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pete

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About pete

  • Birthday 16/10/1972

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    Seoul, South Korea

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  1. When I think "re-imagine", I think of something like "The Beatles Reimagined for trumpet, accordian, and two ballet dancers" For this album, I think the pieces are more faithful arrangements for piano, cello, and flute. But John Williams: Faithful Arrangements doesn't sound as catchy as John Williams: Reimagined. I quite like the title even though "re-imagined" in my mind evokes some avant-garde monstrosity. As I mentioned above, my jaw dropped when I saw the setlist. For example, I've always longed for music from AI featuring cello after that brief quote on the OST in Stored Memories & Monica's Theme, and I think this could be the arrangenent I've been dreaming about. And I've always loved those more melodic pieces from The River (Growing Up, The Pony Ride, & Young Friends Farewell), so I'm really curious and excited to hear them for these instruments.
  2. And the Filmmusicreporter post omits the release date, which is August 23
  3. Robert Townsend's Facebook post has that as the Elegy for Cello and Piano - the piano version of Elegy for Cello and Orchestra And wow, that track list has me so excited!
  4. There's a piece called "By The Sea" on the top shelf in the first picture. Anyone ever heard of that before? Sounds a little Jawsy. And two Heartwoods..... One for a smaller ensemble?
  5. I remember just seeing his name a lot on movie credits at movies and on TV growing up in the 80s - I was born in 1972. I remember noticing the name when I saw Rambo First Blood part 2 in a theater and for many movies on TV: Capricorn One and I think Alien was another one, and there were quite a few more. Maybe Twilight Zone and Gremlins I think as well. Strangely, I don't remember paying extra attention to the music - just that I kept thinking, oh there's that name again. Like all fans my age, Williams brought film music to my attention, so I think that had me noticing composer credits, but all this was in my early teens when I didn't think to buy a soundrack. But I realize I was drawn to instrumental music in a form back then - the long guitar solos of Mark Knofler on the dire straits double live album, and his Going Home piece from Local Hero on the CD, come to mind. I saw Total Recall (1990) and Medicine Man (1992) in theaters, and it was between those that I bought my first soundtrack - Varese's Star Wars Trilogy and Superman. And back then in Australia, you could rent CDs, and I borrowed Kamen's Robon Hood and fell in love with that. And then I kept seeing Goldsmith's name on CDs so I got more of an idea of his output. I knew he had written the music for Medicine Man before seeing the movie - I saw it with my mother who was a Sean Connery, and I went into the theater with the intention of paying attention to the music. The Trees piece had me mesmerized, and I bought the CD either that same day or the next one. And that set me on the path! Although I remember thinking most of Star Trek The Motion Picture was weird. Now I know it's just utterly brilliant! And then while living in the UK between 1997 and 1999, my parents visited, and Jerry Goldsmith gave a talk about The Edge with the director (maybe). And my mum went along as well, and she enjoyed Jerry's anecdotes about the Hollywood stars he mentioned. Hearing him speak, I really felt I was in the presence of a genius. It just occured to me that in the future when my mother is no longer with us, I'll probably associate some of Jerry's music with my memories of her. Damn, I hope that's far into the future! Thanks GerateWohl for the topic and the resulting trip down memory lane!
  6. Is it just me that finds the idea of doing a cameo stranger than not doing a cameo?
  7. I’m loving it. Each episode seems to “fly by” in what feels like 5 minutes. And I have been enjoying the music more - there have been a few scenes where the music really stood out for me in a good way in recent episodes. i haven’t seen Band of Brothers since it was released, so it’s been a while but I really think the quality is similar.
  8. Ha, I was thinking the exact same thing! Jerry had quite a good right hook!
  9. Does Zimmer have a lot of involvement with those shows? I'm guessing he perhaps approves or prepares arrangements? I noticed the wind soloist is in his usual touring band and perfomed on Dune and probably many other scores. His name escapes me for now - found it Pedro Eustache. Anyway, it's nice to see some more variety in these shows! I found the answer!
  10. Wait, there are people who haven't tried counting the themes and motives? Wow.
  11. I'd love to hear pieces based on the seven note melodies that Williams prefered over the five-note CE3k signal! I'd heard the story before, but it just struck how many unused precious gems could be found on scraps of paper in Williams' office and in linen cupboards in his home. But it's fascinating to know of Spielberg's influence regarding musical decisions: combining and using the two Indy melodies. the preference for Remembrances and Schindler's List theme as the score's main theme, and keeping the CE3K signal to five notes. And Spielberg urging Williams to conduct the ET finale without looking at the footage. There must be so many other examples - decisions from every score I'm sure - where one influenced/nudged the other to achieve the results we all know and love. All without ever having an argument. I think they must have the most trusting and respectful relationship between two humans in the history of the world! I'll love the upcoming doc and book - that's just a given, but I would really love to be able to learn of more similar examples.
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