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John Williams Top 3 Greatest Years Of Film Scoring


Sandor

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1. 1977: Star Wars, Close Encounters Of The Third Kind, Black Sunday

2. 1993: Jurassic Park, Schindler's List

3. 2001: A.I. Artificial Intelligence, Harry Potter And The Sorcerer's Stone

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Well, yea. You already gave the correct answers. What else is left to say?

Really? There's going to be some sort of consensus about this on the board..? That would be a first..! ?

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As much as I like 1977, I think I'd pick these.

1980: The Empire Strikes Back

1982: Conan the Barbarian, E.T. The Extra-Terrestrial

2001: A.I. Artificial Intelligence, Harry Potter and the Philosopher's Stone, The Lord of the Rings: The Fellowship of the Ring

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As much as I like 1977, I think I'd pick these.

1980: The Empire Strikes Back

1982: Conan the Barbarian, E.T. The Extra-Terrestrial

2001: A.I. Artificial Intelligence, Harry Potter and the Philosopher's Stone, The Lord of the Rings: The Fellowship of the Ring

You forgot The Legend of Zelda

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I love 2002, although I realize a lot of people do not hold those scores in high regard. I was born into a world where most of JW's greatest scores already existed, so for me, it was probably the best year for JW music when I was alive. Such an exciting time, including the reissue of E.T. Yep, I'm going there.

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1. 2005 - Revenge of the Sith, Memoirs of a Geisha, Munich

2. 1977 - Star Wars, Close Encounters, Black Sunday

3. 1997 - Amistad, The Lost World, Seven Years in Tibet (although I can't stand Rosewood)

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It's tricky. I still want to hold out 1966, not only because it was his busiest year in terms out pure output, but also because it was one of the most 'mythic' and also I love the scores he did that year.

But if I went REALLY personal instead, I'd probably rank them as follows:

1) 1993

2) 1997

3) 1989

Ha! That's right....nothing from the 70s!

Runner-ups:

4) 2005

5) 1966

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The third year's the tough one. '77 and '93 are no-brainers, to the point where it's hard to find the trifectate to compare with them. (Although if we're going with amh's metric, then I might have to say 1939. Gone With the Wind, The Wizard of Oz, and Mr. Smith Goes to Washington are undeniably great works.)

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1. 1977: Star Wars, Close Encounters Of The Third Kind, Black Sunday

2. 1993: Jurassic Park, Schindler's List

3. 2001: A.I. Artificial Intelligence, Harry Potter And The Sorcerer's Stone

This is exactly what was in my head when I clicked the thread!

Some of my other favorite scores (Saving Private Ryan, War Horse, Hook, Home Alone, Last Crusade, Temple of Doom, ET, ROTJ, Raiders, Empire) were released with weaker scores (or in the case of Empire and Jedi, by themselves), but the three above years were uniformly strong.

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PRESUMED INNOCENT and JFK are definitely not weaker than HOME ALONE and HOOK.

You forgot to mention Stanley And Iris as well...

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It's tricky. I still want to hold out 1966, not only because it was his busiest year in terms out pure output, but also because it was one of the most 'mythic' and also I love the scores he did that year.

Emmm...what??

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PRESUMED INNOCENT and JFK are definitely not weaker than HOME ALONE and HOOK.

Opinion!

No, darling: fact!

PRESUMED INNOCENT and JFK are definitely not weaker than HOME ALONE and HOOK.

You forgot to mention Stanley And Iris as well...

I'd put "Stanley And Iris" in 1989, as it was composed then.

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By that logic The Empire Strikes Back is a 1979 score.

You have to be consistent and either go by release date of the project or date of composition if it's even known. Can't mix and match

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"TESB" being a 1979 score has been discussed before, and probably would be considered a 1979 score, if it wasn't for the fact that it wasn't released until May, 1980. Since "Stanley And Iris" was released in January 1990, I class it as a 1989 score. It's horses for courses.

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What does IMDB conceal? I see for 1966 only listed three so-so comedy scores (mostly Mancini lite) and two westerns i never heard of. Is it TIME TUNNEL?

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In honor of my 1,989th post, I will give my opinion on the year 1989. Not too keen on it to be honest. BotFoJ and TLC were both good scores but the weakness of Always (and Stanley & Iris if you count it) really bring the whole year down for me. Not too keen on 1990 either, which has one of my favorite JW scores (Home Alone) and some of my least favorite (Presumed Innocent, Stanley & Iris if you count it).

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How does this qualify 66 as one of his greatest years though?

For me, it's in the sheer output, but also in the actual contents -- the mystery of the "lost" symphony, the weird but delightful TV assignments (including Williams' quirkiest composition ever -- the Tammy Grimes theme), the classy smoothness and entertainment value of the three comedy/jazz scores and the sheer Americana energy of the two western scores (esp. THE RARE BREED). It's simply a year that stands out.

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RARE BREED was this old Universal western, i faintly remember seeing it (it was called RANCHO RIVER on german telly) but the score didn't leave much of an impression (the also often-run THE COWBOYS much more so, together with Jerry's WILD ROVERS my earliest western score exposure apart from the Morricones).

I must confess that i find the whole thread kind of pointless so i just post to pad the post count...

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