Scores More Memorable than AFI 25
#1
Posted 29 April 2006 - 05:34 PM
So, aside from those in AFI's Top 25 list (already discussed to high degree in other threads), what scores do you think are more memorable or more recognizable? I'm doing a study on what scores the average film-going person recognizes and so far, they're not doing too well in recognizing the AFI scores.
AFI 25
# STAR WARS (1977), John Williams
# GONE WITH THE WIND (1939), Max Steiner
# LAWRENCE OF ARABIA (1962), Maurice Jarre
# PSYCHO (1960), Bernard Herrmann
# THE GODFATHER (1972), Nino Rota
# JAWS (1975), John Williams
# LAURA (1944), David Raksin
# THE MAGNIFICENT SEVEN (1960), Elmer Bernstein
# CHINATOWN (1974), Jerry Goldsmith
# HIGH NOON (1952), Dimitri Tiomkin
# THE ADVENTURES OF ROBIN HOOD (1938), Erich Wolfgang Korngold
# VERTIGO (1958), Bernard Herrmann
# KING KONG (1933), Max Steiner
# E.T. THE EXTRA-TERRESTRIAL (1982), John Williams
# OUT OF AFRICA (1985), John Barry
# SUNSET BLVD. (1950), Franz Waxman
# TO KILL A MOCKINGBIRD (1962), Elmer Bernstein
# PLANET OF THE APES (1968), Jerry Goldsmith
# A STREETCAR NAMED DESIRE (1951), Alex North
# THE PINK PANTHER (1964), Henry Mancini
# BEN-HUR (1959), Miklos Rozsa
# ON THE WATERFRONT (1954), Leonard Bernstein
# THE MISSION (1986), Ennio Morricone
# ON GOLDEN POND (1981), Dave Grusin
# HOW THE WEST WAS WON (1962), Alfred Newman
Thanks!
#2
Posted 29 April 2006 - 06:01 PM
, Indiana Jones, Good Bad and Ugly, 2001: Space Oddyssey, all come to mind rather quickly. I'm sure alot of people will also readily recognize disney soundtracks, but not scores.
#3
Posted 29 April 2006 - 08:09 PM
#4
Posted 29 April 2006 - 08:28 PM
#5
Posted 29 April 2006 - 10:21 PM
Tim
#6
Posted 29 April 2006 - 10:22 PM
#7
Posted 29 April 2006 - 10:33 PM
I wonder why AFI didn't do a top 100 as they did with every other category. Why give scores the shaft like that? Where's the love?!
Tim
Exactly.
#8
Guest_macrea_*
Posted 30 April 2006 - 03:16 PM
#9
Posted 30 April 2006 - 05:44 PM
#10
Posted 01 May 2006 - 11:15 PM
#11
Posted 01 May 2006 - 11:23 PM
#12
Posted 09 May 2006 - 04:09 AM
1. The Lord of the Rings/The Fellowship of the Ring (2001, Howard Shore)
2. Gladiator (2000, Hans Zimmer and Lisa Gerrard)
3. Star Trek: The Motion Picture (1979, Jerry Goldsmith)
4. Robin Hood: Prince of Thieves (1991, Michael Kamen)
5. Titanic (1997, James Horner)
6. The Omen (1976, Jerry Goldsmith)
7. The Great Escape (1964, Elmer Bernstein)
8. The Ten Commandments (1955, Elmer Bernstein)
9. Rudy (1993, Jerry Goldsmith)
10. Halloween (1978, John Carpenter)
11. Close Encounters of the Third Kind (1977, John Williams)
12. James Bond/Dr. No (1962, John Barry)
13. Back to the Future (1985, Alan Silvestri)
14. Dances with Wolves (1991, John Barry)
15. Raiders of the Lost Ark/Indiana Jones (1981, John Williams)
16. Ghostbusters (1984, Elmer Bernstein)
17. Harry Potter and the Sorcerer’s Stone (2000, John Williams)
18. Schindler’s List (1993, John Williams)
19. Superman: The Movie (1978, John Williams)
20. The Good, the Bad, and the Ugly (1967, Ennio Morricone)
21. Jurassic Park (1993, John Williams)
22. Braveheart (1995, James Horner)
23. Chariots of Fire (1981, Vangelis)
24. Patton (1973, Jerry Goldsmith)
25. The Terminator (1985, Brad Fiedel)
What do you think?
#13
Posted 09 May 2006 - 06:08 AM
#14
Posted 09 May 2006 - 06:58 AM
#15
Posted 09 May 2006 - 12:59 PM
#16
Posted 09 May 2006 - 01:27 PM
Alright, here are 25 other scores that seem to be more memorable or more recognizable than AFI's top 25 (in random order).
