#121
Posted 19 September 2009 - 12:22 AM
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#122
Posted 19 September 2009 - 01:08 AM
#123
Posted 19 September 2009 - 01:23 AM
- Patrick Bateman on the Maestro
#124
Posted 19 September 2009 - 01:56 AM
It's like Benjamin Button (but not in reverse
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#126
Posted 19 September 2009 - 03:41 AM
Hardcore!
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#128
Posted 08 December 2009 - 05:41 AM
They seem to be focusing more on the newer characters like Erin and Andy, as well as the opening credits characters of Pam Jim Dwight and Michael........ and less on some of the characters that have been around from the beginning, especially Angela. I'm not sure how I feel about this.
#129
Posted 08 December 2009 - 05:59 AM
Oh my goodness.
Dwight embodies everything that is wrong with The Office these days. Part of what made him so creepy and amusing before was the fact that he never went too ridiculously far over the top. Now he can be convinced to beat himself up for prolonged periods of time, makes strangely loud and annoying outbursts in interviews, and just generally doesn't have any of the intelligent humor that used to make the show awesome.
Oh, and there are too many attempts at feel-good moments. The show was already warmer than its British predecessor, which was fine, but it definitely didn't need to get any warmer. Now we've got episodes that end with everyone just having a great time together dancing or getting married or whatever. Not that there's anything wrong with dances and marriages...in the olden days, the show made those things funny with a genuinely heartwarming touch! Now they just come across as saccharine. Annoying.
Argh. I'm ranting. Sorry. It just really annoys me that I only started getting into this show right as it started to really slide downhill.
#130
Posted 08 December 2009 - 06:19 AM
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#131
Posted 29 January 2011 - 05:20 AM
Then the first five seconds of the episode happened.
Once I picked my jaw up off the ground, it was fixed in a disbelieving grin for the remainder of the opening segment. For a The Office geek like me, that scene was a dream come true, and even though the execution was not TOTALLY brilliant, it made the whole episode worth it. (Incidentally, I thought the rest of the episode wasn't terrible, either, so perhaps things really are turning around a bit.)
So yes, anyone who is familiar with both the UK and US versions of the show should definitely watch "The Seminar."
#132
Posted 29 January 2011 - 10:19 AM
#133
Posted 29 January 2011 - 10:28 AM
Er, the first three or four seasons, at least. It's remarkable to watch the show steadily grow further and further apart from the original in terms of tone, humor, content, etc. Everything is so different now, and mostly a lot worse, but in the beginning, the American version was fantastic, and they kept that up right about until the end of season 3, which corresponds roughly to the end of the UK Christmas special. Season 4 had some very strong highlights, but things were already starting to get funky. Took about one more season for the whole thing to just collapse in on itself.
#134
Posted 30 January 2011 - 07:54 AM
Already watched it numerous times from start to finish. It's a great little show, and different from its American counterpart, but that doesn't mean I can't enjoy the latter as well.
Er, the first three or four seasons, at least. It's remarkable to watch the show steadily grow further and further apart from the original in terms of tone, humor, content, etc. Everything is so different now, and mostly a lot worse, but in the beginning, the American version was fantastic, and they kept that up right about until the end of season 3, which corresponds roughly to the end of the UK Christmas special. Season 4 had some very strong highlights, but things were already starting to get funky. Took about one more season for the whole thing to just collapse in on itself.
Good thing I stopped at Season 3 then, eh?
In 50 years Herrmann will be forgotten.
#135
Posted 30 January 2011 - 08:18 AM
#136
Posted 30 January 2011 - 08:26 AM
I've seen maybe 10-15 British episodes, and they're funny, but not nearly as good as the best of the American version IMO. That said, I think part of that is because their accents are so thick that I need to use subtitles, which takes away the effect of a good delivery.
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#137
Posted 30 January 2011 - 09:01 AM
I stopped watching the US Office a couple of years ago, when the believable characters from the first few seasons had actually turned into ridiculous caricatures of themselves. It turned from "look at these people, you probably know and work with people very much like them" to "look how hilariously inappropriate and bumbling these puppets are".
