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Confirmation that DRACULA is coming from Varese??


thx99

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Sorry, I was referring to the Story Of A Woman sheet music.

Apparently if you pledge 2000 you can get any John Barry cue you like recorded. That would mean Tadlow must be pretty sure they have access to all of Barry's sheet music.

I have mentioned again here, at FSM, and in the youtube video with the Story of Woman cue I posted, that the sheet music does exist. (albeit, the parts, not the conductor's score).

It's situated at the Universal Music Library.

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HOUR OF THE GUN is another score that only was recorded because of easy access to the whole score and so on. Why should anyone re-record a good-sounding Goldsmith with multiple releases (and for a rather obscure film, at that)?

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You misunderstood. The sole reason for its existence was that some crucial conditions were met. That applies to all future releases, too. If manuscripts or rights issues arise, it's very unlikely it will happen - if the elements are easy to come by, even obscure scores stand a chance.

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Apparently if you pledge 2000 you can get any John Barry cue you like recorded. That would mean Tadlow must be pretty sure they have access to all of Barry's sheet music.

It says any Barry cue that has previously been released. So not all of it.

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For pathetic Bond fanboys, yes.

Well, i still pleged for Moonraker and enjoyed all the tracks i heard on youtube. I'm neither a Bond fanboy nor a John Barry fan. I don't even own any pre Casino Royale Bond soundtrack.

I'm happy that the first soundtrack kickstarter concerns a great and famous franchise score. If they did try it for something obscure like the JW "Story of a Woman" score it wouldn't stand a chance to get funding.

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I don't even own any pre Casino Royale Bond soundtrack.

So the only ones you don't own are Dr No, From Russia With Love, Goldfinger and Thunderball?

Didn't i mention i am not a Bond fanboy? There is only one Casino Royale film i know of and it stars Daniel Craig!

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For pathetic Bond fanboys, yes.

Well, i still pleged for Moonraker and enjoyed all the tracks i heard on youtube. I'm neither a Bond fanboy nor a John Barry fan. I don't even own any pre Casino Royale Bond soundtrack.

I'm happy that the first soundtrack kickstarter concerns a great and famous franchise score. If they did try it for something obscure like the JW "Story of a Woman" score it wouldn't stand a chance to get funding.

Again -- as I told Stefan earlier in the thread -- that's a contention with which we have to agree to disagree. I think that's being too pessimistic and/or not thinking ambitiously enough. Let me copy/paste what I just wrote over at FSM:

As I posted in the other thread -- much to the chagrin of everyone else -- my dream Kickstarter campaign would fund a recording of John Williams' STORY OF A WOMAN.

Too obscure, you say?

Well, yes, the film certainly is. But it has two strenghts going for it: 1) the name 'John Williams' (arguably the most famous orchestral living composer in the world), and 2) the fact that it's a gorgeous romantic piece that is the flipside of much beloved fan favourite JANE EYRE.

The original recording is undoubtedly lost, but the score sheets are available to rent at Universal. So all it would need is a man with the connections and willingness to it (like James Fitzpatrick) and obviously the funding.

It's doubtful whether this would receive the same amount of exposure as something like MOONRAKER, with a far wider fan base, but you could "sell it in" in any number of ways. You'd have to include a link to a Youtube video showcasing a rip of the brilliant music. And you could also hope for a media angle a la "help restore lost masterpiece by world's most famous film composer!" or some such thing. Then it might have a chance. Maybe not for £25.000, but then you could maybe adjust the size of the orchestra to accomodate a lower fee. Or record it in a less expensive studio. Etc., etc.

Now, STORY OF A WOMAN is not the ONLY unreleased film score I'd like to see funded and rerecorded that way. Same goes for other "lost" Williams treasures, like THE SECRET WAYS or THE SCREAMING WOMAN. Or maybe do one of his lost 'jazz' scores, like DADDY-O, BECAUSE THEY'RE YOUNG, GIDGET GOES TO ROME. Or what about a western double whammy with THE RARE BREED and THE PLAINSMAN? Ah, tantalizing thoughts.

In fact -- to go even wider -- I would applaud any Kickstarter project initiated to record a score that has never had any release whatsoever.

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The original recording is undoubtedly lost, but the score sheets are available to rent at Universal. So all it would need is a man with the connections and willingness to it (like James Fitzpatrick) and obviously the funding.

It's still unknown if the original tapes are lost or not. Considering how these things work, it wouldn't be surprising if they will pop up somewhere sooner or later.

Also, the fact that the original manuscript and score parts are archived at the Universal music library doesn't automatically mean they're available for rental. As I said before, it's common knowledge that studios aren't usually very keen to rent or loan score manuscripts (be it for live performances or recordings) before signing agreements with the composer and the various copyright holders. Some composers' original manuscripts are easier to access because they're generally controlled by heirs or estates that were granted the possession of paper material from the studios (and also because some of them kept personal copies). That's why many composers prepare specific material for concert and recording performances--Williams was actually one of the first to do this, right after the success of Star Wars. We know Williams is very much in control of his own score paper material and that he also has very specific preferences in terms of what he wants (and doesn't want) to see recorded/performed/released. Any new recording of a score composed by him probably has to pass from his compliance.

