#401
Posted 05 April 2011 - 07:28 PM
Karol
#402
Posted 05 April 2011 - 07:59 PM
#403
Posted 05 April 2011 - 08:05 PM
#404
Posted 05 April 2011 - 08:07 PM
That's like playing Slayer with an Ukelele
You mean like this?
#406
Posted 05 April 2011 - 08:18 PM
#407
Posted 05 April 2011 - 08:19 PM
#408
Posted 05 May 2012 - 04:31 AM
Let me start by just listing my top 5 favourite Zimmer scores:
1) The Prince of Egypt: A plethora of amazing themes (the God theme is beautiful) and a powerhouse of a score.
2) The Last Samurai: Exciting action, thoughtful themes and beautiful ethnic instrumentation, an intoxicating combination.
3) Beyond Rangoon: His most beautiufl and lyrical score. The gorgeous music here places this score amongst the man's very best.
4) The Lion King: Some of his most majestic themes have been written here. I love Zimmer for this excellent powerhouse.
5) The Da Vinci Code: I know I'm in the minority with this one, but I've got my reasons. This score always has a touch of nostalgia for me as it is my first Zimmer score. Many years later, this score continues to impress with its dark and yet largely symphonic beauty and power. You just don't see Zimmer write like this anymore (well maybe the more atmospheric parts have caught on, but never does he touch the symphonic heights of this score nowadays....he has his synthesizers and blasted foghorns instead).
I suppose I should let the Zimmer hate begin!
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
#409
Posted 05 May 2012 - 08:19 AM
Blame it on Koray, not me!
'Forget the notes!' - Hans Zimmer, June 2013
#410
Posted 05 May 2012 - 02:16 PM
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
#411
Posted 05 May 2012 - 03:02 PM
Using the second option ("Only search in titles") helps a lot. If you had used it, you would have found this thread. But as always, you always do things in hurry, and never cautiously. Next time, pay more attention to the options available!!
'Forget the notes!' - Hans Zimmer, June 2013
#412
Posted 05 May 2012 - 03:18 PM
Don't be so hasty with your accusations my friend
- KK
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
#413
Posted 05 May 2012 - 03:21 PM
If you put John Williams in a dryer, you get Jerry Goldsmith! You get the downside version!
#414
Posted 05 May 2012 - 03:54 PM
Well, the thing you've got to know is that in the Search function options, at the line "Match", you've got three options available: "Search title and content", "Only search in titles" or "Only search in content".
Using the second option ("Only search in titles") helps a lot. If you had used it, you would have found this thread. But as always, you always do things in hurry, and never cautiously. Next time, pay more attention to the options available!!
John Williams sucks, he doesn't write with a quill pen, there is no emotion in pencil music ! Purcell is the man !Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.
#415
Posted 05 May 2012 - 04:06 PM
If you put John Williams in a dryer, you get Jerry Goldsmith! You get the downside version!
#416
Posted 19 May 2012 - 02:05 PM
I believe Stephen Schwartz wrote the lyrics, but Zimmer provided the music for them.
I'll have to check the piano book again, but I believe Stephen Schwartz wrote the music and lyrics to the songs and zimmer scored the film.
EDIT
a link from the piano book
http://www.sheetmusi...f-Egypt/2987628
#417
Posted 19 May 2012 - 03:34 PM
I believe Stephen Schwartz wrote the lyrics, but Zimmer provided the music for them.
I'll have to check the piano book again, but I believe Stephen Schwartz wrote the music and lyrics to the songs and zimmer scored the film.
EDIT
a link from the piano book
http://www.sheetmusi...f-Egypt/2987628
Stephen Schwartz wrote all the themes and melodies for the songs (along with the lyrics). Hans Zimmer helped arranged the songs, like the epic "Deliver Us". The themes in the actual score are all original to Zimmer.
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
#418
Posted 20 May 2012 - 04:02 AM
I love the narration. And I adore To Every Captive Soul. It's very Tristan and Isolde-like, but Zimmer can write some great string based cues. Patricide from Gladiator is another such example
#419
Posted 29 June 2012 - 09:31 PM
Zimmer should write more like that.

I hope Episode III is Called 'Revenge of the Sith'
#420
Posted 29 June 2012 - 09:33 PM
I saw Ice age 4 today, and there is a 'THe simpons' short before it. Like the movie, music was by hans zimmer. There were not any references to the simpsons theme and the music was orchestrally good.
