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Alexandre Desplat to score Godzilla


Ollie

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He's supposed to be killed by the oxygen destroyer dammit!

So, kill Godzilla at the end of every film, and resurrect him out of nowhere in each sequel, that's your plan?

It would be like Toho making one sequel to the original after the other in their Millennium series.

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That's not what I meant and you know it smartiepants.

If this movie is meant to be true to the tone and meaning of the first film, then the main scientist is meant to create a weapon that is potentially more dangerous than the atomic bomb, and sacrifices himself after destroying Godzilla with it to save the world from itself.

That is the heart of the original film but if it's another late-Showa Era remake where Godzilla saves the world from another monster, I'm a bit worried.

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There isn't going to be another monster. And Godzilla clearly looks like the main threat here, not the villain.

Although, I've never seen any of the Godzilla films before, so what do I know?

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That's not what I meant and you know it smartiepants.

If this movie is meant to be true to the tone and meaning of the first film, then the main scientist is meant to create a weapon that is potentially more dangerous than the atomic bomb, and sacrifices himself after destroying Godzilla with it to save the world from itself.

That is the heart of the original film but if it's another late-Showa Era remake where Godzilla saves the world from another monster, I'm a bit worried.

There, question answered indirectly.

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You quote me and make a statement that makes no sense. You're the kind of writer that kills editors before retirement!

Of course it makes sense.

I don't think this is meant to be in spirit or in tone with the original.

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You quote me and make a statement that makes no sense. You're the kind of writer that kills editors before retirement!

Of course it makes sense.

I don't think this is meant to be in spirit or in tone with the original.

The tone is definitely darker and more lugubrious than the sequel films. The '54 film made Godzilla a remorseless monster; an unknown quantity. The same appears to be true here.

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That second cue had a "meh" start (as bB so elegantly put it), but yes, what followed was much better than what we heard on the website. Still curious.

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Kazoo? :lol:

Try ram horn (shofar). Same instrument you hear in the Klingon section of the Star Trek V end credits. A synthesized version is the star of Jerry Goldsmith's Timeline as well.

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There's no Shofar in ALIEN.

Blume is mistaken, and I was joking about the kazoo. I have a feeling it might be a new instrument, or something introduced in the last couple of years - though it could also be synthesised. What's really unique about it is that octave glissando at the end. As smooth as a clarinet or slide whistle gliss.

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Blume is mistaken, and I was joking about the kazoo. I have a feeling it might be a new instrument, or something introduced in the last couple of years - though it could also be synthesised. What's really unique about it is that octave glissando at the end. As smooth as a clarinet or slide whistle gliss.

Uh-huh.

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Blume is mistaken, and I was joking about the kazoo. I have a feeling it might be a new instrument, or something introduced in the last couple of years - though it could also be synthesised. What's really unique about it is that octave glissando at the end. As smooth as a clarinet or slide whistle gliss.

Uh-huh.

Look, no Ram's Horn in any of its forms across the planet can glissando like that. A lip bend? Sure. But for the sound in the video you need an instrument with an adjustable air column, either through a slide mechanism or keys.

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There's no Shofar in ALIEN.

Oh nope, conch and serpent.

The sound that everyone thinks is a shofar in the Main Titles and elsewhere is actually a superball mallet rubbed on a piano soundboard, with tonnes of reverb and tape delay.

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