1. The Lord of the Rings/The Fellowship of the Ring (2001, Howard Shore)
2. Gladiator (2000, Hans Zimmer and Lisa Gerrard)
3. Star Trek: The Motion Picture (1979, Jerry Goldsmith)
4. Robin Hood: Prince of Thieves (1991, Michael Kamen)
5. Titanic (1997, James Horner)
6. The Omen (1976, Jerry Goldsmith)
7. The Great Escape (1964, Elmer Bernstein)
8. The Ten Commandments (1955, Elmer Bernstein)
9. Rudy (1993, Jerry Goldsmith)
10. Halloween (1978, John Carpenter)
11. Close Encounters of the Third Kind (1977, John Williams)
12. James Bond/Dr. No (1962, John Barry)
13. Back to the Future (1985, Alan Silvestri)
14. Dances with Wolves (1991, John Barry)
15. Raiders of the Lost Ark/Indiana Jones (1981, John Williams)
16. Ghostbusters (1984, Elmer Bernstein)
17. Harry Potter and the Sorcerer’s Stone (2000, John Williams)
18. Schindler’s List (1993, John Williams)
19. Superman: The Movie (1978, John Williams)
20. The Good, the Bad, and the Ugly (1967, Ennio Morricone)
21. Jurassic Park (1993, John Williams)
22. Braveheart (1995, James Horner)
23. Chariots of Fire (1981, Vangelis)
24. Patton (1973, Jerry Goldsmith)
25. The Terminator (1985, Brad Fiedel)
What do you think?
Robin Hood Prince of Thieves, The Terminator, Halloween, Chariots of Fire....are you taking the piss??? John Williams not even in the Top 10. No "E.T." in sight. No Bernard Herrmann or indeed a Hugo Friedhoffer score represented...a very serious omission on your part. Where is Brad Fiedel these days? Probably polishing his synths. According to Qui-Don Corleone above, out of 25 scores, John Williams has 6, Jerry Goldsmith has 4, James Horner has 2, Elmer Bernstein has 3, John Barry has 2 and the rest including Brad Fiedel have one apiece. Dreadful...considering the abundance of brilliant scores out there.
#17
Posted 09 May 2006 - 01:37 PM
#18
Posted 09 May 2006 - 02:40 PM
And these scores are in a randomly-chosen order (drew them out of a hat), so no hierarchy is implied.
#19
Posted 09 May 2006 - 02:44 PM
#20
Posted 09 May 2006 - 03:20 PM
I'll post the results when I've received all the responses it looks as if I'll get.
#21
Posted 09 May 2006 - 03:22 PM
#22
Posted 09 May 2006 - 03:47 PM
#23
Posted 09 May 2006 - 07:51 PM
I believe there has only been one person who didn't get Jaws, so it's not as bad as it sounds.[/i]
You should ask him if he's deaf. inthat case it shouldn't count.
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#24
Posted 17 May 2006 - 07:44 PM
#25
Posted 17 May 2006 - 07:50 PM
Bond....James Bond...hellO?
+1
#26
Posted 17 September 2006 - 02:00 AM
I've finished my tests on AFI scores and alternate scores that may be more memorable. Check out my report at www.geocities.com/tanorfalk/AFIscores.html
Thanks for all the help in suggesting alternate scores!
#27
Posted 17 September 2006 - 02:19 AM
#28
Posted 17 September 2006 - 02:52 AM
Alright, here are 25 other scores that seem to be more memorable or more recognizable than AFI's top 25 (in random order).
1. The Lord of the Rings/The Fellowship of the Ring (2001, Howard Shore)
2. Gladiator (2000, Hans Zimmer and Lisa Gerrard)
3. Star Trek: The Motion Picture (1979, Jerry Goldsmith)
4. Robin Hood: Prince of Thieves (1991, Michael Kamen)
5. Titanic (1997, James Horner)
6. The Omen (1976, Jerry Goldsmith)
7. The Great Escape (1964, Elmer Bernstein)
8. The Ten Commandments (1955, Elmer Bernstein)
9. Rudy (1993, Jerry Goldsmith)
10. Halloween (1978, John Carpenter)
11. Close Encounters of the Third Kind (1977, John Williams)
12. James Bond/Dr. No (1962, John Barry)
13. Back to the Future (1985, Alan Silvestri)
14. Dances with Wolves (1991, John Barry)
15. Raiders of the Lost Ark/Indiana Jones (1981, John Williams)
16. Ghostbusters (1984, Elmer Bernstein)
17. Harry Potter and the Sorcerer’s Stone (2000, John Williams)
18. Schindler’s List (1993, John Williams)
19. Superman: The Movie (1978, John Williams)
20. The Good, the Bad, and the Ugly (1967, Ennio Morricone)
21. Jurassic Park (1993, John Williams)
22. Braveheart (1995, James Horner)
23. Chariots of Fire (1981, Vangelis)
24. Patton (1973, Jerry Goldsmith)
25. The Terminator (1985, Brad Fiedel)
What do you think?