My current favourite shows are Fringe and 30 Rock. And of course Doctor Who, but I'm dying for the new series to start.
#138
Posted 30 January 2011 - 09:04 AM
There are only 12 British episodes (plus a two-hour Christmas special), so it sounds like you've seen it all. I've watched the British version from start to finish at least twice, with scatterings of repeat viewings on certain episodes. It's...very good, but very British. I can understand the majority of what they're saying, but there are references and jokes that just go sailing right over my head. But there's a lot to love, and even when I'm not sure what they're talking about, the delivery is so good that I can imagine it being funny.
Really, the British version is at one end of the spectrum, the current seasons of the American version are at the other, and the sweet spot for me is somewhere in between, but a lot closer to the former than to the latter. That's where that "Golden Era" of the American version is - not quite as dry and pessimistic as the British version, but still very much focused on satirizing the daily grind of the middle-class office worker. None of the dumb humor and depressing over-cheerfulness that often happens these days on the show.
#139
Posted 30 January 2011 - 03:52 PM
In 50 years Herrmann will be forgotten.
#140
Posted 30 January 2011 - 05:06 PM
#141
Posted 30 January 2011 - 08:21 PM
I thought Gervais' cameo was hilarious, but if he appears in more than one episode I have a feeling the joke will get old really fast.
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#142
Posted 30 January 2011 - 08:24 PM
#143
Posted 31 January 2011 - 02:47 PM
Steve Carrell's final episode is airing in April, and the season will then have 4 more episodes without him before concluding in May.
Will Ferrell isn't necessarily "replacing" Carrell and being the new series regular boss next season or anything. He's just slated for guest appearances for the end of this season so far.
Gervais isn't slated to make additional appearances.
#144
Posted 31 January 2011 - 03:08 PM
#145
Posted 23 February 2011 - 07:12 AM
But still, they've yet again proven that it's a lot easier to re-create Pam's circa 2007 hairstyle and makeup than it is to re-create the original tone, spirit, intent, and genuine hilarity of the show. I appreciate the gesture of bringing back favorite characters and plot points from yesteryear, but I'd rather they just make the show good again.
The good: cameos by Jan, Karen, Todd Packer, and Ryan's hobbit friend...seeing the aforementioned old haircuts and whatnot...the moments when they allowed Michael's film to actually seem like a badly made home video...blowing up Toby's head...and, surprisingly, the music. Anyone know who wrote that? Was it from a film or was it original? In any case, it actually had a rather nice full-orchestral sensibility, though it certainly wasn't anything too memorable.
The bad: a completely bland and pointless frame story...the sense yet again that the show is just being used as a vehicle to show off the actors' various talents...the fact that Michael's film often did NOT seem like a badly made home video, but part of a professionally produced sitcom...the fact that all of the sudden, most of these characters are also pretty decent actors, not just office drones at a paper company...and the utter lack of the workplace satire that originally formed the basis of the show. But that's been gone for a long time.
Gonna cleanse my palate with an episode of the UK version.
#146
Posted 23 February 2011 - 07:23 AM
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#147
Posted 25 February 2011 - 03:19 AM
#148
Posted 25 February 2011 - 03:33 AM
#149
Posted 25 February 2011 - 09:59 PM
...and, surprisingly, the music. Anyone know who wrote that? Was it from a film or was it original? In any case, it actually had a rather nice full-orchestral sensibility, though it certainly wasn't anything too memorable.
Most of it was from the Bourne movies. I really didn't listen too closely but I'm sure its all from recent Universal films considering NBC is a part of Universal.
#150
Posted 25 February 2011 - 10:10 PM
#151
Posted 26 February 2011 - 06:25 PM
The post-season-4 Pam still annoys me, though. She went from one of my favorite characters to one of my least favorite.
