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What Is The Last Film You Watched? (Older Films)


Mr. Breathmask

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Its biggest flaw is that it poses an interesting moral dilemma, the mutant cure, and never goes anywhere with it.

After the big battle there is a happy, inspirational ending. But what are they celebrating? Is the cure still there? Is it no longer? The movie no longer seems to care.

It also suffers from having too many mutants, defined only by their powers rather then being seen as characters. And a big epic battle which has the 2 most powerfull characters as spectators through most of it.

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I wonder if Pierrot Le fou and Le Mempris that i want to watch too have the same way of editing...

LE MEPRIS is a pretty straight-forward romantic drama without Godard's usual bells and whistles. It's worth watching for Delerue in any case.

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Its biggest flaw is that it poses an interesting moral dilemma, the mutant cure, and never goes anywhere with it.

After the big battle there is a happy, inspirational ending. But what are they celebrating? Is the cure still there? Is it no longer? The movie no longer seems to care.

It also suffers from having too many mutants, defined only by their powers rather then being seen as characters. And a big epic battle which has the 2 most powerfull characters as spectators through most of it.

That's exactly what I'm referring to, too much story for 104 minutes. Either go the Cure route or a proper Jean/Dark Phoenix film, don't mix them and do a half-assed job. If you're going to mix them up, you need to make sure it pays off for the audience.

I'm curious why Bryan Singer picked Simon Kinberg to write Days of Future Past, considering how X-Men 3 turned out script-wise.

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Well wasn't Singer slated to originally direct that before he moved on the Superman?

There are parts of the film that really do work, and other parts that could have worked had they focused the story better, cut some of the mutants out and give it some breathing room.

The Logan/Rogue friendhsip was the central part of the first X-Men. In the third film thats reduced to a 2 minute conversation.

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I only ever saw this X-MEN movie and found it a fucking boring mess, right down to John Powell's hopeless tries to ennoble it with Barry/Williams sounds.

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Difference for difference's sake, not serving any real purpose.

I know what you mean but they wanted to use different styles and techniques to tell a story. Finding new ways for expressing yourself, mostly by experimenting ... That was the purpose! And it had a serious impact on film in general. For instance, the mindset of the French New Wave directors strongly influenced the American cinema of the late '60s and early '70s (that includes Spielberg).

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I only ever saw this X-MEN movie and found it a fucking boring mess, right down to John Powell's hopeless tries to ennoble it with Barry/Williams sounds.

Harsh, but I agree to an extent.

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Difference for difference's sake, not serving any real purpose.

I know what you mean but they wanted to use different styles and techniques to tell a story. Finding new ways for expressing yourself, mostly by experimenting ... That was the purpose! And it had a serious impact on film in general. For instance, the mindset of the French New Wave directors strongly influenced the American cinema of the late '60s and early '70s (that includes Spielberg).

I see..

yes, i think we had talked about Midnight Cowboy (at the time I had watched it), how it was influenced in the party scene by the French wave (in the way it was edited).

Don't remember any other Hollywood film right now..

Maybe Seconds (1966)? (again i think in the feast scene)

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Godard and Truffaut launched the French New Wave. They were first of their kind.

Seriously, what do you find... special in French films ? (We know they are known worldwide, but... we don't know why ^^)

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yes, i think we had talked about Midnight Cowboy (at the time I had watched it), how it was influenced in the party scene by the French wave (in the way it was edited).

Don't remember any other Hollywood film right now..

Maybe Seconds (1966)? (again i think in the feast scene)

Have you ever seen Woody Allen's movies, filmmusic?

"The French New Wave has influenced all film-makers who have worked since, whether they saw the films or not. It submerged cinema like a tidal wave." - Martin Scorsese

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It's about Godard, Resnais and Chabrol etc. for fench's sake, not Bienvenue chez les Ch'tis.

I see.

My god, this movie... I want to puke. Very overrated in France.

Richard, maybe some people prefer discover other... kind of film ?

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Or you just want to make different ones by yourself. That's what the Nouvelle Vague did. And that was at a certain point in history (late 50's) so i don't see much gain in discussing films of certain nations as if french (or japanese or austrian) films in the 2000's are the same as 50 years before.

That is like watching CITIZEN KANE and complaining that it isn't anything special - which it clearly was in 1940.

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Actually, "Citizen Kane" was nothing in 1940. In 1941, however...

I'm talking about the ways in which people react to films, and not the ways in which they are made. The way people react has been exactly the same since the first films were released. That is to say the the audience's experience/perception of the film, is far more important to how films are made.

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Much like Robocop and Total Recall.

I've never seen those. Might be a good opportunity for tonight's double feature.

Speaking of Verhoeven, I always loved Basic Instinct. Probably one of the most entertaining films ever made. The way he balances on the verge of total kitsch is amazing. One of Jerry's finest works as well, in my opinion. The most effective, anyway.

Karol

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yes, i think we had talked about Midnight Cowboy (at the time I had watched it), how it was influenced in the party scene by the French wave (in the way it was edited).

Don't remember any other Hollywood film right now..

Maybe Seconds (1966)? (again i think in the feast scene)

Have you ever seen Woody Allen's movies, filmmusic?

"The French New Wave has influenced all film-makers who have worked since, whether they saw the films or not. It submerged cinema like a tidal wave." - Martin Scorsese

I have seen Hanna and her sisters recently, and long long ago Bullets over Broadway, Mighty Aphrodite and Everyone Says I love you.

But really, he seems to be one of my least favourite directors..

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I shall watch them then.

Karol

It would be great if you had a Bluray player and could watch the bluray of Total Recall! It's one of the greatest Blurays in terms of quality! I love that film! And the Goldsmith score... one of the greatest action-sci-fi scores.

Can't say anything for Robocop, since I don't have it (yet). (it's been recently remastered and the reviews are excellent too)

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Karol, both Robocop and Total Recall wipe the floor with Basic Instinct, which I think is a mediocre but, ahem, watchable flick.

TOTAL RECALL is a bit daft, though this and BI are ideal showcases for what filmmusic can do for a genre movie.

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Linking to NSFW content is totally fine, you shouldn't put it in an actual post here though, even in a spoiler block. I changed it to a hotlink.

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TOTAL RECALL is a bit daft, though this and BI are ideal showcases for what filmmusic can do for a genre movie.

Nowadays Total Recall borders on downright camp in places. Eminently watchable due to an Arnie at the top of his cheesy charismatic game, an absolute bevy of classic corny lines and of course Goldsmith's epic enhancement which makes everything feel more high end than it really is. It's a classic.

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