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#641 Marian Schedenig

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Posted 10 December 2011 - 03:18 PM

Seriously though, you never noticed the quality until season 4? The "coming storm" theme and Peter's theme never caught your ear? Interesting...


It was always serviceable, but never did i seem to stand out musically, at least not to me.

#642 Jason LeBlanc

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Posted 14 December 2011 - 04:00 AM

Varese will be releasing the score to Robert Folk's "There Be Dragons: Secrets of Passion" on Feb 7th

http://www.varesesar...Secretos/Detail
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#643 tannhauser

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Posted 14 December 2011 - 03:02 PM

Could someone please explain this? The movie was released May 2011, with a score by Stephen Warbeck. Now it's being rereleased, with a different score by a different composer? Don't get it.
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#644 Jason LeBlanc

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Posted 14 December 2011 - 03:09 PM

"There Be Dragons" was released in May 2011 with a score by Stephen Warbeck, and the movie bombed.

So the studio re-cut the film, retitled it "There Be Dragons: Secrets of Passion", had Robert Folik completely rescore the picture, and is re-releasing it to theaters now.


Source: http://filmmusicrepo...ets-of-passion/
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#645 tannhauser

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Posted 14 December 2011 - 05:05 PM

Thanks
Oh, War Horse is great! - John Williams

#646 Jason LeBlanc

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Posted 19 January 2012 - 06:49 PM

Varese will release Spartacus: Vengeance by Joseph LoDuca on March 20th

http://www.varesesar...engeance/Detail
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#647 Jason LeBlanc

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Posted 24 January 2012 - 02:49 PM

Varese will release Safe House by Ramin Djawadi on March 6th

http://www.varesesar...ases/Categories
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#648 Jason LeBlanc

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Posted 26 January 2012 - 01:24 PM

Varese will release Safe House by Ramin Djawadi on March 6th

http://www.varesesar...ases/Categories


And samples are already available here: http://www.cinemamus...n-zu-safe-house
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#649 Donna Lackluster

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Posted 28 January 2012 - 12:14 AM

Robert Folk - hero!

The guy scored one of my all time favorite Osts:

"You are dead"

Stephen Warbeck?
No no.

Gay as Lord Sutch.
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#650 ST-321

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Posted 02 February 2012 - 03:29 AM

Generations is getting a new release?

Dennis McCarthy has let slip that there will be a complete version of
ST: Generations soundtrack at some point, but that's all I know -
nothing on label, release date, or if it's even happening this year


http://trekweb.com/articles/2012/01/31/Star-Trek-VI-2Disc-Expanded-Soundtrack-Coming-from-Intrada-Label.shtml
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#651 tharpdevenport

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Posted 02 February 2012 - 03:49 AM

Yeah, that words spread about two or so years ago. I guess there was talk, but he wasn't aware GNP holds the rights.

Same with Joel Goldsmith, who on his website posted an image gallery of CD's including future ones to be released, and I pointed out "First Contact" (and two or three others) was on there, to which he said something like I caught him. I even sent an e-mail to help out a tiny, tiny, tiny, tiny bit on it, if anything was being done. That, "The Man With Two Brains" and "Call of Duty 3" have still not come to CD. Also owned by GNP.


That's not to say something can't and hasn't been worked out with GNP since, but the current guess is they just weren't aware of the rights issues.
REJECTED FILM SCORES SITE
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Number 6: "Like blazes! First chance i get."
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#652 Koray Savas

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Posted 02 February 2012 - 05:01 AM

Considering the GNP music is the only thing missing from the Ron Jones FSM box, I'd say we won't see anything from them for awhile.

In 50 years Herrmann will be forgotten.


#653 Charlie Brigden

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Posted 02 February 2012 - 06:29 AM

Not sure how much of an indicator that is - with BOBW on the RJP, it's unsurprising they wouldn't licence it - after all, their CD could be seen as 'completing the set' which could potentially have seen an increase in sales (hell, I went out and bought it when that box came out, and I don't even have it). Also, Treks II and III were released on CD by GNP, both of which have seen a subsequent expansion. Then again, it could be different because the TNG movie OSTs debuted on GNP - however, it depends how much GNP want to go up against the mountain and its "restoration project".
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#654 tharpdevenport

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Posted 02 February 2012 - 08:16 PM

No, as my review of the FSM box set pointed out (at MainTitles.net) is that something must have been worked out, as GNP released two Jones scores, and FSM included all the cues from the other score, so maybe GNP can be delt with.
REJECTED FILM SCORES SITE
Number 2: "Are you going to run?"
Number 6: "Like blazes! First chance i get."
-The Prisoner-

PLEASE NOTE: I don't sell CD-Rs, or trade MP3s -- do NOT contact me asking for those; I also don't do downloading/uploading. Just trade, CD-Rs.

