-on-the-nile-patrick-doyle/jz2isu7hkgoca https://us.7digital.com/artist/patrick-doyle/release/death-on-the-nile-original-motion-picture-soundtrack-19966381 https://tidal.com/browse/album/215226850 https://music.apple.com/us/album/death-on-the-nile-original-motion-picture-soundtrack/1607926607 https://www.amazon.com/dp/B09RT4HN5Z https://soundcloud.com/patrick-doyle-official/death-on-the-nile https://music.youtube.com/playlist?list=OLAK5uy_mxjL-W5CN8Bw48uR_JiGBRV1XnQKG69fM https://open.spotify.com/album/4E1b7Yz7H3owmRuDSpDjja?si=AbpGKCUAT-iSH2KLKfugqQ Link to comment Share on other sites More sharing options...
TheUlyssesian 2,473 Posted February 11, 2022 Share Posted February 11, 2022 I have been listening to it. I gotta say, I am disappointed to see no reprisal of themes from the previous film. There is a couple of hints here and there but that's it. I am guessing Christian Clemesen will be annoyed by that. It also maybe clarifies certain theme associations from the prior film. Many people though the main theme from the last film was a theme for Poirot and not the train. Well if it were a theme for Poirot, wouldn't it return here? To my knowledge it does not. Of course the Armstrong theme cannot return. But what about the Journey theme? That could function as a general travelogue identity. It is hinted at in one cue but does not return either. Link to comment Share on other sites More sharing options...
ddddeeee 243 Posted February 11, 2022 Share Posted February 11, 2022 2 hours ago, TheUlyssesian said: I have been listening to it. I gotta say, I am disappointed to see no reprisal of themes from the previous film. There is a couple of hints here and there but that's it. I am guessing Christian Clemesen will be annoyed by that. It also maybe clarifies certain theme associations from the prior film. Many people though the main theme from the last film was a theme for Poirot and not the train. Well if it were a theme for Poirot, wouldn't it return here? To my knowledge it does not. Of course the Armstrong theme cannot return. But what about the Journey theme? That could function as a general travelogue identity. It is hinted at in one cue but does not return either. Completely agree. Poirot goes through a lot in this movie and there was real opportunity to play with that theme. A definite shame. I thought that Doyle had a lot less to do with this one in general. The music during pivotal scenes is often quite restrained. I'm sure it'll reveal itself a lot on repeated viewings/listenings, but my immediate impression is that this is a step down from MotOE. The movie, however, is considerably stronger. Link to comment Share on other sites More sharing options...
Drew 590 Posted February 12, 2022 Share Posted February 12, 2022 This is perhaps the first Doyle score where his compositional voice gets lost on me. Half of it sounds like boring Remote Control Productions stuff. Who is telling Doyle to write in such a boring style? Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 13, 2022 Share Posted February 13, 2022 On 12/02/2022 at 2:22 AM, Drew said: This is perhaps the first Doyle score where his compositional voice gets lost on me. Half of it sounds like boring Remote Control Productions stuff. Where have you been? Doyle has been writing like this since his Apes/Thor and Jack Ryan scores, and truth to be told, apart from british stuff like 'All is True', his american scores tend to be on the weak side, 'Orient Express' included. At least the travelogue stuff and some of the more outré moments in 'Nile' sound much more attractive. Jurassic Shark 1 Link to comment Share on other sites More sharing options...
Mr. Who 919 Posted February 13, 2022 Share Posted February 13, 2022 I enjoyed both the score and the movie and definitively think it sounds like Doyle, of whom I'm a big fan. Just the instrumentation and melody writing is typical Doyle IMO. My favorite cue would be the last one probably which is the end credits suite. Also I think I can hear a hint of Shore's LOTR in a few cues, like Immortal Longings. Link to comment Share on other sites More sharing options...
Edmilson 7,393 Posted February 13, 2022 Share Posted February 13, 2022 The score is pretty low-key and understated. Much of the cues are just suspense music played by cellos and bass, and some of them reminded me of Batman Begins. However, the final tracks are pretty good and melancholic. Link to comment Share on other sites More sharing options...
Drew 590 Posted February 13, 2022 Share Posted February 13, 2022 16 hours ago, publicist said: Where have you been? Doyle has been writing like this since his Apes/Thor and Jack Ryan scores, and truth to be told, apart from british stuff like 'All is True', his american scores tend to be on the weak side, 'Orient Express' included. At least the travelogue stuff and some of the more outré moments in 'Nile' sound much more attractive. I just hope for a return to the old Doyle action sound every time. 😭 Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted February 13, 2022 Share Posted February 13, 2022 I mean... Agatha Christie adaptations aren't the place to look for that. Link to comment Share on other sites More sharing options...
Jay 37,287 Posted March 4, 2022 Share Posted March 4, 2022 OK here's a clip from the movie And here's an audience reacting very strangely to it Why does the audience go nuts here, what am I missing? Link to comment Share on other sites More sharing options...
