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#81 Wojo

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Posted 15 December 2008 - 11:58 PM

Who is Leiv Schieber supposed to be?



Sabretooth. If I remember correctly, Weapon X is the organization that created them, had them work together for a while with a group of other mutants, and then ended in disaster, which each going their separate way. That group was a precursor the X-Men. That, in short, is the movie.
I suggest a full frontal assault with automated laser monkeys, scalpel mines, and acid.

#82 Nick Parker

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Posted 16 December 2008 - 12:00 AM

Wow, it has been a while since I did anything with X-Men. Does anyone else remember that awesome cartoon ( what was it called, "X-Men: Evolution"?) that aired many years ago?
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#83 Wojo

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Posted 16 December 2008 - 12:14 AM

I didn't watch that one. I watched the one before that on FOX in the early 90s. That was a great show.

I wonder if this X-Men Origins Wolverine movie will show how Wolverine knew Captain America from World War II. I doubt it, because i don't think that Marvel is going to mix their Iron Man/Captain America/Hulk/Thor/Avengers franchises with their X-Men film franchise, which aside from two Origins movie is pretty much over.
I suggest a full frontal assault with automated laser monkeys, scalpel mines, and acid.

#84 Nick Parker

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Posted 02 January 2009 - 09:25 PM

Is anyone looking forward to "9"? It is produced by Tim Burton and that guy who directed "Wanted". To me, it looks kind of like a video game, but that is not exactly a bad thing. Apparently, Danny Elfman will be scoring it, as well. I think it looks pretty good, all things considered, although they really need to find better trailer music.
"The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future."

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#85 indy4

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Posted 05 January 2009 - 05:22 AM

Concept art of Johnny Depp as the Mad Hatter in Tim Burton's upcoming film, Alice In Wonderland.

The page says it might be fake, though, so maybe not. I thought the entire thing was going to be animated, but maybe not.
Posted Image

If this proves to be real...then it's a step in the right direction.
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#86 Red Rabbit

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Posted 05 January 2009 - 05:28 AM

If this proves to be real...then it's a step in the right direction.

If by right direction you mean Burton being very predictable/repeating himself then yes, it is.
Do you like John Williams? His early work was a little too jazzy for my taste, but when Jaws came out in '75 I really think he came into his own, commercially and artistically. The whole album has a clear, crisp sound, and an air of consummate professionalism that really gives the pieces a big boost. He's been compared to Jerry Goldsmith but I think John has a far more leitmotif-driven style of composing. In '82 John composed this, E.T., his most accomplished album to date. I think his undisputed masterpiece is "The Magic of Halloween", a theme so catchy most people don't listen to what it means. But they should, because it's not just about the pleasures of childhood and the importance of friendship, it's also a personal statement about the man himself. Hey Paul!
- Patrick Bateman on the Maestro

John Takis' Complete Hook Analysis


#87 HPFAN_2

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Posted 05 January 2009 - 05:41 AM

If this proves to be real...then it's a step in the right direction.

If by right direction you mean Burton being very predictable/repeating himself then yes, it is.

Oh wow, I thought I was the only one who thought this. I saw this pictures and simply shrugged thinking, this image wasn't surprising. I thought it'll be another "Burton" film. Nothing wrong with a "Burton" film but his out there style is no longer out there for me since he does it every time.

#88 Nick Parker

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Posted 05 January 2009 - 05:44 AM

I do not know... that image looks a little...not...real. This is supposed to be a motion-capture film, am I correct?
"The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future."

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#89 Koray Savas

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Posted 05 January 2009 - 06:20 AM

Honestly, how do you see that as a fake? It's real, or Johnny Depp likes to dress up with rabbits and take pictures of himself and then spread them on the internet. The film is live-action.

In 50 years Herrmann will be forgotten.


#90 indy4

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Posted 05 January 2009 - 08:00 AM

If this proves to be real...then it's a step in the right direction.

If by right direction you mean Burton being very predictable/repeating himself then yes, it is.

I don't tire of Burton's usual style, just because I love it so much. His style may not be unique for Burton, but it's still a ton of fun to watch.

Honestly, how do you see that as a fake? It's real, or Johnny Depp likes to dress up with rabbits and take pictures of himself and then spread them on the internet. The film is live-action.

Because of this.
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#91 Nick Parker

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Posted 05 January 2009 - 08:04 AM

I don't tire of Burton's usual style, just because I love it so much. His style may not be unique for Burton, but it's still a ton of fun to watch.


What?

[Because of this.


The film will be 3-D, as any overview of the film production will tell you. Of course, that could be a conceptual model for the digital designers to base the character on.
"The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future."

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#92 indy4

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Posted 05 January 2009 - 08:30 AM

I don't tire of Burton's usual style, just because I love it so much. His style may not be unique for Burton, but it's still a ton of fun to watch.


What?

