Naïve Old Fart

Hmm. 'Sex In The Desert'. 90 seconds ago, I'd never heard of this show. Now, I want to see it. Badly.

Got home today, and lo and behold, my package was waiting for me. Two 2-disc DVDs of PATTON (including the score on a separate audio track), and EMPIRE OF THE SUN.

Didn't The Orb do a song called 'Little Fluffy Clouds'. Did Gilmour guest on that? I've not heard Wilson's remix of WET DREAM, but any Wilson remix is well worth listening to. What he's done for Yes, King Crimson, and XTC, is astonishing. I wish he would remix some Floyd. I'm getting a little bored with James Guthrie's style. Heck, I'd take Elliott Scheiner over Guthrie.

PIRANHA 2: FLYING KILLERS is not at all bad, actually. The female lead is a proto-Ripley, in both looks, and character. Agreed. Did they try to get Furlong back, for DF? It would have been at least watchable, with him. Wh... Where's Mexico?

He was the "inspiration" behind DF, he co-wrote the story, and he co-produced it. He's just as guilty as the rest of them. If box office is anything to go by, then, yes, he's still successful. Artistically, though, he peaked with THE ABYSS.

The film is beautiful.

'Isabelle Comes Back' is fantastic, and it sounds great on the 5.1 iso. Brilliant. Utterly brilliant. Well done, sir.

Who gives a single shit what some director, who was past his prime 17 years ago, thinks about anything? DARK FATE, anyone?

Well, I've had a wee look, and... yes, it's still BRAINSTORM

Grace Jones' sideman

It's not bad, but I'll always prefer ON AN ISLAND. ABOUT FACE is his best solo effort.

John Barry's ON HER MAJESTY'S SECRET SERVICE. Phenomenal.

So do you! Throw him over the side

What? What?! WHAT?????!!!!!!

It's THE ABYSS, so... no Both cuts are great, but the extended cut (the one with the waves) changes the emphasis of the ending. I happily watch either cut.