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There IS "Another"


skyy38

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I'm afraid to say that Alexander Courage has not been alive for quite some time now and would be, as such, unable to pick up where John Williams would leave off. John Williams, on the other hand, is alive and, as such, would be able to pick up where John Williams would leave off.

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We need one with "I know, but they're all dead!" by Hans Zimmer and a photo of Morricone.

You mean, by Ridley Scott and a photo of Peter Jackson.

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I'm afraid to say that Alexander Courage has not been alive for quite some time now and would be, as such, unable to pick up where John Williams would leave off. John Williams, on the other hand, is alive and, as such, would be able to pick up where John Williams would leave off.

Wrong on both counts.....

Disappointing. I thought it was going to be some kind of arrangement of all the TV series themes. It's just TOS theme. So why show the others and call it a mix?

Well then, I guess you didn't "get it" did you?

it's not bad for an arrangement of the Courage theme...better than most I've heard

And, pray tell, what are the "most that you've heard"?

All of you STILL don't get it.....

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I'm afraid to say that Alexander Courage has not been alive for quite some time now and would be, as such, unable to pick up where John Williams would leave off. John Williams, on the other hand, is alive and, as such, would be able to pick up where John Williams would leave off.

Wrong on both counts.....

Courage is alive and Williams is dead??

4743204-9985367102-4QmbI.gif

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it's not bad for an arrangement of the Courage theme...better than most I've heard

And, pray tell, what are the "most that you've heard"?

The various bits in the ST movie scores, Williams arrangement, Giacchino's...

K.M. Not sure he get this thread

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Ha. Love me some quote battles :)

In all seriousness, though, can I ask you guys a question?

Because yes, I'm a huge fan of Mike Verta, but even if I wasn't, the guy can obviously weave a musical story in a way we almost never hear any more. He uses mostly JW's orchestral players, who deeply respect him, who have said, literally, "Hollywood needs Mike." He teaches some of the most popular composing masterclasses in the world... hell, even Hans Zimmer is a fan. And he's obviously a giant enormous John Williams fan himself, steeped in an aesthetic tradition. Do we really want to throw somebody like him away? Shouldn't we be cultivating somebody like him; getting the word out? Our beloved JW isn't going to be around forever, and while Mike may only be 41 or whatever, don't we want to be championing him? Piece after piece of Mike's on his website all have that one great quality that modern scores are missing. They tell a story. They get in your head. They seem familiar even when they're not. I dunno. I honestly worry about what happens when Williams is gone, and I truly believe that Mike's got to be one of the top people in the world to carry on the tradition.

-Jim

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I like Mike Verta, but I've never heard him handle dissonance in a really interesting way. Most of his output I've encountered falls into the realm of fluffy, optimistic, Lydian-flavoured underscore suitable for an attraction at Disneyland or Disney's Hollywood Studios, intended to please Gen Xers who grew up with E.T. and Explorers. The Amazing Race being the prime example. Could he pen a piece like Heartwood or the Sinfionetta for Winds? Would he even want to?

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There are plenty of people carrying on the orchestral tradition, they're just not all doing it like Williams is.

Do we really need to "replace" Williams? And if so, does it really need to be more Williams pastiche?

I think Mike Verta is a good composer, but I'd like to hear something more harmonically out of the box from him. Granted, I'm not too familiar with all his output.

And then there's Marcus Paus. Now that's an interesting composer I'd like to hear more from!

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For sure, he's done a lot of writing for theme parks, etc., and ultimately, I know he's asked to do what he's asked to do by his clients. I also know that at least the musicians praise his pedigree - his reputation is for being "legit," as far as that matters. But I have no real idea what his full total range is - though I have heard him do horror/dissonance/etc. And I don't mean to suggest him as a replacement for Williams, because there is none, but more as one of the few younger guys who understands musical narrative. There are lots of guys out there who can do interesting moments, appropriate moments, cool things, but tell a self-supporting story? This I rarely hear. In fact, I can't ACTUALLY think of a score recently that does anything like that, where you can listen to the OST end-to-end and hear the entire dramatic structure unfolding in a connected, symphonic way. Plus, I mean, this forum isn't primarily a celebration of JW's Sinfonietta-type work, but rather his much more "user-friendly," works. As for the pastiche thing, when I first heard about him, I thought the same thing, but eventually heard more of his work and realized that he does tons of stuff with a different sound. Later, when I saw a class he taught where he did musical "impressions" of the greats - all improv'd in realtime, all dead-on, I realized he can probably do just about any sound people ask of him. But he definitely has his own thing. Again, seems really strange to me not to embrace obvious ability and aesthetic competence from a respected, legit, and younger guy, when there's so little of that out there, that's all.

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For sure, he's done a lot of writing for theme parks, etc., and ultimately, I know he's asked to do what he's asked to do by his clients. I also know that at least the musicians praise his pedigree - his reputation is for being "legit," as far as that matters. But I have no real idea what his full total range is - though I have heard him do horror/dissonance/etc. And I don't mean to suggest him as a replacement for Williams, because there is none, but more as one of the few younger guys who understands musical narrative. There are lots of guys out there who can do interesting moments, appropriate moments, cool things, but tell a self-supporting story? This I rarely hear. In fact, I can't ACTUALLY think of a score recently that does anything like that, where you can listen to the OST end-to-end and hear the entire dramatic structure unfolding in a connected, symphonic way. Plus, I mean, this forum isn't primarily a celebration of JW's Sinfonietta-type work, but rather his much more "user-friendly," works. As for the pastiche thing, when I first heard about him, I thought the same thing, but eventually heard more of his work and realized that he does tons of stuff with a different sound. Later, when I saw a class he taught where he did musical "impressions" of the greats - all improv'd in realtime, all dead-on, I realized he can probably do just about any sound people ask of him. But he definitely has his own thing. Again, seems really strange to me not to embrace obvious ability and aesthetic competence from a respected, legit, and younger guy, when there's so little of that out there, that's all.

I don't have the willpower to take issue with some questionable statements here. But I *must* take issue with your dismissal of John's concert music as something this forum isn't "about." I think perhaps you can spend a bit more time here and get to know some of us before you decide things like that for us.

There are plenty of people carrying on the orchestral tradition, they're just not all doing it like Williams is.

Do we really need to "replace" Williams? And if so, does it really need to be more Williams pastiche?

Well said! You're well on your way to becoming TGP 2.0! ;)

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Isn't that a replay of this thread a year ago when Mr. Verta actually was around this place?

Without wanting to go in any of the specifics, it's either funny or sad that even in 2015 the gold standard for film music seems to be THE LAND RACE (a lot of Verta is modelled around it). The appeal of pastiches like this in general eludes me: it must be so, since Thor loves them. I at least heartily wish Verta his own POTA, CEOTK or ALIEN 3 - preferably without jubilant americana fanfares.

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