Meaning that due to Burton's overuse of surrealistic styles, Alice in Wonderland won't be unique in terms of stylistic vision. However, because I am a huge fan of Burton's use of surrealism, I eagerly anticipate this film.

[Because of this.


The film will be 3-D, as any overview of the film production will tell you. Of course, that could be a conceptual model for the digital designers to base the character on.

I wasn't speculating about whether it'll be in 3-D or not, I was speculating about whether the film will be completely or partially animated.

And I have found my answer.

“The movie is a mixture of live action, animation, and stop motion, so it’s very complicated and I don’t think all three have been put together ever before,” reveals Rickman. “So I’ll be with a live action Alice. I will be a construct.”

http://www.slashfilm...he-caterpillar/
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#93 Wojo

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Posted 08 January 2009 - 11:24 PM

I want to see Dead Snow when it becomes available in the USA.
I suggest a full frontal assault with automated laser monkeys, scalpel mines, and acid.

#94 Wojo

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Posted 23 January 2009 - 12:24 AM

This...would...be...awesome!



Thundercats, ho!
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#95 QuestionMarkMan

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Posted 23 January 2009 - 12:58 AM

Keira Knightley and Colin Farrell are set to star in London Boulevard, a crime drama that marks the directing debut of The Departed screenwriter William Monahan. The film is based on the Ken Bruen novel, which Monahan adapted.

Graham King is producing under his GK Films banner, with Monahan and Quentin Curtis. The film will shoot this summer in and around London.

Farrell, who just won the Golden Globe for In Bruges, will play a South London criminal who, after release from prison, tries to give up the gangster life by becoming a handyman for a reclusive young actress.

Link
Looking forward to this one
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#96 Nick Parker

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Posted 23 January 2009 - 05:46 AM

This...would...be...awesome!



Thundercats, ho!


Great, when I finally thought I would never see Snarf-Snarf or whatever his name was again....
"The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future."

-Oscar Wilde

#97 Quint

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Posted 29 January 2009 - 01:43 PM

WHOOP! Bring it.

And I think I'm ready to embrace the hype, two years in advance.

#98 Joey

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Posted 09 February 2009 - 09:18 PM

Im quite anxious to see the movie Knowing.

since its a Nick Cage movie, most of us are Knowing there is a good chance it won't be the best movie.

But I do love the premise.

#99 Koray Savas

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Posted 11 February 2009 - 01:17 AM

Sweeet

In 50 years Herrmann will be forgotten.


#100 Mark Olivarez

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Posted 11 February 2009 - 01:26 AM

Im quite anxious to see the movie Knowing.

since its a Nick Cage movie, most of us are Knowing there is a good chance it won't be the best movie.

But I do love the premise.



What is it about Cage starring in films that contain national secrets, predictions or glimpses of the future?

#101 Quint

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Posted 11 February 2009 - 09:19 AM

Pixar's latest sounds extremely promising.

For me, they're are the new Steven Spielberg. I get excited about their latest movies like I used to get excited about Spielberg's.

#102 indy4

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Posted 11 February 2009 - 07:12 PM

Steven Spielberg is the new Steven Spielberg.

But Up does look fantastic.
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#103 paleo

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Posted 11 February 2009 - 07:14 PM

Im quite anxious to see the movie Knowing.

since its a Nick Cage movie, most of us are Knowing there is a good chance it won't be the best movie.

But I do love the premise.


I hope it's not as disappointing as "Next". I still regret the loss of my ticket money (and poor Julianne Moore ;-))

#104 Maurizio

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Posted 11 February 2009 - 09:45 PM

Here's the teaser trailer for Quentin Tarantino's WWII epic Inglorious Basterds.

Looks promising, even though it's presented as a kind of mainstream Hollywood film.
"It's still baffling to me. I sit down with a pencil and a piece of paper and do my best... The remarkable thing is that my music is heard by billions of people." --John Williams

"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams

#105 Wojo

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Posted 11 February 2009 - 11:37 PM

Why does a movie like that need to be made?
I suggest a full frontal assault with automated laser monkeys, scalpel mines, and acid.

#106 Koray Savas

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Posted 12 February 2009 - 01:06 AM

Kick ass a full teaser! Looks awesome.

In 50 years Herrmann will be forgotten.


#107 Quint

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Posted 13 February 2009 - 01:40 PM

The legend that is Uwe Boll

#108 Koray Savas

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Posted 13 February 2009 - 01:44 PM

:rolleyes:

Just the idea of someone giving him money makes me wanna vomit.

In 50 years Herrmann will be forgotten.


#109 Charlie Brigden

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Posted 14 February 2009 - 09:59 AM

Why does a movie like that need to be made?


Because Tarantino has a gigantic ego.
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#110 Nick Parker

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Posted 14 February 2009 - 06:07 PM

The legend that is Uwe Boll


Thank you for posting, Quint, I found that article very humorous.
"The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future."