#153
Posted 16 April 2011 - 07:12 PM
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#154
Posted 16 April 2011 - 07:47 PM
But...
The post-season-4 Pam still annoys me, though. She went from one of my favorite characters to one of my least favorite.
...couldn't agree more with this. Jim, too, but Pam especially is just a completely different person now.
#155
Posted 17 April 2011 - 12:30 AM
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#156
Posted 17 April 2011 - 03:17 AM
The stuff with Andy was supposed to be ridiculous, I know, but it still felt a little bit too slapstick for my tastes. But Michael was perhaps a little closer to classic Michael than usual, which was nice. His reaction to everyone sucking up to the new boss was very much in line with what I'd expect from the character. Seemed to be handled pretty well, and I actually caught myself getting rather bittersweet about his departure, even though it's been several seasons since the real Michael Scott was in play. (Same goes for all the major characters, of course.)
Anyway, it'll be interesting to see what direction they take everything in. Could breathe new life into the show in a moderately pleasant way, or it could make me start REALLY hoping next season is the last. We'll see...
#157
Posted 22 April 2011 - 06:41 AM
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#158
Posted 22 April 2011 - 05:45 PM
Man, and I really was enjoying that episode for a while.
#159
Posted 22 April 2011 - 06:21 PM
I agree the singing was rather awkward to see. That felt very forced and unnatural. (I always hear "unnatural" in Ian McDiarmid's voice, for some reason...) The best part was, like you said, seeing how choked up Michael was getting.Mixed feelings about this episode. It was actually going quite well for a while...not old-school brilliance or anything, but I was enjoying it. Even if the actual content isn't amazing, it still helps to bring back something from the early days (i.e. the Dundies). But then everyone started singing, and it all just went to pieces. The only good thing about that was Michael getting choked up, but I absolutely hate it when they have the characters do things like that. The original concept of the show was that these were like the coworkers every office worker has had, and they were toiling under an incompetent and insensitive boss whom they tolerated because they had to. Now, I'm not saying they should have taken the route the UK version did with David Brent's departure, although that worked brilliantly for that show. But having everyone band together and sing like that? It's just painful to watch.
Man, and I really was enjoying that episode for a while.
But I think Michael Scott actually was more of a friend to his employees than David Brent ever was. Over the years, he did once in a while do nice things for them (or at least try). He was still incompetent and insensitive, but there were times when he really did try to do nice things for his employees. With varying degrees of success, of course. David Brent was far and away much more of an ass to his workers than Michael Scott.
Not sure I like Deangelo Vickers, and not just because I can't stand Will Ferrell, though I will admit for the most part he is nicely restrained from his usual over-the-top Will Ferrell-ness. I think we're not supposed to like Deangelo, from what little I've heard about the next few episodes, but we'll see.
Glad Erin finally dumped Gabe. (Man, is she a cutie, or what?) *ahem* Um, anyway, yes, it was about time she realized how lame he is.
I'd still love to see Catherine Tate be the chosen one.
#160
Posted 22 April 2011 - 06:34 PM
Yeah, I've still got mixed feelings about Deangelo, too. He was really hard to get a read on last week...he was a little more evenly characterized this week. We'll see...
As for Erin dumping Gabe...that was, as Darryl put it, cold. I seriously cannot get a read on her character, either. I can't even explain it. She has just done absolutely nothing for me ever since she joined the show. I agree that she's cute, and the actress is probably a lovely person and all, but there is just nothing about that character that I like. This breakup just came out of nowhere and rendered the whole Erin-and-Gabe-are-dating subplot totally pointless, as far as I can tell. Those sorts of dating-the-wrong-person subplots can work brilliantly (c.f. Pam and Roy), but you have to care about the characters. I mean, maybe they'll do something meaningful with it in the episodes to come, but all I can really see happening is Erin and Andy getting together. Which is, like, whatever...I don't really care about either character. (Andy, incidentally, is another character who's massively changed since his early days as an annoying Cornell alumnus with an anger problem.)
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