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Victory Celebration


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As I was listening to this is once again dawned on me how unusual Victory Celebration is as a John Williams piece. Not only isnt not really Star Wars, it doesnt really comfortably fit anywhere in the established styles of John Williams.

Is there anything he's done that sounds similar?

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It sounds an awful like a them I would find in the Legend of Zelda series. Probably because the synth is playing a patch that sounds too much like an ocarina.

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However unusual it may be, I think the melody and the application of the choir - and the overall warm texture of the cue - exhibit Williams's classic religioso feel.

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Data, you really need to get an avatar!

Everytime you post, I'm like: "Who is this random poster? Oh, my! That's Datameister!"

I got suckered into a plot to fill JWfan with avatar-less accounts, but when that plot never really came to fruition, I was too lazy to upload an avatar again...

Someday. Someday.

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If you're familiar with Williams' output prior to STAR WARS, you'll know that he's perfectly capable of writing 'poppy' music of this kind. I still amaze guests when I put on the Isaac Hayes-like funk music in CINDERELLA LIBERTY and tell them it's by John Williams.

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I find that remark...insulting

Really? It was meant rather generally, i.e. 'you' as in 'one'.

But as long as we're on the subject, haven't you made it pretty clear that you're not really interested in Williams' work prior to a certain date?

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As I was listening to this is once again dawned on me how unusual Victory Celebration is as a John Williams piece. Not only isnt not really Star Wars, it doesnt really comfortably fit anywhere in the established styles of John Williams.

Is there anything he's done that sounds similar?

And that is why I still think that this may be not John Williams.

Maybe it is Joseph Williams or something.

edit:

Even seeing this, still don't believe it! :lol:

http://repertoire.bmi.com/title.asp?blnWriter=True&blnPublisher=True&blnArtist=True&page=1&keyid=4059784&ShowNbr=0&ShowSeqNbr=0&querytype=WorkID

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It's a rescore job 15 years after the fact. It's not real Star Wars music.

Also not performed by the LSO, if you need another reason to dismiss it as 'fake' Star Wars music. :P

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I honestly think it's partly the percussion that makes it seem foreign to Williams' oeuvre. He's only delved into "tribal"-sounding rhythms on a minuscule number of occasions. Imagine it instead played on oboe by Keisuke Wakao and a chamber ensemble, and it fits right in.

I also like Giacchino's rearrangement in the same flighty, amusing way I like all of his Star Tours II stuff. It's affectionate and, in its own way, touching. The interpolation of "Cantina Band" at the end strikes me as almost poignant, a sort of "Man, remember that day? It's been one heck of a ride!" callback to one of the earliest memorable moments in the trilogy. If the original trilogy were an overachieving Saturday morning cartoon special (which, I guess, they were) Giacchino's "Victory Celebration" would be a great end credits cue.

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Stylistically it's very different from other sw music, but thematically it fits right in; the main motif of the piece is derived from Luke and Leias theme

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Stylistically it's very different from other sw music, but thematically it fits right in; the main motif of the piece is derived from Luke and Leias theme

Wow, I didn't realize that...

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Stylistically it's very different from other sw music, but thematically it fits right in; the main motif of the piece is derived from Luke and Leias theme

Wow, I didn't realize that...

I did not realize that either, but now that it has been pointed out, it is obvious. That is crazy.

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Wow. I too had never thought Victory Celebration had any connection to any themes in the trilogy, but now I am running both themes in my head and they def seem related!

Interestingly, the SE linear notes don't mention it... then again, it doesn't say much about the piece except that it was done for the extended finale.

The piece came in just before the CDs had to be finalized. The liner notes were probably locked before Matessino had even heard it.
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This is kind of like "Augie's Manicupal Band," which features a playful version of the Emperor's theme. I've really come to enjoy "Victory Celebration" over the years, but I could do without the animal noises and the child choir. However, this revelation makes me enjoy the piece a little more.


Wow. I too had never thought Victory Celebration had any connection to any themes in the trilogy, but now I am running both themes in my head and they def seem related!

Interestingly, the SE linear notes don't mention it... then again, it doesn't say much about the piece except that it was done for the extended finale.

The piece came in just before the CDs had to be finalized. The liner notes were probably locked before Matessino had even heard it.

Ah, okay. That explains why the notes mostly talk about the scene itself and not the music, except the percussion and choir.

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Usually I can immediately tell blindly when Williams composed a cue, but the exception might be Victory Celebration

Sir Francis and the Unicorn?

Who gave you permission to board my ship?

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(...) and the nuclear cloud sounds almost MV-ish.

Apart, maybe, from the synthesizer doubling the double basses, I have absolutely no idea why you think it almost sounds MV-ish.

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The Prairie Dog and the Nuclear Cloud. Quasi-quartal brass fanfare over a pedal tone. Very Americana.

Sounds more like Thomas Newman at his most bombastic than Hans Zimmer. Could be an outtake from SHAWSHANK.

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Has Williams done any interviews in regards to "Victory Celebration"?

If he has, I don't know if you'd necessarily like his explanation.

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I remember seeing an interview with him around the time of the SEs. I cannot remember who it was with, but Williams mentions that he was most concerned with capturing the rhythm and beat of the piece (victory celebration) more than anything else. I do not think he addressed the melodic line.

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