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Posted

Some new pictures from the fifth movie (click for high-res versions):

normal_neville.jpg

normal_harry.jpg

normal_atrium.jpg

normal_atrium2.jpg

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Posted

I think I speak for everyone when I ask: what the hell's with Harry's part? Okay, I was one of those people who hated the scruffy longness of GoF, but the part is going too far.

Posted
I think I speak for everyone when I ask: what the hell's with Harry's part? Okay, I was one of those people who hated the scruffy longness of GoF, but the part is going too far.

well since he's going to trial it probably wouldnt hurt for him to look his best.

Posted

I caught a few minutes of the first film over the weekend. I had to turn it off. Mr. Radcliffe and company were not very good actors in the begining. I think puberty did wonders for them.

Posted

The Ministry of Magic isn't what I was expecting. It looks more sewer-like, and not as...fancy. What's up with those brick buildings behind the fountain?

Posted

I thought Emma Watson was very good in the first movie already. Overdone, certainly, but in a very fitting and amusing way. Rupert Grint was mostly quite good as well.

Posted

The kids were good in HPPS,and sometimes unintentionally funny,which I liked.In CoS they weren't too good.

K.M.

Posted

I thought they were all overacting and unconvincing in the first film. Only when they got a great director did their performances shine.

Posted
Radcliffe was better then that Culkin kid under the same director

Radcliffe in SS and CoA better than Culkin in Home Alone?? Poppycock!

Ray Barnsbury

Posted

the mexican guy is not a great director, he's a f***ing idiot

Posted
I was referring to The Philosophers Stone
...in which Radcliffe's performance is adequate at best.
the mexican guy is not a great director, he's a f***ing idiot

Both films I've seen of his (PoA and Children of Men) are very good.

Ray Barnsbury

Posted

Such anger . . .

Posted

Harsh brotherly love.

How beautiful. ;)

Posted

I have close friends that I would consider my brother, I just don't get that mad at them.

Posted
[
the mexican guy is not a great director, he's a f***ing idiot

Both films I've seen of his (PoA and Children of Men) are very good.

You should check out Y tu mamá también. It's rather adult, so make sure the parents are around!

Tim

Posted

I don't get that mad at them, but I do get mad sometimes as we all do.

Posted
You should check out Y tu mamá también. It's rather adult, so make sure the parents are around!

Yeah, I've heard good things about it. I'll have to have a screening sometime (parent-free)!

Ray Barnsbury

Posted

It is only fitting that my 10000th post be in the longest and most successfull thread on the message board.

Daniel Radcliffe expects Harry to die, if you want to read more go to www.the-leaky-cauldron.org

I do not expect anyone to bow, or few to care, but on a day I prepared perfect mashed potatoes and a gravy that would make Jesus himself weep, I am now a Master.

some will say only a master of evil, but I am not. Well maybe I am, I do afterall tell the pizza joke from hell.

Posted

Master has no meaning anymore.I'm glad I acheved it while it was still prestigious

Posted
I do not expect anyone to bow, or few to care, but on a day I prepared perfect mashed potatoes and a gravy that would make Jesus himself weep, I am now a Master.

Jesus does love his mashed potatoes. ;)

Posted
the mexican guy is not a great director, he's a f***ing idiot

You say that as if those are contradictions. Many great directors are fucking idiots. And Cuaron IS a great director, far better than Columbus. He made what is by far the best Harry Potter film, and two other exceptional films, and two other rather good films.

Posted

I still have some real problems with PoA (Curon's overly artsy style and the backstory removal) but there's no denying it's aged much better than the previous two films.

Posted
I still have some real problems with PoA (Curon's overly artsy style and the backstory removal)

Since when is it bad that a director tries to give a definite look and style to his film? PoA may be the only Potter film yet that I don't just watch but feel.

Posted

I think you're missing my point. Of course a director should do that. I just don't like the style he choose. A bit too artsy-fartsy in parts for my taste.

Posted
I'm sorry, but define artsy-fartsy?

Artsy Fartsy:

Boring independant films(usually with subtitles) shown in small art house theaters to people who think they are above everyone else and who stubbornly refuse to watch bluckbuster movies

Posted
It is only fitting that my 10000th post be in the longest and most successfull thread on the message board.