#655 Jason LeBlanc

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Posted 07 March 2012 - 04:54 PM

Varese will release Jablonsky's Battleship score on May 8th:

http://www.varesesar...ttleship/Detail


The movie looks like Transformers 4 from the trailers, so why not hire the same composer?
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#656 Joey

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Posted 07 March 2012 - 05:47 PM

Varese will release Jablonsky's Battleship score on May 8th:

http://www.varesesar...ttleship/Detail


The movie looks like Transformers 4 from the trailers, so why not hire the same composer?

it's transformer 5, transfomers 4 is called the Avengers.

#657 Goldsmithfan

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Posted 07 March 2012 - 07:34 PM

My favorite score news all year...

http://www.varesesar...Season-3/Detail

#658 Jason LeBlanc

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Posted 07 March 2012 - 07:36 PM

Goldsmithfan, see here:

http://www.jwfan.com...ndpost&p=787271
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#659 BloodBoal

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Posted 10 March 2012 - 05:51 PM

Cover, tracklist, release date and samples from Wrath Of The Titans soundtrack:

Hmmmm...

Release date : March 30th

Tracklist:

01. Wrath Of The Titans
02. Humans Stopped Praying
03. Zeus In The Underworld
04. Attack Of The Chimera
05. Son Of Zeus
06. Pegasus
07. Andromeda
08. Cyclops
09. The Orb
10. Ares Fights
11. Perseus In The Labyrinth
12. Escape From Tartarus
13. To The Battle
14. Brother Ares
15. Zeus Leaves

And...

16. Kronos Megalos Remix!! Fuck Yeah!!

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#660 Stefancos

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Posted 10 March 2012 - 05:56 PM

Strange that they went with a proper composer this time?

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#661 KK.

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Posted 10 March 2012 - 06:07 PM

These samples sound interesting! Unfortunately, there appears to be some stylistic tendencies crossing over from Djawadi's score. However, it seems like Navarrete knows what he's doing (or at least I hopeso), despite being forced to attune to today's blockbuster style of scoring. The choral work seems impressive, and I like the main theme.

I'm still looking forward to this.

#662 Richard Penna

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Posted 10 March 2012 - 07:40 PM

From the guy who wrote Pan's Labyrinth, those samples are disappointing.

They've tried to mold his sound into a RCP sound and it's not really working for me. Don't like the main theme either... I think this one's not for me.

#663 BloodBoal

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Posted 10 March 2012 - 09:23 PM

Yeah, it sounds like Djawadi's score for the first film, with only slight improvements here and there. Disappointing indeed...

Kronos Megalos Remix kicks-ass, though.

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#664 KK.

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Posted 10 March 2012 - 09:56 PM

Well I'm beginning to think the same thing. I was slightly worried about the score since he mentioned how he had to adapt to the "blockbuster style" for this film. And it does sound very RC, but I'm guessing thats the producer's fault. But still, I'm going to be optimist and hope for the best.

At least we can count on it being better than Djawadi.

#665 BloodBoal

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Posted 12 March 2012 - 09:20 AM

The album includes almost 45 minutes of the original score


"Almost"? Wow. I was afraid the album was going to be longer. Thank god for that!

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#666 Incanus

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Posted 12 March 2012 - 09:56 AM

The album includes almost 45 minutes of the original score


"Almost"? Wow. I was afraid the album was going to be longer. Thank god for that!

Yeah thank heavens there was not more of this music on the CD.

And what can I say about the Wrath of the Titans clips? Navarrete was wasted on this. What he does is a bit more acoustically amped version of Djawadi's übercool macho-RCP anthem-ostinato mish-mash. Oh and there was ambient droning too.

Ars superior est vita hominum.

"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-

I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-


#667 BloodBoal

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Posted 12 March 2012 - 10:05 AM


The album includes almost 45 minutes of the original score


"Almost"? Wow. I was afraid the album was going to be longer. Thank god for that!

Yeah thank heavens there was not more of this music on the CD.


Can you imagine if they had done a 60 minutes long album? That would have been so stupid! :lol:

And what can I say about the Wrath of the Titans clips? Navarrete was wasted on this. What he does is a bit more acoustically amped version of Djawadi's übercool macho-RCP anthem-ostinato mish-mash. Oh and there was ambient droning too.


