Do you like scores from the 60s?
You don't?
The Official Intrada Thread
Started by Trent Bennett, May 17 2009 10:40 PM
Label Threads Intrada Records Score Talk
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#4241
chuckster312
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Posted 25 May 2012 - 06:42 AM
You don't?
If you put John Williams in a dryer, you get Jerry Goldsmith! You get the downside version!
#4242
Trent Bennett
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Posted 25 May 2012 - 06:55 AM
Do you like scores from the 60s?
You don't?
I think Jason has said before most scores before the 80's he doesn't really like. Well obviously with some exceptions from the 70's for Williams and such.
There's only a few scores from the 70's I like but the rest and from the 60 backwards I really don't care for at all. A lot of these type releases from Intrada have saved me money. I mean ya it's great for those who like them but it's just not my cup of tea.
"Let's make sure history never forgets the name......Enterprise." - Captain Picard
#4243
ManofDestiny
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Posted 25 May 2012 - 07:11 AM
60's score are collective items for me. Not for listening. If I have spear money, I might buy those which are classic. In this case, for example, if they release Psycho, I thing I will buy it.
#4244
Richard Penna
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Posted 25 May 2012 - 12:20 PM
You buy music purely for its collectible value, and not to listen to it?
Of course collectibility is a factor, but if the music doesn't inspire me, I'm not going to buy it...
Of course collectibility is a factor, but if the music doesn't inspire me, I'm not going to buy it...
#4245
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Posted 25 May 2012 - 03:27 PM
I like some 60's scores. I like The Sand Pebbles, the Star Trek TOS scores, and El Cid (thats '61 right?)
Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.
#4246
chuckster312
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Posted 25 May 2012 - 03:30 PM
I loved the 60's. Elmer Bernstein, along with Henry Mancini & Jerry Goldsmith ruled this decade.
If you put John Williams in a dryer, you get Jerry Goldsmith! You get the downside version!
#4247
Miles Prower
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Posted 25 May 2012 - 04:37 PM
60s or not, anyone who hasn't heard To Kill A Mockingbird really really needs to.
#4248
Richard Penna
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Posted 25 May 2012 - 06:15 PM
Well the main theme is wonderful...
#4249
ManofDestiny
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Posted 28 May 2012 - 09:24 AM
Well, some. I brought them because they are famous. I admit that there are some score I truly love, i.e. EL CID. I don't know how good it is before listen to it. And I picked up every Goldsmith I could (sadly there are still many I did not obtain yet)You buy music purely for its collectible value, and not to listen to it?
Of course collectibility is a factor, but if the music doesn't inspire me, I'm not going to buy it...
I did listen to every albums I brought for at least ONCE, than decide what to keep in my cowon X7. It has only 160GB you know.
#4250
Richard
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Posted 28 May 2012 - 09:38 AM
I loved the 60's. Elmer Bernstein, along with Henry Mancini & Jerry Goldsmith ruled this decade.
Er...hello. What about John Barry, and Ennio Morricone?
#4251
chuckster312
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Posted 28 May 2012 - 09:40 AM
I loved the 60's. Elmer Bernstein, along with Henry Mancini & Jerry Goldsmith ruled this decade.
Er...hello. What about John Barry, and Ennio Morricone?
I forgot to put "among others, etc" in there... So yeah.
If you put John Williams in a dryer, you get Jerry Goldsmith! You get the downside version!
#4252
ManofDestiny
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Posted 29 May 2012 - 01:40 AM
Pass both.
#4253
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Posted 29 May 2012 - 01:52 AM
Two of Mancini's finest. Looking forward to a proper release of Arabesque.
#4254
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Posted 29 May 2012 - 02:15 AM
Both look good. I'll be grabbing them sooner or later. Hopefully we'll get The Great Race before too long.
#4255
Maurizio
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Posted 29 May 2012 - 07:36 AM
Well, this new "Universal 100th Anniversary" line bodes well for future Williams releases.
"It's still baffling to me. I sit down with a pencil and a piece of paper and do my best... The remarkable thing is that my music is heard by billions of people." --John Williams
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
#4256
Joe Brausam
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Posted 29 May 2012 - 11:33 AM
I wonder if it will skew toward some of their restoration titles, like Jaws, E.T., To Kill a Mockingbird (PLEASE). Maybe I could even dare dream for Born on the Fourth of July?