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#111 Koray Savas

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Posted 14 February 2009 - 06:18 PM

Why does a movie like that need to be made?


Because Tarantino has a gigantic ego.

He's a genius. All he does is steal, I mean be inspired, from the movies he loves. I wouldn't call that ego. Inglourious Basterds is what he described as a Spaghetti western in Nazi occupied France. Too bad Morricone can't compose because of the damn Weinstein's. Nonetheless it'll be filled with his music.

I was disappointed by the trailer. I was expecting something a little more serious, but it looks like a gore-fest exploitation film. We already have a director that can bring violence and humor together, and his name is Robert Rodriguez. I hope Tarantino returns to his usual style.

In 50 years Herrmann will be forgotten.


#112 Joey

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Posted 14 February 2009 - 06:20 PM

please QT is not a genius, he's often a freaking idiot.

#113 Charlie Brigden

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Posted 14 February 2009 - 06:25 PM

Why does a movie like that need to be made?


Because Tarantino has a gigantic ego.

He's a genius. All he does is steal, I mean be inspired, from the movies he loves. I wouldn't call that ego. Inglourious Basterds is what he described as a Spaghetti western in Nazi occupied France. Too bad Morricone can't compose because of the damn Weinstein's. Nonetheless it'll be filled with his music.

I was disappointed by the trailer. I was expecting something a little more serious, but it looks like a gore-fest exploitation film. We already have a director that can bring violence and humor together, and his name is Robert Rodriguez. I hope Tarantino returns to his usual style.


I don't think he's a genius. He clearly thinks he's a genius, but he's really a good filmmaker who can sometimes write good dialogue and occasionally picks decent music, when he's not operating under his ego (see next sentence). I mention his ego, because he seems to think we all are dying to watch the movies he makes, and seems determined for us all to love grindhouse movies as much as he does when frankly most of them are terrible and usually worth watching only for the music and ironic value (see JAWS 3). I can't watch one of his movies without imagining him at the side going 'I used a Charlie Feathers song, look how hip I am!'
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#114 Quint

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Posted 14 February 2009 - 06:42 PM

please QT is not a genius, he's often a freaking idiot.

He's no genius and if anything he's severely overrated, BUT Pulp Fiction is not only a masterpiece of contemporary cinema; it also the most revolutionary film of the 90s. The screenplay alone IS a stroke of sheer genius.

Pulp Fiction is as rewatchable as Jaws and I don't say that lightly, as if I had to say.

#115 Charlie Brigden

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Posted 14 February 2009 - 06:46 PM

it also the most revolutionary film of the 90s.


I think TOY STORY would have something to say about that.

I haven't seen the film in a long time, and I don't really have a desire to. I'll admit it's well written, but it personifies the 'I'm hip!' thematics of his work. I think his best film is one he didn't direct, TRUE ROMANCE.
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#116 Quint

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Posted 14 February 2009 - 06:53 PM

Toy Story is sublime, but Pulp is the movie most remembered. And copied.

Pixar bettered Toy Story. Nobody has bettered Pulp Fiction.

#117 Charlie Brigden

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Posted 14 February 2009 - 06:56 PM

Nobody has bettered Pulp Fiction.


In what way, exactly? There have been better films since PULP FICTION.

Actually, looking back, JURASSIC PARK or T2 are probably the most revolutionary.
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#118 Nick Parker

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Posted 14 February 2009 - 06:59 PM

Love the film though I do, I would not consider Jurassic Park "revolutionary", from a non-technical perspective.
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#119 Quint

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Posted 14 February 2009 - 07:00 PM

Nobody has bettered Pulp Fiction.


In what way, exactly? There have been better films since PULP FICTION.

Actually, looking back, JURASSIC PARK or T2 are probably the most revolutionary.


I'm talking in terms of movies like Pulp Fiction, in that they are movies where the branching and interwoven narrative is almost as important as the story itself.

I agree that JP and T2 were revolutionary, but not in the same sense that PF was.

What I find quite intriguing is your apparent assumption that you thought I was speaking about technical revolutions in film, when I was actually talking about the bare basics of good film - story and structure.

#120 Charlie Brigden

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Posted 14 February 2009 - 07:08 PM

I'm talking in terms of movies like Pulp Fiction, in that they are movies where the branching and interwoven narrative is almost as important as the story itself.

I agree that JP and T2 were revolutionary, but not in the same sense as PF was.


I see.

Not in the same sense, no, but then you'd have to qualify 'the most revolutionary film of the 90s' with the explanation. On its own, I don't think it supports the statement, because there were a few revolutionary movies in that decade.

Love the film though I do, I would not consider Jurassic Park "revolutionary", from a non-technical perspective


Neither would I.

What I find quite intriguing is your apparent assumption that you thought I was speaking about technical revolutions in film, when I was actually talking about the bare basics of good film - story and structure.


I didn't assume that at all, I just took the term "revolutionary" at face value.
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'





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