-
Posts
16,692 -
Joined
-
Last visited
-
Days Won
4
Richard Penna last won the day on October 23 2022
Richard Penna had the most liked content!
About Richard Penna
- Birthday 07/06/1985
Profile
-
Title (custom text underneath your username)
Dance the night
-
Location
Surrey, UK
Recent Profile Visitors
23,212 profile views
-
Woah! I noticed this yesterday amongst my other earlier Intrada purchases when looking on my shelf, and remembered being annoyed that Horner had evidently nixed some cues and generally wanted his usual 'listening experience' when making the first one - the entire album feels far more curated than it probably is in the film. First rate Horner score and a great movie too. A bit like Ghostbusters 2, the initial album largedly satisfied my needs but I'm sure I'll end up getting this one too. The labels are collectively going nuclear with Horner right now!
-
crumbs reacted to a post in a topic: The Terminal - NEW! Complete Cue List, OST Breakdown, and Unreleased Music List
-
Listening again, you've actually got two distinct parts of this cue - the piano and string wanderings at the start (which just annoy me - it's not my style at all) then the strings come in for the section used in the film, then back to more piano faffling. The beginning of the strings sounds like it's composed to merge with the very ending of the piano section, hence it seems to me to be a whole composition and they just recorded the elements separately. But yes, please please please include the string section by itself
-
While I wouldn't expect the full film version of Viktor's exit to feature on an expansion (it's an edit, no two ways about it) I'd absolutely expect active consideration that they would include an orchestral version of that cue without all the bits they added after. I'm glad someone else finds the plucky strings as annoying as I do. It's not difficult to use A.I. remove the plucking where Victor finally reaches the outside but heck... we shouldn't have to. I suppose the only thing that might stand in Mike's way might be if the cue was put into the film at a point where the elements were available separately but only the full album mix was stored (similar to the stems not being available now for Ripples). That or Williams loves his Jazz so much that he vetoes an orchestra-only version.
-
JTN reacted to a post in a topic: Christopher Young's SPECIES (1995) - NEW! 2024 Intrada 2-CD edition
-
Given that Mike did Hook and got it approved by KK and co., I find it hard to believe credentials are a problem. I still think there are two problems here - (1) a reluctance to release something expensive (to them) that won't have a guaranteed significant return and (2).... only nerds understand or care what's wrong with the existing OT releases. Same with the Indy box - in a relative sense absolutely no one knows what's wrong with those. There are less obvious issues with the prequels, assuming they exist as digital sessions or tapes that can be transferred like any other 00s era project. In a purely musical sense I don't see what makes them so hard to conceive and assemble as an intended score plus alternates, other than a deep-down expectation that given "it's Star Wars" no one's allowed to make any mistakes or leave anything off.
-
Do you think Saving Private Ryan is a masterpiece?
Richard Penna replied to Bellosh's topic in JOHN WILLIAMS
Oh I knew about all the inserted bits yep. I just couldn't remember whether Williams had done one of his needless track shufflings. Ahhh... order restored and Thor is a happy bunny. It's not in film order -
Maybe $20-25 per film, 6 films (focus on the OT/PT for now) = ~$120-140. A massive deluxe box set with a fancy book about the score surely isn't going anywhere for less than $200-300, possibly more. The question may be whether Disney would recognise the diminished manufacturing costs and lower the price, or decide that Williams and SW fans will pay anyway. Either way, I'm only buying RotS.
-
Do you think Saving Private Ryan is a masterpiece?
Richard Penna replied to Bellosh's topic in JOHN WILLIAMS
I might be misremembering but isn't the original album fairly close to the entire score in film order? See above comments - it may (and does indeed) feel curated but almost nothing's missing nor subject to Williams' usual meddlings. In that sense there's very little curation at all. -
Bellosh reacted to a post in a topic: Do you think Saving Private Ryan is a masterpiece?
-
Do you think Saving Private Ryan is a masterpiece?
Richard Penna replied to Bellosh's topic in JOHN WILLIAMS
Opposite for me actually - I really liked Omaha Beach and most of the rest other than the standard patriotic stuff (proud brass and strings aren't my thing). I've found it drifted more from my tastes in more recent years. I still think Omaha is a superbly crafted piece but it does drag on a bit. The whole album is an example for me of fine craftsmanship but not having enough variety in its sound to hold interest. In the listenability and variety respect, The Thin Red Line is a vast improvement in Zimmer's near-perfectly curated album. -
Fair enough, and I agree that sometimes buying a CD and all the associated shit doesn't feel needed. Certainly there's a release that's sort of on my list at the moment that I don't want physically (I want a handful of tracks) but there's no way to get it other than buying a piece of plastic. Certainly in other cases such as Sleepy Hollow, Doug's definitely got some issues with his editing, but isn't mastering just a choice that's made by the engineer? It doesn't strike me as lazy, especially if they're doing more work on top of just transferring the tapes.
-
Have you ever considered contacting Doug with your comments/suggestions about mixing? Mentioning them on a public forum is one thing, but when you're openly admitting to pirating it and considering just not paying them (for a score that musically you liked) just because you don't like a few aspects of it, I dont really see what you're achieving other than clearly hating basically everything Doug does.