#4257
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Posted 29 May 2012 - 12:21 PM
Considering they're branding the releases with the same graphic package Universal is using for the DVDs and Blu-rays, I think it's very likely.
"It's still baffling to me. I sit down with a pencil and a piece of paper and do my best... The remarkable thing is that my music is heard by billions of people." --John Williams
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
#4258
Wojo
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Posted 29 May 2012 - 01:51 PM
I'll probably pick up both titles. Good thing about them being "new" Intrada is that they won't go OOP for awhile.
@Wojo: stop being facetious.
#4259
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Posted 29 May 2012 - 07:33 PM
At a certain risk for even speculating... what's wrong with whatever the current release of Jaws is? Is it still incomplete, or does the sound need improving?
#4260
Miles Prower
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Posted 29 May 2012 - 07:44 PM
Yeah, there's complaints about the sound being inadequate. And everybody wants the album and film recordings in the same package (coz, ya know, shelf space is just SO hard to come by).
#4261
Koray Savas
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Posted 29 May 2012 - 08:24 PM
I think a Jaws reissue is very likely now.
In 50 years Herrmann will be forgotten.
#4262
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Posted 29 May 2012 - 08:31 PM
I think a Jaws reissue is very likely now.
That'd be sweet. I never buy anything Intrada has to offer. This Universal line might actually make me interested in them again.
#4263
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Posted 29 May 2012 - 08:34 PM
I'll probably pick up both titles. Good thing about them being "new" Intrada is that they won't go OOP for awhile.
+1
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#4264
Jason LeBlanc
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Posted 04 June 2012 - 02:22 PM
-Jay
#4265
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Posted 07 June 2012 - 02:14 PM
Intrada has two more titles going OOP on June 18th:
Gil Melle - Borderline
Alfred Newman and Sol Kaplan - Dangerous Crossing / Leigh Harline - Pick Up On South Street
Roger has also announced the first clues for the June 12th titles:
Source: http://www.intrada.n...php?f=12&t=4892
Gil Melle - Borderline
Alfred Newman and Sol Kaplan - Dangerous Crossing / Leigh Harline - Pick Up On South Street
Roger has also announced the first clues for the June 12th titles:
We move from recognizing the 60s last time to the 90s this time. One Signature Edition featuring the premiere release of a 90s score to a family/fantasy film. The other is a Special Collection release featuring the rejected score to a late 90s title.
Source: http://www.intrada.n...php?f=12&t=4892
-Jay
#4266
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Posted 07 June 2012 - 02:17 PM
The first one is Jurassic Park. The real deal.
The second one is probably Goldsmith's rejected score for The Phantom Menace
The second one is probably Goldsmith's rejected score for The Phantom Menace
#4267
Incanus
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Posted 07 June 2012 - 02:23 PM
Well obviously rejected. Goldsmith thought it was a sequel to the Dennis the Menace. How wrong he was. It was much worse.The second one is probably Goldsmith's rejected score for The Phantom Menace
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#4268
Jason LeBlanc
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Posted 07 June 2012 - 02:31 PM
Best guesses I've seen so far are:
Randy Newman - Air Force One (1997)
Patrick Doyle - Stepmom (1998)
Ennio Morricone - What Dreams May Come (1998)
Graeme Revell - Eaters of The Death (The 13Th Warrior) (1999)
I wish it could be Alan Silvestri's Mission: Impossible or Howard Shore's Ransom, but those are from 1996.
I can't think of any family/fantasy films from the 1990s that would be "Signature Edition" line worth (IE, obscure) instead of Special Collection worthy.
Randy Newman - Air Force One (1997)
Patrick Doyle - Stepmom (1998)
Ennio Morricone - What Dreams May Come (1998)
Graeme Revell - Eaters of The Death (The 13Th Warrior) (1999)
I wish it could be Alan Silvestri's Mission: Impossible or Howard Shore's Ransom, but those are from 1996.
I can't think of any family/fantasy films from the 1990s that would be "Signature Edition" line worth (IE, obscure) instead of Special Collection worthy.
