The Quick Question Thread
#481
Posted 29 March 2010 - 01:30 PM
@Wojo: stop being facetious.
#482
Posted 29 March 2010 - 02:34 PM
In 50 years Herrmann will be forgotten.
#483
Posted 04 April 2010 - 05:14 AM
#485
Posted 04 April 2010 - 05:23 AM
Oh, but in all seriousness, what about X? I've seen that here and there.
#487
Posted 04 April 2010 - 06:28 AM
#488
Posted 04 April 2010 - 08:27 PM
#489
Posted 05 April 2010 - 06:53 PM
#490
Posted 06 April 2010 - 07:00 PM
#491
Posted 07 April 2010 - 02:26 PM
They control the money.
Are you guys saying that Patrick Stewart, on "S.T:Insurection", and Sigourney Weaver on "Alien 3" had a hand in how the money was spent? No wonder David Fincher was stressed...To put it simply, yes.
#492
Posted 10 April 2010 - 11:50 PM
#493
Posted 12 April 2010 - 10:58 PM
http://www.nba.com/s...s_100411_1.html
@Wojo: stop being facetious.
#494
Posted 13 April 2010 - 03:51 AM
For those who like Star Wars (all but two of you) and NBA basketball, Phoenix put two and two together the other night.
http://www.nba.com/s...s_100411_1.html
Oh lord......
#496
Posted 13 April 2010 - 03:29 PM
@Wojo: stop being facetious.
#497
Posted 13 April 2010 - 03:38 PM
Sorry, just saw this. I think it's just your disc, I just checked and mine doesn't have that. I hardly ever listen to the alternate though, just the final version from the musical OST. I made a playlist that includes everything from the official score album, the non-musical score cues from OMWF, and the season 3 promo, in episode order. A very long and nice listen.Question for somebody with the Buffy the Vampire Slayer: The Score album (paging Dr. Crichton!): when I play the alternate version of "Sacrifice" from "The Gift" (which in actuality is from the "Bargaining" two-parter, I hear), there's just a tiny bit of music missing at the beginning, and it causes track to start with a "pop". It's fixable by using the first note of the actual cue that appeared on the OMWF album (and amplifying it a bit). But I was just wondering if there was a problem with my disc, or if they're all like that.
#498
Posted 14 April 2010 - 08:55 PM
Anybody know? Also, besides the Dreamworks Logo music and possibly this one, which other Logo music did JW write?
#499
Posted 14 April 2010 - 09:04 PM
http://filmscoremont...mID=1&archive=0
#500
Posted 14 April 2010 - 09:12 PM
There was a recent FSM thread about this very subject you might enjoy!
http://filmscoremonthly.com/board/posts.cfm?threadID=67562&forumID=1&archive=0
Thanks!
But who wrote this logo...?
#501
Posted 14 April 2010 - 09:20 PM
#502
Posted 14 April 2010 - 09:22 PM
I miss Jerry Goldsmith...
#503
Posted 14 April 2010 - 09:42 PM
Anybody know?
Instantly recognisable Goldsmith. I believe Horner's was the one prior to this (with the Universal text spinning over the globe in 3D).
Also, besides the Dreamworks Logo music and possibly this one, which other Logo music did JW write?
Something for some company called Ladd. Not sure I ever heard it.
#504
Posted 14 April 2010 - 09:51 PM
#505
Posted 14 April 2010 - 10:22 PM
#507
Posted 14 April 2010 - 10:38 PM
#508
Posted 15 April 2010 - 02:02 AM
There's also the Amblin logo.
Sorry, just saw this. I think it's just your disc, I just checked and mine doesn't have that. I hardly ever listen to the alternate though, just the final version from the musical OST. I made a playlist that includes everything from the official score album, the non-musical score cues from OMWF, and the season 3 promo, in episode order. A very long and nice listen.
