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Just a reminder that tonight is the anniversary of the night they returned E.T. to his spaceship


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Bust out your copy of E.T. The Extra-Terrestrial and listen to the greatest 15 minutes of music John Williams has ever composed, from his greatest score for the greatest Steven Spielberg film there will ever be.

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Just listened to this the other day. Truly magnificent stuff.

Got me thinking, though...why the hell wouldn't E.T.'s alien buddies just realize he was missing, turn around, and pick him back up? Whole movie could have been over in fifteen minutes.

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listen to the greatest 15 minutes of music John Williams has ever composed, from his greatest score for the greatest Steven Spielberg film there will ever be.

If you insist!

https://www.youtube.com/watch?v=O5XrrBXASMw

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I don't hate those scores, they're just... obvious, and I don't get much out of repeated listenings. I'm happy to quote Star Trek, and I don't prefer anyone to anyone. It's all good!

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ET is one of the greatest scores ever written, it is magnificent.

E.T. is indeed one of the greatest scores ever written.

Besides the thematic transformation of each theme individually, it's one of a few scores that all the themes connect to each other motivically, one becomes the other and each derives from the other, thus making up a very solid structure.

And to provoke such sentiment of great structure, is even harder (i say that because many composers might bring their attention to structure alone, and forget about the emotion that it can enclose)

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It took me awhile to figure out why tonight is the anniversary of E.T.'s return to his spaceship. I kept thinking that E.T. was released in June, not November, but it is the day after Halloween like in the movie. I must be slipping.


I think "Adventures on Earth," is some of the best film music ever composed, regardless of composer. I cannot think of a better example of music complementing images. In Williams' body of work it is up there with:

"An Architect's Dream" from The Towering Inferno

"Desert Chase" from Raiders of the Lost Ark,

"Yoda and the Force" from The Empire Strikes Back,

"The Battle of Endor I" from Return of the Jedi,

"Journey to the Island' from Jurassic Park

"Remembrances" from Schindler's List

and...

"Christmas Star" from Home Alone II (Yes. I went there.)

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Well, Adventures of Earth (the concert piece) is good, but Adventure on Earth or Escape/Chase/Saying Goodbye (AKA 11M1 The Rescue/11M3 The Bike Chase/11M4-12M1 The Departure with or without 11M4-12M1 Steven's Fix) is great.

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The string passage when they say "Ouch" around 11 minutes in. It is spectacular and only available on the original album track (or the isolated score), as the expanded versions and Erich Kunzel's wonderful re-recording have Williams' original intended version, which I also enjoy despite overwhelming preference for the film version.

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I just watched the end of E.T. I had noticed previously that the music isn't quite the same as on either of my E.T. CD's but I didn't realize the extra material is so elusive. Indeed it is a lovely string passage. I am not sure if I prefer one version over the other. It's a terrific "patch job," regardless. I have heard the stories about how Spielberg re-edited the end of the film around Williams' music. Perhaps this is one minor musical concession.

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I don't hate those scores, they're just... obvious, and I don't get much out of repeated listenings. I'm happy to quote Star Trek, and I don't prefer anyone to anyone. It's all good!

"Obvious"?

E=mc2 is obvious but it took a genious to figure it out. ;-)

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listen to the greatest 15 minutes of music John Williams has ever composed, from his greatest score for the greatest Steven Spielberg film there will ever be.

If you insist!

https://www.youtube.com/watch?v=O5XrrBXASMw

dust collector or snooze fest. Either work. SS's biggest artistic mistake.
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Got me thinking, though...why the hell wouldn't E.T.'s alien buddies just realize he was missing, turn around, and pick him back up? Whole movie could have been over in fifteen minutes.

Yeah they waited till he was dead

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Got me thinking, though...why the hell wouldn't E.T.'s alien buddies just realize he was missing, turn around, and pick him back up? Whole movie could have been over in fifteen minutes.

 

Yeah they waited till he was dead

They were moving near light speed. Fifteen minutes for them took days and days to progress on Earth.
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listen to the greatest 15 minutes of music John Williams has ever composed, from his greatest score for the greatest Steven Spielberg film there will ever be.

If you insist!

https://www.youtube.com/watch?v=O5XrrBXASMw

dust collector or snooze fest. Either work. SS's biggest artistic mistake.

Hey, don't blame Steven. Stanley Kubrick would've directed A.I. if he hadn't died.

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ET is one of the greatest scores ever written, it is magnificent.

Like STAR TREK TMP, it sags in the middle.

Away from the movie, I largely agree. I normally skip the ET and Me content. But as pure film score the entire work is immaculate.

The string passage when they say "Ouch" around 11 minutes in. It is spectacular and only available on the original album track (or the isolated score), as the expanded versions and Erich Kunzel's wonderful re-recording have Williams' original intended version, which I also enjoy despite overwhelming preference for the film version.

I have no idea why Williams refuses to include that utterly luscious (and deeply manipulative) passage in subsequent performances; it's one the the best parts of whole score imo. The "intended" original feels deflating by comparison.

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listen to the greatest 15 minutes of music John Williams has ever composed, from his greatest score for the greatest Steven Spielberg film there will ever be.

If you insist!

https://www.youtube.com/watch?v=O5XrrBXASMw

dust collector or snooze fest. Either work. SS's biggest artistic mistake.

Hey, don't blame Steven. Stanley Kubrick would've directed A.I. if he hadn't died.

Yeah and Stanley Kubrick, being the greatest filmmaker who ever lived, would have demonstrated his nihilist perfectionism by ending the film when David is stuck at the bottom of the ocean. He was so above the sappy sentimentalism that Steven Spielberg is so entrenched in! He would never have lowered himself to that level!

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I have no idea why Williams refuses to include that utterly luscious (and deeply manipulative) passage in subsequent performances; it's one the the best parts of whole score imo. The "intended" original feels deflating by comparison.

I love that part too very much, much better than the original but I would believe it's because it sounds indeed like an insert, and like it doesn't belong there..

It used to sound to me like an edit, when I didn't know it was a newly composed insert.

Before that part, the strings carry the melody and reach a short climax.

After that part, the strings again carry the melody and reach a short climax.

So the logical thing was the part in between that we're discussing to be carried out by another instrument, and not again strings carrying the melody and reaching a short climax.

Also harmonically, the change from the insert to the original one, sounds a bit akward. Like it tripped and fell..

(that's where I though it was a recording edit)

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I am so glad I found the original OST not too long ago at a used CD bin for 5€. Such a beautiful album and has the film version of the finale, which is awesome.

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There is a few slight differences between the film version and the OST version, but you are essentially correct.

Ah I do not claim to be an expert of this score by no means. Is the film version a sort of edit of the versions we have or an entirely different take?

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The film version is essentially identical to the version on the OST. Same takes, everything. The only difference really is that the OST version features a short horn insert at 12:43, right before the big fanfare after E.T. says "I'll be right here".

This insert is not used in the film, featured on either the 1996 or 2002 release or is played in any of the recordings made of the Adventures On Earth concert version.

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