When you say he was wasted, do you mean that his talent was not properly used, or do you mean...

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#668 Incanus

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Posted 12 March 2012 - 10:07 AM



The album includes almost 45 minutes of the original score


"Almost"? Wow. I was afraid the album was going to be longer. Thank god for that!

Yeah thank heavens there was not more of this music on the CD.


Can you imagine if they had done a 60 minutes long album? That would have been so stupid! :lol:

Yeah. Man they would have looked silly. :lol:


And what can I say about the Wrath of the Titans clips? Navarrete was wasted on this. What he does is a bit more acoustically amped version of Djawadi's übercool macho-RCP anthem-ostinato mish-mash. Oh and there was ambient droning too.


When you say he was wasted, do you mean that his talent was not properly used, or do you mean...

Posted Image

Probably a bit of both actually. I don't think he could have written such things while sober. I don't know if it was just booze or did he need something stronger to get through the ordeal but he was clearly writing under the influence.

Ars superior est vita hominum.

"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-

I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-


#669 Richard Penna

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Posted 12 March 2012 - 12:22 PM


The album includes almost 45 minutes of the original score


"Almost"? Wow. I was afraid the album was going to be longer. Thank god for that!

Yeah thank heavens there was not more of this music on the CD.

And what can I say about the Wrath of the Titans clips? Navarrete was wasted on this. What he does is a bit more acoustically amped version of Djawadi's übercool macho-RCP anthem-ostinato mish-mash. Oh and there was ambient droning too.


Yep, shame really. When I heard his name mentioned I got quite interested - potentially a great score in there.

If Djawadi was busy, there are plenty of other clones to hire.

#670 mrbellamy

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Posted 16 August 2012 - 03:11 AM

Tracklist, cover art, and release date for The Master by Jonny Greenwood

#671 BloodBoal

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Posted 01 October 2012 - 11:00 PM

Samples for Cloud Atlas

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#672 KK.

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Posted 02 October 2012 - 12:40 PM

I like the samples. They sound in line with the kind of stuff Twyker wrote for The Perfume.

#673 BloodBoal

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Posted 02 October 2012 - 04:25 PM

This sounds nothing like The Perfume, but I think you realized that after posting that stupid comment.

Anyway, it seems like this is a very heterogenous soundtrack, with some cues having a very modern sound, almost RCP-esque, and some other cues that sound more classical.

I think I'm gonna like Cloud Atlas End Title.

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#674 Jason LeBlanc

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Posted 02 October 2012 - 04:27 PM

There's no such movie as The Perfume! It's called "Perfume: The Story of a Murderer"
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#675 BloodBoal

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Posted 02 October 2012 - 04:33 PM

Can't you work on your John Carter complete score analysis instead of posting such useless comments???

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#676 KK.

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Posted 03 October 2012 - 05:34 AM

This sounds nothing like The Perfume, but I think you realized that after posting that stupid comment.


I never said it sounded like The Perfume you moron. I said it was more in line with that kind of writing than what he did with stuff like The Cave.

Anyway, it seems like this is a very heterogenous soundtrack, with some cues having a very modern sound, almost RCP-esque, and some other cues that sound more classical.

I think I'm gonna like Cloud Atlas End Title.


It sounds like it'll have some nice highlights but won't have anything really special as a whole. Definitely hear some RC-esque stuff but also some nice minimalistic material in there.

#677 Incanus

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Posted 03 October 2012 - 05:53 AM

Cloud Atlas sounds like an eclectic mix. There seems to be classical orchestral touches, minimalism, sound design and synth work all present in these clips.

Ars superior est vita hominum.

"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-

I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-


#678 BloodBoal

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Posted 03 October 2012 - 09:26 AM


This sounds nothing like The Perfume, but I think you realized that after posting that stupid comment.


I never said it sounded like The Perfume you moron. I said it was more in line with that kind of writing than what he did with stuff like The Cave.


Wow. Someone here has some anger management issues...

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#679 Koray Savas

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Posted 03 October 2012 - 01:43 PM

Cloud Atlas sounds like an eclectic mix. There seems to be classical orchestral touches, minimalism, sound design and synth work all present in these clips.

Which is expected considering it look likes Tron and Waterworld combined.

In 50 years Herrmann will be forgotten.


#680 crocodile

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Posted 17 January 2013 - 04:48 PM

Judging from this 3-minute clip. Marco Beltrami's A Good Day to Die Hard sounds nothing like its predecessor or, in fact, Michael Kamen's scores. It's surprisingly warm and melodic even. Surprising.

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From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan





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