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Posted

What a shame, Silvestri's Captain America was very good.

Oh well I'm saving money but not having to buy all these crappy scores. It's hard to believe there will be only one score from all the summer blockbusters this year that I will end up buying, well I've already bought it.

There was a time when I would have grabbed a bunch of the summer flicks. Oh well, different era that had much better composers and studio heads who appreciated good music in films.

  • 3 weeks later...
Posted

Why? Did you like the Iron Man 3 score?

Posted

Well, Brian Tyler is also scoring next summer's Teenage Mutant Ninja Turtles reboot by Michael Bay (same source as above)

Posted

Soon: Brian Tyler to take over all Marvel scoring duties.

Posted

Meh.

Posted

I am not sure if anyone is interested here (i had started a thread at FSM) but as it turns out, Rachel Portman will be scoring the upcoming biopic about princess Diana, called "DIANA".

Looking forward to it, escpecially if it's along the lines of "Never let me Go".

Posted

Damn, although The Avengers wasn't the best of Silvestri's works, it was still a lot of fun and I was really expecting him to return...

Posted

Tyler is the New John Williams.

Okay he's not.

Posted

Well we complained about the lack of musical continuity with all these different composers.

Now we're getting a steady dose of one.

Posted

^The other 'next Goldsmith'

This "next Goldsmith" didn't really break through at any point. He has sort of been there since Scream. I feel that Beltrami has always been rather workman-like in his output apart from a few surprising gems like Soul Surfer and Hellboy. But I guess long term endurance in film scoring business is better than overnight 15 minutes of fame (I am looking at you Gustavo Santaolalla and Ludovic Bource).

Posted

Which of the Hollywood composers in the last 15 years is not best characterized by the term 'workmanlike'? Horner, Elfman, JNH, Zimmer, Silvestri, you name it.

Posted

^The other 'next Goldsmith'

This "next Goldsmith" didn't really break through at any point. He has sort of been there since Scream. I feel that Beltrami has always been rather workman-like in his output apart from a few surprising gems like Soul Surfer and Hellboy. But I guess long term endurance in film scoring business is better than overnight 15 minutes of fame (I am looking at you Gustavo Santaolalla and Ludovic Bource).

Well like his mentor, he excels in B-movies.

  • 2 weeks later...
Posted

OH MY GOODNESS!

That is seriously the most shocking film-score-replacement news I have heard in a long time.

There have already been test screenings of the film with Horner's score in it - check out this FSM thread, where Horner's score is discussed.

http://filmscoremonthly.com/board/posts.cfm?threadID=92203&forumID=1&archive=0

I was really looking forward to it, it sounded like an awesome score!!

Posted

At least they got a good replacement composer.

... and am I right, is this Horner's first rejected score?

Posted

Ender's Game.

Posted

We don't know if he ever wrote anything for that.

Karol

Posted

Ender's Game.

I don't think Horner even started recording on Ender's Game... was it a Silvestri type situation where he did some demo cues and the producers didn't like it? I think R&J is the first Horner score where he'd composed and recorded an complete score that got scrapped.

Posted

Correct, he didn't record anything, or even write anything. It's just the closest I could think of.

Posted

I think R&J is the first Horner score where he'd composed and recorded an complete score that got scrapped.

He was thrown off STREETS OF FIRE; YOUNG GUNS and HEAVEN HELP US.

Posted

And Tanja Tzarovska giving her absolute worst!

Karo

Posted

Why, what other misfortunes befell the legendary horner this year?

Posted

Ender's Game

Posted

So is this the start of his decline? Will he go the same route that befell John Barry, Maurice Jarre, Elmer Bernstein, even Jerry Goldsmith?

Posted

^The other 'next Goldsmith'

This "next Goldsmith" didn't really break through at any point. He has sort of been there since Scream. I feel that Beltrami has always been rather workman-like in his output apart from a few surprising gems like Soul Surfer and Hellboy. But I guess long term endurance in film scoring business is better than overnight 15 minutes of fame (I am looking at you Gustavo Santaolalla and Ludovic Bource).

I like his music for Both "Hellboy", and "The Omen".

Posted

Disappointing news indeed. :(

  • 2 weeks later...
Posted

Never heard of either of them

Posted

Really? Well Hornsby isn't a film composer, older rock musician. Nyman scored Gattaca, and I think primarily sticks to concert works in recent years. I think it's an inspired choice. Marian will certainly be happy. I think Karol likes him as well.

Posted

Michael Nyman's score is rejected!

From his Facebook page:

OLDBOY UPDATE!!!! Spike Lee loves my score. Unfortunately the producers, Matt Leonetti and Audrey Something-or-Other [of WeTakethePiss Productions] don't like the soundtrack and [despite, or because of, their boast that 'we know nothing about music'] have rejected it. But at least some good comes out of it: my 11th Symphony will be called 'Spiked' [by analogy with journalists' work which is commissioned, printed in galley proof form, rejected and consigned to oblivion by being hung on a spike sticking out of the wall close to the editor's desk].
Posted

I don't think they had even recorded any of it yet.

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