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What is the last Television series you watched?

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#1321 Quint

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Posted 13 April 2012 - 12:17 PM

Sounds like rubbish!

I'm out!


Imagine in FotR the Hobbits arrive at Bree for the night, but instead of joining the merry antics of the pub's patrons, they instead order in a bevy of whores for tits in their faces and skilled fellatio. Next morning they wake with sore heads - cursing themselves for completely forgetting about the meet with Gandalf, and that's Game of Thrones.

#1322 Stefancos

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Posted 13 April 2012 - 01:32 PM

But there is sex!


Wohoooo! Count me in for some of that!

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#1323 Richard

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Posted 13 April 2012 - 01:48 PM

What's interesting is that sex is noticeably absent from the books.

I'm almost done with the first season of Carnivale. It is really good. Takes its time to warm up, though.

Karol


"Carnivale" has been described as "Twin Peaks meets John Steinbeck". Apt.
Just wait until it develops in series 2. What do you think of the climax of series 1?

#1324 Jason LeBlanc

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Posted 13 April 2012 - 02:11 PM

Yea, Carnivale season 1 moves at a fairly slow pace. Season 2 moves MUCH faster
-Jay
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#1325 Quint

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Posted 13 April 2012 - 02:20 PM


But there is sex!


Wohoooo! Count me in for some of that!


Some of it doesn't involve women...

#1326 Richard

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Posted 13 April 2012 - 02:26 PM



But there is sex!


Wohoooo! Count me in for some of that!


Some of it doesn't involve women...



The best kind...so I've heard.

Are "Made In Chelsea" "TOWIE", "Desperate Scousewives", and all that stuff real, or acted?

#1327 Quint

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Posted 13 April 2012 - 02:27 PM

They're fucking staged garbage of the variety you'd normally find under the rim of a public toilet seat.

#1328 Stefancos

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Posted 13 April 2012 - 03:12 PM

Some of it doesn't involve women...


Eeeeeewwww....i'm not havin' that!

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#1329 crocodile

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Posted 13 April 2012 - 03:16 PM

Don't fight it, Stefan. Embrace it!

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#1330 Incanus

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Posted 13 April 2012 - 03:40 PM

Embrace the poxy whores Stefan!

Ars superior est vita hominum.

"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-

I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-


#1331 Stefancos

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Posted 13 April 2012 - 03:51 PM

Sure, but man-on-man action????

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#1332 KK.

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Posted 13 April 2012 - 04:34 PM

Sure, but man-on-man action????


I suspect thats what will be present in this week's episode...

#1333 Quint

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Posted 13 April 2012 - 04:55 PM

I haven't started season 2 yet and for some reason I'm now not sure I want to.

#1334 crocodile

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Posted 13 April 2012 - 04:57 PM

And why is that?

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#1335 Quint

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Posted 13 April 2012 - 05:09 PM

What K.K just said.

#1336 KK.

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Posted 13 April 2012 - 05:36 PM

I'm only assuming that based on the previews of Renly we had (and since this ep is all about renly..)...but in now way is that a reason to avoid season 2. For all we know, that stuff could only be on for a second. I believe that the pacing will definitely pick up with this episode, so for people complaining about the pace (ahem, BloodBoal), there'll prob be more action in this one.

I'm more concerned about how they'll manipulate and twist Margarey Tyrell's character...

#1337 Quint

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Posted 13 April 2012 - 05:36 PM

I'm not actually going to stop watching it ;)

#1338 KK.

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Posted 13 April 2012 - 05:53 PM

All is well then! :)

*Puts away torture devices..*

#1339 crocodile

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Posted 14 April 2012 - 06:49 PM

Finished the first season of Carnivale and immediately started the second. It's getting really good now.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#1340 Alexcremers

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Posted 15 April 2012 - 05:10 AM

I thought it was good from the get-go. Most of my recollections are from those first episodes.
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#1341 Koray Savas

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Posted 16 April 2012 - 08:40 AM

I finally got around to watching The Office. UK original, of course.

