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10 most overrated films of all time


Sharkissimo

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Don't use IMDb's list to judge if a film is actually good, bad or overrated, otherwise Fight Club is legitimately in the top 10 movies of all time. Shawshank is still a great film, certainly some leeway can be afforded.

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Don't use IMDb's list to judge if a film is actually good or bad

I'm not interested in the list but I use IMDb a lot. In one view, I know the score of IMDb-ers and Metacritic. And usually they are about the same.

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Lol.

VERTIGO's a pinnacle of the artform? Try INTOLERANCE, NOUVELLE VAGUE, PASSION OF JOAN THE ARC or SANSHO DAYU.

We've been over this before, but Vertigo belongs in the same tier as those films.

While The Departed is pretty lame, there are many other Scorsese films more deserving of placement on the list (Taxi Driver, Raging Bull, Goodfellas).

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I think it falls in the same category as Inception in terms of how people perceive it.

Karol

Hardy har, but no, not really. Too early to say if Inception is perceived as being a "beloved" classic like Shawshank is. Tell me again in another ten years if Inception is considered as being timeless.

Another major difference is Inception was never, ever a sleeper which slowly earned its popularity and status due to slowly spreading positive word of mouth in a time before mobile phones and Facebook. Shawshank was never a fashion accessory film, it was never viral.

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Lol.

VERTIGO's a pinnacle of the artform? Try INTOLERANCE, NOUVELLE VAGUE, PASSION OF JOAN THE ARC or SANSHO DAYU.

We've been over this before, but Vertigo belongs in the same tier as those films.

It belongs to the same tier as THE RED SHOES, and other examples of bourgeois thanato-erotic self-indulgence.

While The Departed is pretty lame, there are many other Scorsese films more deserving of placement on the list (Taxi Driver, Raging Bull, Goodfellas).

With the exception of TAXI DRIVER (which is pretty deserving of its reputation), I agree. Throw in CASINO too.

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Hmm. You're probably right in general. Just depends what circles you move in I guess.

Oh I know what you mean. Casino, like Scarface, is widely regarded as a cool butch masterpiece by teenage boys and hoodies.

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Another major difference is Inception was never, ever a sleeper which slowly earned its popularity and status due to slowly spreading positive word of mouth in a time before mobile phones and Facebook. Shawshank was never a fashion accessory film, it was never viral.

It wasn't a sleeper, but neither was it a sure hit. Great carte blanche vanity projects from directors rarely make a lot of money. Besides, the film wasn't related to a popular brand, wasn't a sequel, and didn't have a 3D release (or anything like that) The trailers were actually quite vague and nobody quite knew what it was all about. The only thing it had is that the ad campaign resembled slightly The Dark Knight one. So yeah, word of mouth and solid early reviews did wonders.

I thought it was going to break even, but no more than that.

Karol

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No, I remember '94 very clearly. Shawshank was every bit the sleeper. It was initially smothered by Forrest Gump, Four Weddings and Pulp Fiction. At the Oscars that year Shawshank was merely "that other nominated movie".

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I was talking about Inception.

Not a sure hit?

Nolan was huge! It had Leo.

As I say, these kind of things rarely take off the way, say, Batman film would. It has no launching platforms. And filmmaker's name is never as strong as you might think. Hardly a selling point for a massive blockbusters.

And Leo? What kind of massive releases did he have? Besides, Titanic, that is?

Karol

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If you go back two years back, no one quite knew if Inception is going to do big business. They knew it was going to probably make its money back, based on Nolan's reputation. But, other than that, it was a wild card. Many analysts called it a "difficult sell" (some even predicted a flop). But the relentless campaing paid off.

Karol

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It was the hype, simply put. Nolan was fresh off the success of TDK, and Leo was back in public consciousness after BLOOD DIAMOND and THE DEPARTED. Typically a filmmaker's name is never a strong bet, but there a few exceptions like Tarantino. Chris Nolan is another.

I remember the marketing very well. It was similar to THE MATRIX, in that you were forced to ask - 'what the flying f*ck IS "Inception"?' 'What's that spinning top all about?' 'Is this a bit of Zimmer's score we're hearing in the teaser?'

Very clever.

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Yes. I stand by it!

*but remember, i also have seen JAWS 3-D four times and 2001 once...barely.

*bitch slaps*

Am I the only one who saw Jaws 3D in the cinema...in actual 3D?

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As a general rule "overrated" applies to a lot of Oscar Bait films. Now it's obvious movies like Jaws, E.T. Star Wars SHOULD have won best movie Oscars, but it was overrated crap like Hannah and Her Sisters and Kramer vs Kramer that won everything

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it was pretty good, I remember the floating fish head at the beginning

There was a mini 3D fad back in the days with Friday the 13th 3D, Spacehunter, Treasure of the Four Crowns...

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SKYFALL is great, INCEPTION is a piece of sh*t. On another (lesser) Internet forum, I was told by a wannabe Hollywood screenwriter that I wasn't smart enough to understand INCEPTION and that's ultimately why I disliked it.

I think Tarantino and Peter Jackson are overrated, as well. Jackson's films are at least watchable, for the most part.

Oh, and BODY DOUBLE is the greatest film ever.

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Can you do that with Jaws: The Revenge?

I can supply the smart drugs that make that possible.

SKYFALL is great, INCEPTION is a piece of sh*t.

Watch some Pia Zadora movies from the 80's and make that statement again.

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Lol.

VERTIGO's a pinnacle of the artform? Try INTOLERANCE, NOUVELLE VAGUE, PASSION OF JOAN THE ARC or SANSHO DAYU.

We've been over this before, but Vertigo belongs in the same tier as those films.
It belongs to the same tier as THE RED SHOES, and other examples of bourgeois thanato-erotic self-indulgence.
I love it when you call something "bourgeois." It makes me giggle.

While The Departed is pretty lame, there are many other Scorsese films more deserving of placement on the list (Taxi Driver, Raging Bull, Goodfellas).

With the exception of TAXI DRIVER (which is pretty deserving of its reputation), I agree. Throw in CASINO too.
Taxi Driver is confused in deeply problematic ways, even though it's undeniably potent.

I'm not sure if Casino really belongs in the "overrated" category; it's always seemed to me that it's widely regarded as Goodfellas' less desirable cousin. I like the way it ends, if not much else.

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While The Departed is pretty lame, there are many other Scorsese films more deserving of placement on the list (Taxi Driver, Raging Bull, Goodfellas).

With the exception of TAXI DRIVER (which is pretty deserving of its reputation), I agree. Throw in CASINO too.

Taxi Driver is confused in deeply problematic ways, even though it's undeniably potent.

Say wha?

Please elaborate.

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Taxi Driver is confused in deeply problematic ways, even though it's undeniably potent.

Say wha?

Please elaborate.

You can draw a clear line between Taxi Driver and Fight Club. I don't mean to equate the two films, exactly; Taxi Driver is undeniably superior to Fight Club in practically every way, and is not plagued by the latter's smugness. But Taxi Driver, like Fight Club, is nevertheless so fixated on a charismatic, misanthropic figure and so immersed in his muddled worldview that it struggles to extricate itself.

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