-Jay
#4269
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Posted 07 June 2012 - 02:37 PM
Graeme Revell - Eaters of The Death (The 13Th Warrior) (1999)
No way they'd be releasing this over Goldsmith's score. That would be like saying: "Hey, let's release an inferior version of this score instead of the real deal" No fucking way.
#4270
Incanus
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Posted 07 June 2012 - 02:41 PM
It would be underwhelming yes.
Graeme Revell - Eaters of The Death (The 13Th Warrior) (1999)
No way they'd be releasing this over Goldsmith's score. That would be like saying: "Hey, let's release an inferior version of this score instead of the real deal" No fucking way.
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#4271
Jason LeBlanc
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Posted 07 June 2012 - 02:42 PM
This should help come up with ideas for the Family/Fantasy film:
http://en.wikipedia....ms_of_the_1990s
Just gotta whittle that list down to films that are also considered "family" films, and films that have never had it's score released before.
EDIT: So far the only possibility I see on that list is Stanley Myer's score to The Witches from 1990
http://en.wikipedia....ms_of_the_1990s
Just gotta whittle that list down to films that are also considered "family" films, and films that have never had it's score released before.
EDIT: So far the only possibility I see on that list is Stanley Myer's score to The Witches from 1990
-Jay
#4272
Demondm810
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Posted 07 June 2012 - 06:13 PM
That would be awesome.
#4273
scallenger
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Posted 07 June 2012 - 06:20 PM
Witches WOULD be awesome.
"Let's be clear. The planet is not in jeopardy. We are in jeopardy. We haven't got the power to destroy the planet- or to save it. But we might have the power to save ourselves." -- Ian Malcolm, Jurassic Park by Michael Crichton
#4274
Jason LeBlanc
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Posted 07 June 2012 - 06:20 PM
Roger has posted a bunch of new clues since my last post:
I therefor predict the titles are:
Richard Band - Dragonworld (1994) [Family/Fantasy Signature Edition]
and
Jerry Goldsmith - Two Days In The Valley (1996) [Rejected Special Collection]
For once some clues that don't make people guess within 2 seconds. And no one has mentioned either title yet. Both are by composers very well represented on this label.
Oooh...I think I led you astray since I mixed up a date. Gotta love a wild goose chase. Just to clarify my earlier comment, one is from 1994 and the other from 1996.
It's probably fair to say the Signature Edition's composer is better known for horror and sci-fi, but he entered a fantasy period at this juncture.
I therefor predict the titles are:
Richard Band - Dragonworld (1994) [Family/Fantasy Signature Edition]
and
Jerry Goldsmith - Two Days In The Valley (1996) [Rejected Special Collection]
-Jay
#4275
Miles Prower
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Posted 07 June 2012 - 06:54 PM
Gotta admit, I'm really disappointed it isn't What Dreams May Come. It's amazing music, and most people don't even know it exists.
#4276
Jason LeBlanc
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Posted 07 June 2012 - 06:58 PM
I'm sure it'll come out some other time
-Jay
#4277
Jason LeBlanc
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Posted 10 June 2012 - 09:33 PM
Doug's Corner essentially confirms 2 Days In The Valley and Dragonworld
Source: http://www.intrada.n....php?f=2&t=4895
6/9/12
Our two latest releases offer never-before-released music from movies of the nineties. You'll find one a cool score from a crime thriller (with lots of trumpet!) and one a colorful musical fantasia for a warm fantasy. Worlds apart. Two brand new CDs to ponder and hopefully purchase!
Source: http://www.intrada.n....php?f=2&t=4895
-Jay
#4278
ManofDestiny
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Posted 11 June 2012 - 01:36 AM
Too bad that it's not Air Force One Rejected.
#4279
scallenger
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Posted 11 June 2012 - 01:43 AM
From what I recall of Dragonworld, I think it has a pretty nice score. Maybe pick this one up. 
"Let's be clear. The planet is not in jeopardy. We are in jeopardy. We haven't got the power to destroy the planet- or to save it. But we might have the power to save ourselves." -- Ian Malcolm, Jurassic Park by Michael Crichton
#4280
Wojo
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Posted 11 June 2012 - 01:43 AM
I could use a week off from buying soundtracks.
@Wojo: stop being facetious.
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