Edmilson 7,393 Posted March 4, 2022 Share Posted March 4, 2022 Judging by the subtitles, this was here in Brazil, or maybe in Portugal. Maybe they were overreacting to Gadot and recognizing her as Wonder Woman from DC? Link to comment Share on other sites More sharing options...
TSMefford 1,509 Posted March 4, 2022 Share Posted March 4, 2022 And here I am only going nuts over the very noticeable ADR on Gadot from 0:29-0:39 in the YouTube clip. Lol. Link to comment Share on other sites More sharing options...
TheUlyssesian 2,473 Posted March 4, 2022 Share Posted March 4, 2022 I think the twitter clip might be "edited". And watching Gadot in films, I get the sense, she spends A LOT of time in ADR booths. Link to comment Share on other sites More sharing options...
HunterTech 987 Posted March 4, 2022 Share Posted March 4, 2022 I only remember people mocking the "enough champagne" line delivery from the trailer, so maybe it's that. I ain't about to watch the vid though, since I tend to generally feel uneasy seeing things with audience reactions outside of the theater. Link to comment Share on other sites More sharing options...
bruce marshall 1,315 Posted March 4, 2022 Share Posted March 4, 2022 6 hours ago, Jay said: OK here's a clip from the movie And here's an audience reacting very strangely to it Why does the audience go nuts here, what am I missing? That must be an IMAX screening. I don't understand why.directors like Branagh and Nolan don't shoot non- IMAX footage in 1"85 so they don't have to crop out so much for the standard 2:35 prints. Link to comment Share on other sites More sharing options...
Arpy 4,145 Posted March 4, 2022 Share Posted March 4, 2022 There's one prominent theme in this film and it plays in almost every scene and transition. Not the best score, but it fits the film well and sets the tone nicely. Link to comment Share on other sites More sharing options...
Jurassic Shark 12,030 Posted March 4, 2022 Share Posted March 4, 2022 Are you saying it's played to death? bruce marshall 1 Link to comment Share on other sites More sharing options...
JNHFan2000 2,944 Posted March 4, 2022 Share Posted March 4, 2022 That is obviously not a reaction to that scene. Or even a reaction to Death On The Nile. It's edited Link to comment Share on other sites More sharing options...
Mr. Who 919 Posted March 4, 2022 Share Posted March 4, 2022 2 hours ago, Arpy said: There's one prominent theme in this film and it plays in almost every scene and transition. Not the best score, but it fits the film well and sets the tone nicely. I think I noticed about 2-3 themes in the score but one theme is really dominant, like you said, and is used in a lot of cues, though in completely different ways and I really like the way that Doyle moulds the theme into so many different contexts and uses throughout the score. Bofur01 1 Link to comment Share on other sites More sharing options...
Jay 37,287 Posted March 4, 2022 Share Posted March 4, 2022 4 hours ago, JNHFan2000 said: That is obviously not a reaction to that scene. Or even a reaction to Death On The Nile. It's edited OK, but why? Is it just a "Gal Gadot can't act" joke? Link to comment Share on other sites More sharing options...
HunterTech 987 Posted March 4, 2022 Share Posted March 4, 2022 That's literally it. Outside of WW (for which even that still has its issues in key instances), people tend to really pick apart her acting. Link to comment Share on other sites More sharing options...
Jay 37,287 Posted March 4, 2022 Share Posted March 4, 2022 Got it Link to comment Share on other sites More sharing options...
bruce marshall 1,315 Posted March 4, 2022 Share Posted March 4, 2022 Who cares if she can act!😍😍😍😍🎄😍🎄 Jurassic Shark 1 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,030 Posted March 4, 2022 Share Posted March 4, 2022 Are you saying she's good at acting hot? Link to comment Share on other sites More sharing options...
Jay 37,287 Posted March 7, 2022 Share Posted March 7, 2022 Third Poirot Film in the Works From Kenneth Branagh & 20th Century Studios Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted March 7, 2022 Share Posted March 7, 2022 I hope he does one of the England-set novels now. Which should bring excited speculative fantasy casting of Chief Inspector Japp and/or Capt. Hastings and/or Miss Lemon and/or Ariadne. Link to comment Share on other sites More sharing options...
Jay 37,287 Posted March 7, 2022 Share Posted March 7, 2022 The article reveals it will be set in Venice Quote Will there be more Agatha Christie adaptations? We have the Poirot franchise, we have other Christie stories. I love these films, I love Ken [Branagh, who plays detective Hercule Poirot and directed Murder on the Orient Express and Death on the Nile]. We have a third script written, by Michael Green, that is a pretty daring shift in genre and in tone. It’s post-war Venice and an adaptation of one of the lesser-known novels. So I think you’ll see the mustache again. Would the mustache direct as well? Yes. Ken is Poirot, but Ken is also the series. Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted March 7, 2022 Share Posted March 7, 2022 Sigh Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now