So, I don't blame Fitzpatrick nor anyone else for not pursuing as hard as some fans would like a new recording of Story of a Woman. These things aren't as easy as cake to prepare and manage successfully. But let's not give up. I'm sure one day we'll see even this obscure score released in some kind of form.

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Quoting MV Gerhard at the FSM board, regarding the tapes found for Dracula:

Yes, bad sounding mono tapes that the rights holders rightfully don't want to master and release.

MV

And don't forget Universal had that major fire several years back and lot of stock went up in smoke.

Not saying Dracula was one of them, but it could have been. I know the company that does have the rights wants to continue their search and find the best elements possible. Hopefully they will some day (perhaps they have already. My intel dates back about 6 months ago).

Until then a brand new re-recording would be most welcome.

MV

:(

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So the source is mono tapes that must be so bad that they are not going to release it.

Re-record it then (and share those tapes with the re-recorders) so they can check for perfection...

Yeah if the materials are in bad shape a re-recording of the score would be a great idea, which of course does not exclude releasing the original recordings at some point either.

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This info is 6 months old, so who knows...

True. Perhaps something new has been unearthed.

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Doctor, I do believe there's hope for you yet.

Yes, bad sounding mono tapes that the rights holders rightfully don't want to master and release.

So it all blew up in my face. And all the piracy and compromises...the editing and rationalizations, all for nothing. JWFan was FURIOUS. I can't say I blamed them. I'd have reacted the same way. After telling us in no uncertain terms that Dracula wouldn't be released anytime soon, he logged off the message board. There didn't seem to be anything more to do...but re-record the score.

We could all be dead by the time the original recordings are released.

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Quoting MV Gerhard at the FSM board, regarding the tapes found for Dracula:

Yes, bad sounding mono tapes that the rights holders rightfully don't want to master and release.

MV

And don't forget Universal had that major fire several years back and lot of stock went up in smoke.

Not saying Dracula was one of them, but it could have been. I know the company that does have the rights wants to continue their search and find the best elements possible. Hopefully they will some day (perhaps they have already. My intel dates back about 6 months ago).

Until then a brand new re-recording would be most welcome.

MV

:(

Yes, but if Varese wasn't working on it, or had in mind to release it in 10 years, wouldn't Fitzpatrick go on with the re-recording?

I mean he was going to, and he stopped due to this.

So, this means that it is coming, maybe soon..

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Indeed. The way Fitzpatrick worded it doesn't give much space for speculation. MV Gehrardt himself says that his info is from 6 months ago. Maybe it won't be released in a few months, but I'm confident it will be sooner rather than later.

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Varèse has always been the most low-profile among the labels in terms of pre-announcements, clue-hinting games, message board interaction with customers, and all that sort of stuff. Townson always said publicly he dislikes those kind of things.

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Well, I see we have a long way to go.

At 0800 hours, message board time, JWFan formally declared war against the labels. They've already downloaded 15 unreleased recording sessions. SO, this is a HUGE victory for the good guys! This may even be the turning point of the entire war. There is even an orchestra that will record music for $99. So...I lied. I cheated. I bribed men to cover the crimes of other men. I am an accessory to piracy. But the most damning thing of all...I think I can live with it. And if I had to do it all over again, I would. King Mark was right about one thing: a guilty conscience is a small price to pay for the completeness of John Williams scores, so I will learn to live with it. Because I can live it. I can live with it. Computer, erase that entire post.

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Fitzpatrick just reaffirmed on Facebook that the Dracula original recording will come out soon:

I have it on good authority that the complete original recording of Dracula will be coming out this year...would love to record with the LSO but would need a much bigger budget!!!
I've mentioned it quite a few times before whenever the subject comes up. I had plans to record Dracula last year but was put off this idea when I was told all the tapes had been found

https://www.facebook.com/tadlowmusic/posts/725612380867988

:cheer:

So, if it's really the poor quality mono tapes that exist, was Fitzpatrick just misinformed? He made it seem these tapes were found recently and presumably in good quality.... at least good enough for him to forget about a rerecording for the time being.

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Peter Hackman (who works for Varese) just made this comment over at FSM. Guess it doesn't bode well for the quality of the elements that have already been found.

James, PLEASE continue with the re-recording!!!

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Again -- as I told Stefan earlier in the thread -- that's a contention with which we have to agree to disagree. I think that's being too pessimistic and/or not thinking ambitiously enough. Let me copy/paste what I just wrote over at FSM:

As I posted in the other thread -- much to the chagrin of everyone else -- my dream Kickstarter campaign would fund a recording of John Williams' STORY OF A WOMAN.

I would be more than happy to see a kickstarter for Story of a Woman. But it would never work as the "first ever soundtrack kickstarter". For that you need a popular score like Moonraker to have a successful precedent.

And now that it seems that Varese only has found bad sounding mono tapes i rather hope for the Dracula rerecording to be kickstarted next :)

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