Question for somebody with the Buffy the Vampire Slayer: The Score album (paging Dr. Crichton!): when I play the alternate version of "Sacrifice" from "The Gift" (which in actuality is from the "Bargaining" two-parter, I hear), there's just a tiny bit of music missing at the beginning, and it causes track to start with a "pop". It's fixable by using the first note of the actual cue that appeared on the OMWF album (and amplifying it a bit). But I was just wondering if there was a problem with my disc, or if they're all like that.
Huh, interesting. Thanks for checking.
#509
Posted 15 April 2010 - 03:01 PM
http://www.soundtrack.net/logomusic/
#510
Posted 16 April 2010 - 09:24 AM
It's Williams, alright, and it was first heard on "Outland", which was the first Ladd Company release. It is in wonderful 5.1, on "B.R: The Final Cut", and is also on a rather nifty Polish "Blade Runner" bootleg c.d.
Anybody know?
Instantly recognisable Goldsmith. I believe Horner's was the one prior to this (with the Universal text spinning over the globe in 3D).Also, besides the Dreamworks Logo music and possibly this one, which other Logo music did JW write?
Something for some company called Ladd. Not sure I ever heard it.
Don't forget original trailer music for "A.I.", and the teaser trailer for "1941", featuring "Wild" Wayne Kelso.
#511
Posted 16 April 2010 - 10:48 PM
This is my playlist for SL as best as I could figure:
1. Schindler's Workforce
2. Stolen Memories
3. OYF'N Pripetshok
4. Immolation
5. Making the List
6. Give Me Your Names
7. Auschwitz
8. I Could Have Done More
9. Yeroushalaim Chel Zahav
10. Theme
11. Theme reprise
12. Remembrances
13. Jewish Town
14. Remembrances (Perlman)
#512
Posted 16 April 2010 - 10:57 PM
#513
Posted 17 April 2010 - 06:04 PM
Is there a suggested chronological placement for "Jewish Town - Krakow Ghetto, Winter '41" ?
I've always thought "Jewish Town" is a concert piece...
#514
Posted 17 April 2010 - 06:09 PM
Does anyone know what the best program/techniques for waveform editing are? I have a particular track that I'm trying to fix, and despite having the CD (and therefore, WAV files) at my disposal, it's not coming out the way I want it to.
What specifically are you trying to do? I use the free program Audacity for all of my music editing needs, and I'm very happy with it. If you have specific questions, I might be able to help.
#515
Posted 17 April 2010 - 06:15 PM
Is there a suggested chronological placement for "Jewish Town - Krakow Ghetto, Winter '41" ?
I've always thought "Jewish Town" is a concert piece...
It is but I usually like to throw the concert pieces into my playlists with the rest of the score and make some chronological sense out of it (rather than placing them strictly at the beginning or end). I kinda figure to begin my SL playlist with Jewish Town. I'll probably just do that.
#516
Posted 17 April 2010 - 06:22 PM
It is but I usually like to throw the concert pieces into my playlists with the rest of the score and make some chronological sense out of it (rather than placing them strictly at the beginning or end). I kinda figure to begin my SL playlist with Jewish Town. I'll probably just do that.
You know, if this was a cue, I think it would have been perfect for the scene where the Jews are forced to shovel snow and that one-armed old man is shot in the forehead by the Nazis...
Kind of grim and "nostalgic" (it says so in the written score), building up and up to a horrific climax, and then the anti-climax. Also, if you stretch your imagination a bit, there is a sort of "shoveling" rhythm going on in the background.
#517
Posted 18 April 2010 - 06:38 AM
#518
Posted 18 April 2010 - 06:59 AM
#519
Posted 18 April 2010 - 07:22 AM
#520
Posted 18 April 2010 - 08:54 AM
Does anyone know exactly what all these executive producers, co-executive producers, co-producers, and associate producers, actually do on a film? Today I saw a poster for a new film that 13 "producers". That can't be right, can it? Any thoughts, folks, 'cause I haven't got a clucking foo!
The imdb Glossary might be of some help.
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