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Posted

Some time ago, in a thread I don't recall anymore which was, we talked about this particular picture. I believe his was taken sometime in the late 90's, maybe around 1996 -- please note the book standing on the table... maybe something due to his work on "Rosewood" or "Amistad"?

Anyway, my first recollection of this picture was from an interview from 1999, around the time "Phantom Menace" was released.

post-173-0-16724300-1328483443_thumb.jpg

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Posted

Williams uses electricity?! Can't believe he's so reliant on technology. :(

Posted

Very cool photo, I love seeing people's work places and "thinking" rooms.

Would be very fascinating to compare the home offices/offices of various composers. One of my all time favorite photographs is actually Joe McNally's of Leonard Bernstein working at his piano in his home office...

Tk3gN.jpg

There is so much atmosphere in the image. You can almost taste the fresh air coming into the room through that door as Leonard is working. Probably a top-5 favorite photo of mine.

A grande aside: a plug to McNally's other works, for those interested in photography: http://portfolio.joemcnally.com/

Posted

An HDR (high dynamic range) photo of Hans Zimmer's Office....

hvWbf.jpg

To be fair it doesn't look quite *as* repulsive in a non-HDR, normal everyday photo:

IC6zA.jpg

It does make me wonder though, as red has been psychologically linked with more aggressive tendencies in a some studies, if the room inspires the more masculine and aggressive sound of Zimmer's music?

Posted

I expect Zimmer to walk out the door of that chamber and for it to be revealed he's on a ship from ******* Pirates of the Caribbean.

Posted

Thanks for sharing, Miguel! He looks pretty weary in that photo, probably a result of it being taken in the middle of a writing period. Blu, the photo of Leonard Bernstein is really neat too. I hope he eventually got a taller stool.

Posted

For those curious, this is a free eBook version of the book on Williams' coffee table:

The Book of American Negro Poetry

http://books.google....id=mx7aehWGOtYC

Yeah, I noticed that book.

I wonder if the picture was taken while he was working on SEVEN FOR LUCK? Perhaps AMISTAD or ROSEWOOD, as Miguel says?

Posted

Hey, don't diss toilets! Some of the best ideas appear to you there!

Posted

I had not seen this picture before, very happy to see that.

Oh, and what Kamen picture? Did I miss something?

Posted

IC6zA.jpg

It does make me wonder though, as red has been psychologically linked with more aggressive tendencies in a some studies, if the room inspires the more masculine and aggressive sound of Zimmer's music?

Cool office. But i prefer JW's office. It's much more cosy.

Strange that Williams office does not seem to have any video devices.

He has a seperate room for that.

Posted

Strange that Williams office does not seem to have any video devices.

Williams has said in several interviews that he views the film in a room near his office, and then writes the music from memory in most cases.

Posted

I like Williams's and Bernstein's offices. I wouldn't be able to concentrate to do anything in that room Zimmer has.

Posted

Zimmer's always said he tends to procrastinate with all his scores and it takes him forever to get his themes down...looking at his "office", I can see why ;)

But he does have a cool office, I just wouldn't be able to get any composing done in it if I were him!

Posted

Zimmer's office is awesome. Though I'd imagine it might get old pretty quickly. I wouldn't want to be in such a dark room for very often, I need something more cheerful.

Posted

Based on this quote from the "80 Reasons why JW is the Man" article, I would guess that the poetry book was for Amistad.

The film's big anthem is Dry Your Tears, Afrika, a life affirming setting of a 1967 poem by Bernard Dadie that mixes 50 authentic voices with strident brass.
Posted

The booklet of the CD credits Dadie poem. That was the reason why I always believed that the picture is from late '96, early '97.

Posted

Some time ago, in a thread I don't recall anymore which was, we talked about this particular picture. I believe his was taken sometime in the late 90's, maybe around 1996 -- please note the book standing on the table... maybe something due to his work on "Rosewood" or "Amistad"?

Anyway, my first recollection of this picture was from an interview from 1999, around the time "Phantom Menace" was released.

There is another pic from his office, from the same point of view, with Williams and I believe Masayo Ishigure (soloist from Memoirs of a Geisha).

Posted

I love the raptor in the background!!

Posted

I like how he has shutters to control the amount of light he wants

Posted

I'm not saying its abnormal, I'm just saying I like that's what he chose to use

Posted

Great pictures guys! :) I wonder what music Spielberg and Williams are looking in the one Maurizio posted.

Posted
Great pictures guys! :) I wonder what music Spielberg and Williams are looking in the one Maurizio posted.

17421034_02.jpg

:peepwall:

Posted
:lol:
Posted

You set 'em up, Incanus, and I'll knock 'em in.

:rimshot:

Anyone notice the toy plane in front of the photo on the shelf? I wonder if that's an Empire of the Sun thing.

Posted

I agree with Jason, love the Raptor! Johnny became a dinosaur freak after JP! :lol:

And Spielberg looks dressed similar to when he was filming KOTCS, right? Maybe it's from that...

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