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Posted

I heard the film was really dull. And I know Malick's films are usually divisive, but I heard it went worse with critics this time.

And being someone who actually likes a good dose of Malick, what I've seen from the trailer seems tried and a bit redundant in style.

Posted

So? That doesn't mean I have to like it, or that it's necesarily good.

I admit I'm pulling your leg a bit, but you get the idea.

Posted

I'm not saying you have to like it, but it seemed like you were criticizing a director for... being himself. "Too much of the same style! Stop being Malick!"

Posted

The thing is that his previous films did contain these elements. But The Thin Red Line had little of it, it had an interesting backdrop, and indeed a good story. The New World, it lingered on it more, but I liked the setting. (I will always wonder if the film could have actually been more interesting had Malick ditched the Pocahontas/Smith romance angle, which seems to be a posterior romantic invention as far as we know). The Tree of Life had it, but it tried to promise more (whether it achieved it or not is up for discussion.)

To the Wonder, as far as we can tell so far, seems reduced to a collection of Malick's stylings, and on top of it seems to be simply about some characters being in love, which combined with Malick's stylings I'm likely to find boring as hell and make me wish Ben Affleck killed someone and ran away with his girlfriend or something. I might sound embittered, but when the meat of the trailer is couples cuddling shot like Malick and Bardem talking about love, and happy music, it's easy to point it out and think "that... might be a little hard to digest."

If you look at something like The Thin Red Line, Malick does use his style to tell something and adapts it in consequence, and tries to find what matches in the material with his way of doing it and the things he likes. I'm all for that. To the Wonder seems to repeat the style of The Tree of Life, but it just doesn't look interesting to me.

Posted

Malick's previous films combined his sense of style with either an intriguing premise, great concepts or a wonderful sense of visual flavour that made the overall experience something special. From this trailer, this film looks more like style with no substance.

Posted

This one has an original score by someone I never heard of, but I'm sure the trailer music is a classical piece.

RE: Your previous points, all of Malick's films meddle with certain philosophical themes and notions. Love is pretty much always at the heart of each story, though, so I don't understand why that's a problem here. The only difference right now is that all we've tasted in those sumptuous 100 seconds is the love aspect of what is sure to be a broader film.

My favorite shot in there is of the staircase.

Posted

Watching that Malick trailer, I somehow expected Supes to blast towards the heavens.

Posted

No, because contrary to To The Wonder, the Man Of Steel trailer doesn't look like a Malick parody.

Posted

watched multiple times the Mallick trailer and managed to cry..

1st time of viewing was the anticipation and curiosity of how it would look.

2nd time was awe of the scenery and cinematography

3rd time was impressed by the direction of the shots

4th time noticed the actors

5th time noticed the narration and tried to make out what it's saying

6th time got into my skin and moved me..

(if I missed any viewing, forgine me :) )

Posted

Composer Hanan Townshend discusses the scoring process.

How did scoring for To the Wonder differ from The Tree of Life?

HT: Working on TTW was in many ways a very similar experience to that of TOL – Terry, the editors and I would meet every few days and we would discuss what music had been working in the cut and what hadn’t. These discussions could last for anywhere from a couple of minutes to several hours, all dependent on what ideas had been ‘discovered’ in the editing process that day. Sometimes we wouldn’t talk about music at all, sometimes Terry would talk more about the philosophy of music, or sometimes we would spend 30 minutes talking about the placement of a piece of music and the ways in which it could help transcend a scene by coming out of a character’s specific thought or gesture. Having the time to experiment was one of the most enjoyable, and at times frustrating, parts of the experience.

The most obvious way in which this film was different from that of TOL, was that I was the actual composer. This meant that I got to call the shots on the recording session side of things, which was really rewarding as I hadn’t really worked with such a large ensemble before. There are of course many things I would do differently next time around; live and learn.

What was the nature of the philosophical discussions?

HT: These discussions would vary a lot. One of the most memorable examples was when Terry asked one of the editors to close their eyes and throw a musical cue of the cut, without any specific knowledge of where they were dropping it. Experimenting in this way would allow for ‘chance’ to have an important part to play in the process and it would open up all sorts of discussions on: music placement, the ways in which visuals & music affect one another, as well as how important chance can be in the creation of film/music and art as a whole.

Posted

Composer Hanan Townshend discusses the scoring process.

Talk about a cinderella story!

From student directly to composer of Mallick's films.

By the way, I "wonder" if we will listen at least 2 minutes of his music in the film..

(given that the director discards most of the music written for his films and substitutes them with classical music)

Posted

It seems like a good portion was kept considering the info in the interview. At the very least his "Marion's Theme." He also arranged a couple classical pieces and he said some of that was kept in.

Posted

Just by means of a roundup:

Top 10 most highly anticipated Sci-Fi & Fantasy movies of 2013:

http://www.reelz.com...movies-of-2013/

While I was overlooking the page, Elysium was the film that jumped out at me the most. I probably will see it. I'll watch Goyer's Supes: Man Of Steel too, of course, but the other ones? Hmmm ...

Alex

Posted

Even more ... there are a few honorable mentions at the bottom of the page.

Posted

Well a bit more, I exaggerated. Elysium, Oblivion, and Star Trek Into Darkness. The Seventh Son looks like it. I wouldn't really call the others science fiction. They didn't even include After Earth.

Posted

I am reading that Vin Diesel wants to make a trilogy about Hannibal.

I hope this goes nowhere and never leaves development hell. I'm scared.

Posted

I am reading that Vin Diesel wants to make a trilogy about Hannibal.

I hope this goes nowhere and never leaves development hell. I'm scared.

I just hope he finishes his Riddick trilogy first.

Posted

You do?

Posted

Interview with Tony Kushner:
http://m.ew.com/news-detail.rbml?guid=0,,20643739,00

Will you miss working with Steven?
I haven't told this to anyone, but I'm already working on a new script for him, so we'll be talking all the time again. I just started on it a couple of weeks ago. I can't say any more than that.


I wonder what it is? Robopocalypse script is probably finished already.
Posted

We've been discussing that in the Lincoln thread

Posted

And in that long period Rodriguez only has disappointed me. I hope the sequel to Sin City will change that.

Posted

del Toro isn't prolific enough. Sin City is one of only three Rodriguez movies I enjoy, the other two being Planet Terror and Dusk Till Dawn.

Posted

del Toro isn't prolific enough. Sin City is one of three Rodriguez movies I only enjoy, the other two being Planet Terror and Dusk Till Dawn.

No love for Desperado? It's his best!

Posted

I didn't mind it when I saw it years ago, but if someone gave me the dvd I'd politely decline.

Posted

My favorite Rodriguez film, admittedly, is his recipe for Puerco Pibil. One of these days, I'm going to attempt it.

Posted

Haha, you're now the third person to post this recently. Scroll up and read the previous page too.

Nice to see the trailer in actual HD this time, though.

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