I've always been a fan of Gervais and Merchant, but this pushes it over the edge, they're geniuses. Infinitely better than anything in Extras and their stuff with Karl Pilkington. They've always been hilarious, but Extras lacked the dramatic character writing present here. I've literally just watched the whole series in a single sitting, and I was in tears by the end. I don't know why I was so moved by the Tim/Dawn relationship, maybe because it reflects a lot of my personal life, but I found it so incredibly real and well acted. Even being able to give David Brent, one of the most egotistical and inconsiderate and superficial beings in TV history, a moving and satisfying conclusion is brilliant in itself.

The series also further proves that their 2 season structure is near flawless. American cable television just tries to get as many views as possible without any real quality, and then subsequently drags it on until it's dead. The US version is proof of this. I haven't watched it past Season 3, but I can tell that it just changed the names on the original series' scripts and then dragged it on, and it still keeps going apparently.

In 50 years Herrmann will be forgotten.


#1342 crocodile

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Posted 16 April 2012 - 08:44 AM

I thought it was good from the get-go. Most of my recollections are from those first episodes.

Oh I did like it from the start, but the story starts to pick up some momentum. That's what I meant. I've got two gripes about it, though: the music is really generic TV score and on-the-nose (well, maybe except for Justin's theme), and the characters don't seem to go anywhere (apart from Justin). They just have the same exact conversation in every single episode. But because it's so well done, you enjoy watching it anyway.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#1343 Quint

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Posted 16 April 2012 - 08:44 AM

I finally got around to watching The Office. UK original, of course.

I've always been a fan of Gervais and Merchant, but this pushes it over the edge, they're geniuses. Infinitely better than anything in Extras and their stuff with Karl Pilkington. They've always been hilarious, but Extras lacked the dramatic character writing present here. I've literally just watched the whole series in a single sitting, and I was in tears by the end. I don't know why I was so moved by the Tim/Dawn relationship, maybe because it reflects a lot of my personal life, but I found it so incredibly real and well acted. Even being able to give David Brent, one of the most egotistical and inconsiderate and superficial beings in TV history, a moving and satisfying conclusion is brilliant in itself.

The series also further proves that their 2 season structure is near flawless. American cable television just tries to get as many views as possible without any real quality, and then subsequently drags it on until it's dead. The US version is proof of this. I haven't watched it past Season 3, but I can tell that it just changed the names on the original series' scripts and then dragged it on, and it still keeps going apparently.


:thumbup:

#1344 Stefancos

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Posted 16 April 2012 - 09:33 AM

Still, no Fatty Owls...

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#1345 Alexcremers

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Posted 16 April 2012 - 10:26 AM


I thought it was good from the get-go. Most of my recollections are from those first episodes.

Oh I did like it from the start, but the story starts to pick up some momentum. That's what I meant. I've got two gripes about it, though: the music is really generic TV score and on-the-nose (well, maybe except for Justin's theme), and the characters don't seem to go anywhere (apart from Justin). They just have the same exact conversation in every single episode. But because it's so well done, you enjoy watching it anyway.

Karol


I don't remember the music to be a problem. But I wonder, do you think Williams' music is so unusual? Agreed with the characters, they don't go anywhere but perhaps that's a good thing? The only story arc of true importance is the clashing of the devil and the angel. But who is who? :)


Alex
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#1346 crocodile

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Posted 16 April 2012 - 10:32 AM



I thought it was good from the get-go. Most of my recollections are from those first episodes.

Oh I did like it from the start, but the story starts to pick up some momentum. That's what I meant. I've got two gripes about it, though: the music is really generic TV score and on-the-nose (well, maybe except for Justin's theme), and the characters don't seem to go anywhere (apart from Justin). They just have the same exact conversation in every single episode. But because it's so well done, you enjoy watching it anyway.

Karol


I don't remember the music to be a problem. But I wonder, do you think Williams' music is so unusual? Agreed with the characters, they don't go anywhere but perhaps that's a good thing? The only story arc of true importance is the clashing of the devil and the angel. But who is who? :)


Alex

What bothers me about the music is that it sounds cheap as opposed to the otherwise amazing production values. Same with Game of Thrones. And I wish they did something less obvious with it. More striking perhaps. Take There Will Be Blood, for example. Also a period piece but the music does something else. This show deserves better.

