Jump to content

Moloko

Members
  • Posts

    13
  • Joined

  • Last visited

  1. I really like a lot of film scores by Bronisław Kaper. Mutiny on the Bounty is probably his most popular score (It's a real masterpiece! Kaper virtually wrote two different versions for the film.) But I also like his "smaller" scores like the ones on FSM's "Kaper at MGM" Box.
  2. Oh and I forget one: Williams himself incorporated it in Family Plot. Varese, Track 7: 4:45. Sorry no youtube clip...
  3. Michael Kamen Die Hard at 6:25 http://www.youtube.com/watch?v=5_RSelbEQwg&hd=1 On the La La Land release Disc 2 Track 9 (Helicopter Explosion & Showdown): 0:11 But I guess it's because Kamen listened too closely to the temp track :-)
  4. Sex, Drugs and ...err Film Music with Lionell Newman in London Source: https://www.facebook.com/lionelnewman
  5. Oh yeah give us more Kamen! Unfortunately he is so underrated... I really hope the Newman is "The Diary of Anne Frank"!
  6. Yes, I bought the CD back when it was released. The score was also not conducted by Newman himself in Munich (he was probably busy with other films) but by Fox's session pianist and conductor Urban Thielmann. But it's still possible that Williams co-orchestrated some cues for Newman and was present at the LA source music sessions. As I said above there are no orchestrator credits on the Lalaland release.
  7. I do not think that Williams was performing on Certain Smile as a session musician as the score was recorded in Munich, Germany in July 1958 during AFM strike. Although there are two cues ("A Certain Smile" [vocal version] and "The Dance Orchestra") which were recorded in LA. Unfortunately the liner notes doesn't offer a musicians list. Regarding the orchestrations the Lalaland release does not mention Williams as orchestrator. Neither is Edward B. Powell credited, Newman's main orchestrator during his tenure at Fox.
  8. TV spot on the official German Tintin Facebook page. More footage of the ships, some oriental palace, Tintin driving a convertible and motorbike... https://www.facebook...v=2456264688570 ...also on youtube:
  9. I also guess this has something to do with scheduling conflicts. I mean, Pope probably wasn't available ALL the time over the last two(???) years JW was writing/changing the music. After all Pope was also busy orchestrating for Desplat and writing his own scores... and Karam was working on War Horse and as you said Neufeld most likely has retired.
  10. As I said this is very odd. When you look back the last ten years Williams always approached Conrad Pope, Eddie Karam or John Neufeld. Perhaps those at imdb made a mistake. I am sure Williams is the last to sound like those clones at RC!!! He'll battle them with xylophone and flutes...
  11. Hey guys, found something over at imdb. When you look for Cast and Crew of Tintin and scroll down you already find a short Music Department list: http://www.imdb.com/title/tt0983193/fullcredits#cast Odd thing is that it states a guy named Alejandro de la Llosa as orchestrator alongside Conrad Pope. If you look further at his credits it seems that he is orchestrating a lot for Remote Control composers like Zimmer! I do not hope that Spielberg wants the Zimmer-sound for Johnnys score
×
×
  • Create New...

Important Information

By using this site, you agree to our Guidelines.