OneBuckFilms

T3 would be fantastic. I really love that score. The film: eh.

Would they be re-releasing Brainstorm with the original score recordings? I can dream ...

Interesting to see such releases.

I simply have Tomorrow Never Dies for the score. I I kept the other releases, the album names would be: James Bond 18 - Tomorrow Never Dies James Bond 18 - Tomorrow Never Dies - Original Soundtrack James Bond 18 - Tomorrow Never Dies - Chapter III James Bond 18 - Tomorrow Never Dies - Alternates .. and so on. (I know, for some series, such as Star Trek, Star Wars etc., I keep things in an ordered series naming. Star Trek TOS - S1 - 01 - The Cage Star Trek TOS - S1 - 02 - Where No Man Has Gone Before or Star Wars - 1 - The Phantom Menace Star Wars - 2 - Attack of the Clones Star Wars - 3.1 - Solo A Star Wars Story I haven't applied it to all series, but when there are many movies with significant ordering being appropriate, I do so. Always with the release year of the film or TV show season.

I like that approach. In those cases, I have separate albums for each disk (Album - Disk 1, Album - Disk 2). Unfortunately some systems seem to choke on the disk number issue. For scores, I tend to join the score into a single continuous album and create separate albums for bonus and alternate cues. Since I'm not restricted to album length, I see little reason to maintain disks when the score is spread over multiple disks. This is pretty much my approach. Always the year of the film. If it is a separate re-recording, I sometimes put the year, or some meaningful description in the title. Since I have a curation practice of having one, definitive release of a given score, I don't have to differentiate which release of a score I have, so the year of release or the catalog number is not needed or maintained. To track my actual CDs, I use SoundtrackCollector.com.

I set the Composer as the Album Artist, then Composer(s) and Conductor(s) for each track, as well as the usual Year and Genre (soundtracks). For song-scores, or compilations, I use Various. So my file structure is: Album Artist \ Score \ track - track name.mp3 For pop songs I separately tag Artist (band), Composer / writer etc.

This is an immediate order for me. No familiarity with this score but James Horner’s very first score. i never thought this one would ever see the light.

Sam Smith was fine aside from that annoying falsetto in my view. Radiohead had an interesting take but was rejected for good reason.

The San Smith song has grown on me over time. Given the importance of the song, good or not good. I’d always want it included with the score. You Know My Name was sorely missed from Casino Royale for example. For Bond the opening is always a key musical component to the film.

I'm in the same boat with this one. It sort of works in the film I suspect, but the song really does nothing for me.

I have a compilation of bond songs (50 years 50 tracks set) that includes it, so I used that in my "virtual" playlist.

If you don't have it, get it. It is an EXCELLENT score. Song is not great, but score is.

I don't always read them, but if I have the time I do. Sometimes there is a lot of great insight in a well-written set of liner notes.

Listening to CD 1. Really enjoying this one. It has a kind of swagger to it I really like. Lots of fun.

LLLR send my copy ....