As for Williams, his approach is somewhat rare these days. When I watched War Horse some time ago, I thought to myself "no one in the audience will get this". Which is not necessarily a bad thing.

Oh and I just finished watching episode 6 of the second season. Six more to go...

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#1347 Alexcremers

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Posted 16 April 2012 - 10:47 AM

I see what you mean, crocs. The accessibility of the music is perhaps one of the consessions Carnivale has to make (in order for the show to be made made in the first place). Only when you're PTA or Haneke, you can do what you want.



Alex
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#1348 crocodile

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Posted 20 April 2012 - 09:53 AM

Well, I just finished it. It's a very entertaining show, but far from perfect. It's funny how it almost mirrors Twin Peaks in so many ways. I'd like to see more of it, but it's still more complete than I thought it would be.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#1349 Quint

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Posted 20 April 2012 - 10:00 AM

It's on my list. Does it end as well as Twin Peaks - given that both were cut short? There's something about TP abrupt halt which makes it deliciously satisfying.

#1350 crocodile

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Posted 20 April 2012 - 10:59 AM

It doesn't end as abruptly. I'd say both endings have some similarities.

It's not as quirky as Twin Peaks, though. But then again, what is?

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#1351 Alexcremers

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Posted 20 April 2012 - 11:09 AM

It ends abruptly because HBO suddenly decided to cancel the show. Too ambiguous, too few viewers. Don't get the comparison with Twin Peaks though.
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#1352 crocodile

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Posted 20 April 2012 - 11:11 AM

I'd say it has this "end of act 1" feel to it. It's not so much of a cliffhanger. My point is the show feels complete enough to enjoy it for what it is (which is about 1/3 of it). They revealed some things about where the story would go from there.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#1353 Quint

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Posted 20 April 2012 - 11:16 AM

I've heard the Twin Peaks comparison a number of times.

#1354 crocodile

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Posted 20 April 2012 - 12:00 PM

Don't get the comparison with Twin Peaks though.

Similar theme, mythology, "ending", strange setting and characters. Different tone and feel, obviously.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#1355 Jason LeBlanc

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Posted 20 April 2012 - 12:12 PM

Daniel Knauf planned out Carnvale to be a six-season show, with each 2 seasons making up 1 of 3 acts. So that's why the season 2 finale is mostly completely satisfying with only a few things left open to continue. Who knows how different Season 3 / Act 2 would have been. It'd be great if the DVD sales have been enough to get HBO to make a miniseries or something to continue the show, but since it hasn't happened by now I'm sure it never will
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#1356 crocodile

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Posted 20 April 2012 - 12:15 PM

Well, the good thing is it can never go downhill. :)

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#1357 Jason LeBlanc

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Posted 20 April 2012 - 12:18 PM

If you want to know the information he's revealed about where you the show would have gone, you can start here:

http://en.wikipedia....character_fates
-Jay
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#1358 Quint

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Posted 20 April 2012 - 12:18 PM

So Carni ends satisfactorily, then? It didnt make you go, Noooooooooooo?

What I'm asking is did they get a chance to hastily wrap it up, as it were?

Twin Peaks ends on a brilliant question, which makes it work.

#1359 Jason LeBlanc

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Posted 20 April 2012 - 12:22 PM

It ends with the end of Act 1 out of 3 planned Acts.... it wraps up most things going on, but there's plenty of questions left unanswered that Acts 2 and 3 would have answered. But as a self-contained 2season story, it still works pretty well
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#1360 crocodile

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Posted 20 April 2012 - 12:22 PM

It ends in a similar way to Twin Peaks. Ends some storyline but leaves some stuff unresolved and promises new direction. But all of that still works as an ending.

I was satisfied with the ending of Carnivale, given the circumstances.

It's good, Quint. Watch it, if you can.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan





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