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SpaceCamp is back in print!


Jay

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I'm fairly certain that there is more than one person on this board that has paid obscene sums like this. And not only once...

The most I ever paid was $90 for the sold out Varese edition of The Fury, but I sold it for the same amount knowing that nothing stays out of print forever these days. Then LLL's release came along a year later!

And I most I ever paid for soundtracks was $200 for a limited edition Burton/Elfman 25th Anniversary Music Box Collection (and really, they should've only sold for that much to begin with; $500 is a ripoff).

They're definitely not gonna make more of those, I can assure you.

I should have clarified that I meant a single score. I bought the Eflman set for $500 and plenty of other expensive box sets.
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All I wanted from that set is Pee-Wee's Big Adventure. I love that score, but I'm not paying $500 for some stupid ass looking box that happens to contain it. Sorry, Elfman, I pirated it.

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Yay! We can listen to Williams' strangest cue ever, "Training Montage!"

Do we have any idea who did the synths and drum loops?

I don't believe it was Williams himself..

The liner notes don't say anything (from a quick glance I gave)

Maybe it was his son?

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How dare you! John Williams is a true artist who does everything by himself.

He was left alone with a keyboard for 20 minutes and this was the result!

From what I remember he didn't do the synth percussion in A.I.

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How dare you! John Williams is a true artist who does everything by himself.

He was left alone with a keyboard for 20 minutes and this was the result!

From what I remember he didn't do the synth percussion in A.I.

Williams usually has people who help him out with the synth stuff but he naturally develops the sounds with them. Like Randy Kerber on the electronic celesta sound for Harry Potter or those guys who did the heart-beat like motif for Munich or the synths for War of the Worlds prologue and finale.

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  • 2 weeks later...

How dare you! John Williams is a true artist who does everything by himself.

He was left alone with a keyboard for 20 minutes and this was the result!

Williams was exploring his Harold Faltermeyer side. It was a brief, but brilliant, age of film scoring excellence.

And the perchment he uses to write his music!

It's impossible to read this without thinking in a Texan accent. . . .

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