Robin Hood Prince of Thieves, The Terminator, Halloween, Chariots of Fire....are you taking the piss??? John Williams not even in the Top 10. No "E.T." in sight. No Bernard Herrmann or indeed a Hugo Friedhoffer score represented...a very serious omission on your part. Where is Brad Fiedel these days? Probably polishing his synths. According to Qui-Don Corleone above, out of 25 scores, John Williams has 6, Jerry Goldsmith has 4, James Horner has 2, Elmer Bernstein has 3, John Barry has 2 and the rest including Brad Fiedel have one apiece. Dreadful...considering the abundance of brilliant scores out there.
I believe he mentioned it was in 'random order'?
#29
Posted 17 September 2006 - 03:23 AM
none of those are more recognizable than Star Wars, Superman or Jaws.well i'll be listing scores that are more recognizable to most people
, Indiana Jones, Good Bad and Ugly, 2001: Space Oddyssey, all come to mind rather quickly. I'm sure alot of people will also readily recognize disney soundtracks, but not scores.
"You're not John Conner, I saw you die, said Kyle". "I was only injured, replied John". "No, your injuries were too severe, you died. Look at you, where are your injuries? You're, you're a Terminator." "Kyle, its still me, yes my body was beyond repair, but my essence is here." He points to his head. "No John". Kyle raised his pulse rifle and aimed it at John but before he could fire, John fired first. Knocked to the ground Kyle looked up at the Terminator in the form of the man he once idolized. All hope was lost. "If you kill me how will you ever be born?" "Thats a good question Kyle, all this time we've focus on Sarah, on John, when had we known the it was you we should have targeted all along." John pointed his rifle at Kyle's face. "The resistance is finished, the battle is won. We the machines are the victors, salvation is ours." Kyle never heard the second shot.
#30
Posted 17 September 2006 - 01:21 PM
When one guy asked me what sort of scores I liked, the first one he suggested was Gladiator. Says something about 'joe public' these days.
#31
Posted 17 September 2006 - 01:31 PM
My new friends here at uni asked me yesterday what kind of music I was into, and I did my usual careful attempt to explain what film scores are.
When one guy asked me what sort of scores I liked, the first one he suggested was Gladiator. Says something about 'joe public' these days.
Nice. This is how a similar situation happened to me at Uni the other day.
Mate: So who's your favourite musician?
Me: Jerry Goldsmith.
Mate: Go on.
Me: Bernard Herrmann.
Mate: Hmm-hmm, go on.
Me: John Williams.
Mate: Uh, yeah, go on.
Me: James Horner, Danny Elfman, Miklos Rosza...
Mate: Hey, wait! These aren't bands! These are all composers!
Me: Exactly.
Mate: Ah, dude. You're different, but I like different.
Not as hard as you think.
#32
Posted 17 September 2006 - 03:12 PM
#33
Posted 17 September 2006 - 10:55 PM
My new friends here at uni asked me yesterday what kind of music I was into, and I did my usual careful attempt to explain what film scores are.
When one guy asked me what sort of scores I liked, the first one he suggested was Gladiator. Says something about 'joe public' these days.
Nice. This is how a similar situation happened to me at Uni the other day.
Mate: So who's your favourite musician?
Me: Jerry Goldsmith.
Mate: Go on.
Me: Bernard Herrmann.
Mate: Hmm-hmm, go on.
Me: John Williams.
Mate: Uh, yeah, go on.
Me: James Horner, Danny Elfman, Miklos Rosza...
Mate: Hey, wait! These aren't bands! These are all composers!
Me: Exactly.
Mate: Ah, dude. You're different, but I like different.
Not as hard as you think.
shouldn't you have said JW first.
"You're not John Conner, I saw you die, said Kyle". "I was only injured, replied John". "No, your injuries were too severe, you died. Look at you, where are your injuries? You're, you're a Terminator." "Kyle, its still me, yes my body was beyond repair, but my essence is here." He points to his head. "No John". Kyle raised his pulse rifle and aimed it at John but before he could fire, John fired first. Knocked to the ground Kyle looked up at the Terminator in the form of the man he once idolized. All hope was lost. "If you kill me how will you ever be born?" "Thats a good question Kyle, all this time we've focus on Sarah, on John, when had we known the it was you we should have targeted all along." John pointed his rifle at Kyle's face. "The resistance is finished, the battle is won. We the machines are the victors, salvation is ours." Kyle never heard the second shot.
#34
Posted 17 September 2006 - 11:14 PM
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