Jump to content

.


Fabulin

Recommended Posts

Of course, the greatest musical opening to a film, is STAR WARS. That one note, coupled with the yellow title card, draws the viewer/listener in, like never before. It's quite stunning, and it sets-up the single greatest, and most significant shot in film history.

 

My favourite musical opening, however, is the "flip-side" of STAR WARS.

CLOSE ENCOUNTERS OF THE THIRD KIND creates mystery, suspense, wonderment, and not a little confusion, as one tries to guess what might happen at the climax of the music. It's the perfect musical "intent", of the film, itself.

Link to comment
Share on other sites

10 hours ago, Naïve Old Fart said:

That one note, coupled with the yellow title card, draws the viewer/listener in, like never before.

 

It's actually a chord. ;)

 

On 10/29/2019 at 8:16 PM, Modest Expectations said:

Courtesy of Hans Zimmer, John Powell, and Elton John.

 

So Powell did the composing, Elton did the singing, and the third guy counted the money?

Link to comment
Share on other sites

10 hours ago, Naïve Old Fart said:

Of course, the greatest musical opening to a film, is STAR WARS. That one note, coupled with the yellow title card, draws the viewer/listener in, like never before. It's quite stunning, and it sets-up the single greatest, and most significant shot in film history.

 

I prefer the opening 2 notes for Skyfall.

Link to comment
Share on other sites

14 hours ago, Naïve Old Fart said:

Of course, the greatest musical opening to a film, is STAR WARS. That one note, coupled with the yellow title card, draws the viewer/listener in, like never before. It's quite stunning, and it sets-up the single greatest, and most significant shot in film history.

 

 

To be honest, ever since ROTJ, the Prequels and the Disney Star Wars movies, the opening credits of Star Wars lost much of their allure. 

Link to comment
Share on other sites

I know it sounds stupid, but...I really miss the 20th C F logo, and fanfare. For me, it's as much a part of the films, as the titles. 

 

 

3 minutes ago, Alexcremers said:

 

To be honest, ever since ROTJ, the Prequels and the Disney Star Wars movies, the opening credits of Star Wars lost much of their allure. 

Is this because they don't mean as to you?

Link to comment
Share on other sites

2 minutes ago, Naïve Old Fart said:

I know it sounds stupid, but...I really miss the 20th C F logo, and fanfare. For me, it's as much a part of the films, as the titles. 

 

 

I know what you mean. I had that with 20th Century Fox/Star Wars and with The Ladd Company/Blade Runner.

Link to comment
Share on other sites

I'm not really a fan of the movies but Spider-Man had a very exciting opening due to the music and the way it matched the presentation of the credits themselves.

 

But for me the most memorable and deeply impactful marriage of on screen credits and music has always been Superman: The Movie. That single sequence probably influenced my taste in music for the rest of my life, and made me more than just a casual movie lover.

Link to comment
Share on other sites

3 hours ago, Naïve Old Fart said:

I know it sounds stupid, but...I really miss the 20th C F logo, and fanfare. For me, it's as much a part of the films, as the titles. 

I actually don’t miss it (which is probably straight-up sacrilege to say aloud). I always thought two fanfares in a row was a little much.

Link to comment
Share on other sites

4 hours ago, Alexcremers said:

 

I know what you mean. I had that with 20th Century Fox/Star Wars and with The Ladd Company/Blade Runner.

 

Why does the Ladd Company logo sound like it was recorded on an Edison phonograph?

Link to comment
Share on other sites

2 minutes ago, Quintus said:

Another indelible impression in the credits made by music and action:

 

 

 

Starting at 2:03, you briefly hear The Bangles singing their song "I Got Nothing"

 

Good sequence all around

Link to comment
Share on other sites

 

Audio is wonky in this video, so it's not very enjoyable to listen to, but it should be enough to show how perfectly the overture (a "proper" one, serving as exposition for the themes that will be developed throughout the score) matches the visuals.

Link to comment
Share on other sites

4 hours ago, Quintus said:

...the most memorable and deeply impactful marriage of on screen credits and music has always been Superman: The Movie. That single sequence probably influenced my taste in music for the rest of my life, and made me more than just a casual movie lover.

Fuck, yeah!!! :thumbup:

Lee, I saw SUPERMAN in 70mm/6-track, on its first weekend, in London, December, 1978. 

"Blown away" doesn't even to begin to describe it. It was absolutely stunning, and the only time that I've heard people applauding during the main titles! I'll never forget it.

Link to comment
Share on other sites

19 minutes ago, Gruesome Son of a Bitch said:

 

Why does the Ladd Company logo sound like it was recorded on an Edison phonograph?

 

I have always wondered about that myself. It's like they lost the original recording and therefore used the backup on cassette tape instead. 

 

Just now, Naïve Old Fart said:

Fuck, yeah!!! :thumbup:

Lee, I saw SUPERMAN in 70mm/6-track, on its first weekend, in London, December, 1978. 

 

 

I think I've seen the same 70mm blow up in Antwerpen. 

Link to comment
Share on other sites

45 minutes ago, Naïve Old Fart said:

Quite possibly, but I prefer FRANKENSTEIN...er, sorry, KENNETH BRANAGH'S FRANKENSTEIN...shit, I mean KENNETH BRANAGH'S MARY SHELLEY'S FRANKENSTEIN. Phew.

 

Or, for short, FRANKENNETHSTEIN

Link to comment
Share on other sites

  • Kubo and the Two Strings (Dario Marianelli). I got chills in the cinema hearing it and it gives you a sense of the scale that the film is trying to convey.

 

  • Harry Potter and the Goblet of Fire (Patrick Doyle). Sets a darker tone for the film and the rest of the series.

 

Link to comment
Share on other sites

15 hours ago, Quintus said:

I'm not really a fan of the movies but Spider-Man had a very exciting opening due to the music and the way it matched the presentation of the credits themselves.

 

This. Those opening credits was a big film music moment for me as a kid, before I knew anything about Williams or Zimmer.

 

Also remember getting all swept up by the rush of all those running ostinati in the opening of the Matrix. Was super bad-ass:

 

 

Kilar's music also does wonders for the opening Coppola's Dracula. Absolute chills when the title card pops up...

 

 

Link to comment
Share on other sites

Opening credits to Babe (1995). Nigel westlake’s adaptation of Saint-Säens was and remains timeless. And the rest of the movie is something of a modern miracle in its own right. 

And it uses the Horner Universal logo! Delicious.

Link to comment
Share on other sites

3 hours ago, Thekthithm said:

Why don't they do opening titles much anymore?

 

Too slow. Shot attention span. Fear of people leaving the theatre after two minutes. Boring, unless opening credits is explosion after explosion.

 

 

2 hours ago, Corellian2019 said:

What I refer to as the opening from God... 

 

 

 I think Steef, after yesterday, can testify to that.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...

Important Information

By using this site, you agree to our Guidelines.