Actually Joe, my thread "What is the last film you watched?" was locked and restarted by Neil. Part II of that thread currently has 4809 posts and although the first one cannot be accessed I remember it had well over 2500 posts.

Jeff

Posted
there's no denying it's aged much better than the previous two films.

I just don't like the style he choose. A bit too artsy-fartsy in parts for my taste.

That's why POA is only of the series that is great and the first quote is the proof for that fact.

Posted
I'm sorry, but define artsy-fartsy?

It this about the fluent camera movements in POA?

No, I'm thinking more of things like the various nature shots, the cutaways to that cukoo clock in the Aunt Marge scene, and the way that there's constantly clock or the sounds of clocks all through the movie just because the ending involves time. None of which work for me.

But these are more quibbles than complaints, they certainly don't ruin the film. I meant what I said about it aging the best, although I'm not particularly enamoured with any of the Potter films anymore. I'll stick to the books.

Posted
It is only fitting that my 10000th post be in the longest and most successfull thread on the message board.

I wish Alexcremers was still around so we could congratulate him for this.

Posted

yes, what ever happened to good ole Alex, miss his excellent posts.

Posted
I'm sorry, but define artsy-fartsy?

It this about the fluent camera movements in POA?

No, I'm thinking more of things like the various nature shots, the cutaways to that cukoo clock in the Aunt Marge scene, and the way that there's constantly clock or the sounds of clocks all through the movie just because the ending involves time. None of which work for me.

But these are more quibbles than complaints, they certainly don't ruin the film. I meant what I said about it aging the best, although I'm not particularly enamoured with any of the Potter films anymore. I'll stick to the books.

Oh you didn't like them? I thought the time theme was great. It's more than the time travel though. A great deal of the story is about Harry's (And Sirius') past - sure, most of the books are about someone's past, but it has more of a presence. Sirius regrets his past and would change time if he could. Harry laments the lost time with his family. It's also a major plot point (the whole time travel sequence). There's more to it than just fancy takes on one idea, I reckon. It's admirable that Alfonso chose to take only a few important themes from the book and make his movie about them instead of replaying the entire story. And even more admirable that he chose a less obvious one and made some great visual motifs from it.

That's my take on things, anyway.

Posted
No, I'm thinking more of things like the various nature shots, the cutaways to that cukoo clock in the Aunt Marge scene, and the way that there's constantly clock or the sounds of clocks all through the movie just because the ending involves time. None of which work for me.

Oh yes, heaven forbid a director includes subtleties into a movie! They may not improve the effect the has on you while you're watching, but it makes the film more vibrant.

Posted
Oh you didn't like them? I thought the time theme was great. It's more than the time travel though. A great deal of the story is about Harry's (And Sirius') past - sure, most of the books are about someone's past, but it has more of a presence. Sirius regrets his past and would change time if he could. Harry laments the lost time with his family. It's also a major plot point (the whole time travel sequence). There's more to it than just fancy takes on one idea, I reckon. It's admirable that Alfonso chose to take only a few important themes from the book and make his movie about them instead of replaying the entire story. And even more admirable that he chose a less obvious one and made some great visual motifs from it.

That's my take on things, anyway.

Fair enough.

Oh yes, heaven forbid a director includes subtleties into a movie! They may not improve the effect the has on you while you're watching, but it makes the film more vibrant.

Once again you're over generalizing.

  • 2 weeks later...
Posted

Hey, everybody, just wanted to see what people thought about the new composer/conductor of Harry Potter. Nicholas Hooper I do not know that well. John Williams is well know even Patrick Doyle I have heard of, but knew little about. Can anybody tell me about this musician and how you think he will approach the music of Harry Potter besides that the Theme will be in it because that theme needs to be in the movie. I think it is hard to write music myself, but I hope the soundtrack is good. Does anybody have any information on when the soundtrack might come out? Thanks.

Posted

Any newcomer that can play a guitar can write a score nowadays

Posted
Any newcomer that can play a guitar can write a score nowadays

And the Oscar goes to...

Gustave Santaollala for Harry Potter and the Half-Blood Prince!

Posted
Any newcomer that can play a guitar can write a score nowadays

And the Oscar goes to...

Gustave Santaollala for Harry Potter and the Half-Blood Prince!

At least that would have Hedwig's Theme.

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