Posted 26 August 2008 - 12:30 AM
I've seen Superman II exactly twice (original and Donner cut), but never saw Superman III or IV: TQFP. I know the basic premise of each of these films, and just never planned to see them. I also saw Superman Returns last week for the very first time, and while it dragged in sections, I enjoyed it for the most part.
Its heart was in the right place, but it tried too hard to be the "true" sequel to Superman II. Since it ignores III and IV, it hits on a few plot points from II (Lois and Superman's lovemaking in the Fortress; Lex's first visit to the Fortress; Clark the only Kryptonian left after Zod, Ursa, and Nod are stripped of their powers), and tries to explain away the difference as being only five years. Superman Returns is one possible sequel to Donner's vision that we needed about 15-20 years ago, while the sour taste of III and IV were still fresh in the public's mouth. That's why Batman Begins prospered: the public remembered good Batman movies and were willing to move past the two bad ones, besides the fact that BB was really good and offered a fresh origin story. But by Superman Returns trying to be the logical successor of Reeve's Superman series after so many years, it failed to live up to that and thus could not launch a new/continued franchise. Canonical or not, I was looking forward to the Son of Superman concept more out of amusement than anything.
So if they do reboot the Superman franchise, the next installment will have to be another "origin" story, right? Mixed blessings galore. As great as Donner's Superman '78 was, it laid down so much backstory for Superman that any directors felt trapped by how much mythology Donner (and Puzo and everyone else involved) had laid down, namely Jor-El's plan for Kal-El to basically be the messiah of humanity. Not to get religious or preachy, but was the original intent of Superman in the comics to be a parallel for Jesus, in tights and a red cape, who fights for truth, justice, and the American way? Because that's the way Marlon Brando's voice over makes it seem. It's not a perfect metaphor, of course, since the death of Superman would not bring humanity its salvation, it would kill millions to billions of people by the hand of Lex Luthor. If they wanted to bring the Jesus/Superman metaphor full circle, then by all means, please film the Death of Superman story, where his noble sacrifice to kill Doomsday means that humanity lives (and then Superman comes back to life again). Superman Returns bleeds with the trappings of that mythology.
It also bleeds with the inability to paint Lex Luthor as anything other than a real estate mogul. What were his motivations in I, II, and SR? A new west coast; Cuba and Australia; a new mid-Atlantic continent. (I realize he had other motivations in IV, but I didn't see it so I don't know anything other than his own Superman he creates). Is there any other depth to this villain beyond real estate? Please explore a deeper Luthor in a reboot of the Superman franchise, or by all means, go get us another villain. The best parts of Superman II were the fights with Ursa, Nod, and Zod (as well as his delicious overacting), so there are other DC villains for Superman to fight.
For a while, Lois and Clark: The New Adventures of Superman was really good TV. Then Lois found out who Clark was, they got married, Luthor died, and the show fell apart. Smallville is a protracted origin story that's just teenage soap opera drama covered up by comic book chic, but it's easier to sell a TV pilot with an attractive cast and turn it into a seven year event on The WB, than shove a $200 million movie blockbluster in the public's face and then try to turn the flop into sequels.
While the world doesn't need another Superman origin story since everyone knows the jist, in order to distance a new franchise from all the other Superman hooplah, it's probably what we're all going to get. Up, up, and away...
The John Williams music was a welcome addition to Superman Returns by adding to the emotional weight of the movie, but I don't think it's necessary to keep it for future Superman movies. The Superman '78 March, Lois/Superman Read My Mind love theme, the Krypton theme, and all the other themes belong to the films begun by Donner and Reeve, and followed by Lester and Reeve, Singer and Routh. For a new Superman with a new origin story and film franchise and cast and crew, it should get new themes. Keep Williams' music tied to Donner's mythology. After five movies papered with this music, there's nothing new here, folks. Time for something new.
@Wojo: stop being facetious.