I wonder which ghost composer did that one.
'Forget the notes!' - Hans Zimmer, June 2013
#421
Posted 30 June 2012 - 02:14 PM
#422
Posted 08 February 2013 - 02:19 AM
Interesting interview with Zimmer where he discusses music and technology, instigated by the new iOS app VJAM.
In 50 years Herrmann will be forgotten.
#423
Posted 21 March 2013 - 08:02 PM
2013 is turning out to be the most prolific year for Zimmer in a while!
In addition to scoring Man Of Steel, The Lone Ranger, Rush, and Winter's Tale, he also has Mr. Morgan's Last Love coming out.
#424
Posted 21 March 2013 - 08:54 PM
I wonder how much of that will actually be scored by him...
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
#425
Posted 21 March 2013 - 08:58 PM
Probably Jim Doodley.
I didn't know this guy. I wonder what he composed in The Da Vinci Code.
#426
Posted 21 March 2013 - 10:38 PM
I wonder how much of that will actually be scored by him...
I wonder if some CD covers can genuinely claim to be 'composed by Hans Zimmer', as I keep hearing of more and more scores supposedly by him which actually had loads of ghostwriters.
Giving less experienced composers a chance is good, but it crosses a line IMO when he pretends that he wrote it to sell CDs.
#427
Posted 21 March 2013 - 11:00 PM
Apparently he doesn't pretend that, even though he's normally the one credited on the CD and the one everybody gives credit for the whole score.
#428
Posted 22 March 2013 - 07:39 PM
In 50 years Herrmann will be forgotten.
#429
Posted 22 March 2013 - 07:52 PM
As far as I know he does not use ghostwriters. Ghostwriters are never credited. Zimmer has, throughout his career consistently credited his co-composers.
I am not much of a Zimmer fan. but he has always been transparent about his collaborations. Can't fault him there.
#430
Posted 22 March 2013 - 07:59 PM
Precisely. But I'd like him to take on a solo project.
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
#432
Posted 22 March 2013 - 08:40 PM
Well as solo as he gets. I'd like to hear more scores where he doesn't just compose one or two themes and leaves the rest to others. Scores like "The Da vinci Code" where it was mostly him.
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
#433
Posted 22 March 2013 - 08:44 PM
I wonder how much of that will actually be scored by him...
Taking all the material in those score that are genuinely by him would probably amount to one film score of average length.
"You think they wear those tight-fitting clothes just so some other bride can say 'Gee your hips look succulent'? The good-looking ones know we're looking, they love us to be looking, and god bless 'em, they're carrying the rest of their sex!" - Al Bundy
#434
Posted 22 March 2013 - 08:59 PM
Re-watching the Pacific mini-series, his main theme to that is just wonderful.
#435
Posted 22 March 2013 - 10:10 PM
Must. Resist. Urge.
Urge of what? You don't hear "score blah blah, composed by Hans Zimmer, this guy and this guy". You hear "score blah blah, composed by Hans Zimmer", and it'll take you being a nerd about it to know there's more to it than that and some research to know who did exaclty what. I'm not critizizing anything, that's what happens.
#436
Posted 23 March 2013 - 01:37 AM
Resist the general urge to resort to my old Zimmer posting tendencies. It wasn't a direct reply to your post, though it was a part of the whole. I can't believe that after 10 years people still can't figure out how Zimmer works.
In 50 years Herrmann will be forgotten.
#438
Posted 24 March 2013 - 03:59 PM
I was astounded when I went looking for music from the end of Despicable Me to find that almost all of the finale was written by Magic Box Music.
So delegating composing tasks to others within isn't enough... he outsources to some other company?
Yes Koray, I understand that many composers get help from someone else, but Zimmer seems to do it on such a regular basis, and I'm not aware of a single score which I know he wrote entirely by himself. Is that too much to ask?
#439
Posted 24 March 2013 - 07:39 PM
The part where I disagree with Koray is when he compared Zimmer scoring a film with a director making a film. I don't think the comparison makes sense.
What I find frustrating is that if I like or dislike something in one of these scores I find it confudsing who's to be credited about it anymore. Is Zimmer who is boring or brilliant here? Is it someone else? What does "arranging" mean?
Anyone got a list of everybody who composed Inception? That one seems to me like one where Zimmer did pretty much everything but who knows.
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