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What Is The Last Film You Watched?


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#1 Mr. Breathmask

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Posted 09 June 2009 - 09:33 PM

Carry on.

Vrrrroooooommmmm!


#2 Morlock

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Posted 09 June 2009 - 09:55 PM

YOU BASTARD!!!!

Where on earth have you been?
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#3 Neimoidian

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Posted 09 June 2009 - 09:57 PM

Mr Breathmask: Reloaded. Or The Revenge.

Good to see you again, Marc. This place has gone awry. :rolleyes:

#4 Koray Savas

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Posted 09 June 2009 - 09:58 PM

Spy Game

I think I'm overdosing on Tony Scott.

In 50 years Herrmann will be forgotten.


#5 Nick Parker

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Posted 09 June 2009 - 10:01 PM

Hot Fuzz was a very interesting film, I think. It always seemed like something I would have to watch with my friends, though.
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#6 Neimoidian

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Posted 09 June 2009 - 10:10 PM

Hot Fuzz was a very interesting film, I think. It always seemed like something I would have to watch with my friends, though.


I really liked it. British sense of humour suits me very well.

#7 Marian Schedenig

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Posted 09 June 2009 - 10:33 PM



Spy Game was highly forgettable. True Romance is good, but really Scott adds very little to it. I enjoyed reading the screenplay much more than the film itself. Still, it does have that one inarguably great scene.


Adorable main theme by Zimmer though, probably my favourite piece by him.


The main theme is really the only music, and it's an homage to Carl Orff. The whole movie is essentially Terrence Malick's Badlands.


Orff? Uhm... are we still talking about True Romance?

#8 Trent Bennett

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Posted 09 June 2009 - 10:47 PM

Hot Fuzz was a very interesting film, I think. It always seemed like something I would have to watch with my friends, though.


When my friend Kevin and I saw it at his place a couple of years ago when I visited him I thought it was pretty hilarious.
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#9 Morlock

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Posted 09 June 2009 - 11:45 PM

I was bored by it the first time. Had a good time the second time around, though. Just saw Mike Nichols' Catch-22. Much better than I thought it would be.
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#10 king mark

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Posted 10 June 2009 - 12:02 AM

Land of the Lost

Drag Me to Hell

#11 Red Rabbit

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Posted 10 June 2009 - 12:42 AM

Land of the Lost

I heard that was bad.
Do you like John Williams? His early work was a little too jazzy for my taste, but when Jaws came out in '75 I really think he came into his own, commercially and artistically. The whole album has a clear, crisp sound, and an air of consummate professionalism that really gives the pieces a big boost. He's been compared to Jerry Goldsmith but I think John has a far more leitmotif-driven style of composing. In '82 John composed this, E.T., his most accomplished album to date. I think his undisputed masterpiece is "The Magic of Halloween", a theme so catchy most people don't listen to what it means. But they should, because it's not just about the pleasures of childhood and the importance of friendship, it's also a personal statement about the man himself. Hey Paul!
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#12 John Crichton

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Posted 10 June 2009 - 01:03 AM

Well, he did say to drag him to hell afterward...





:lol:
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#13 king mark

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Posted 10 June 2009 - 01:07 AM

It was better than some other Will Ferrell movies like Blades of Glory,Step Brother or Semi Pro

#14 John Crichton

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Posted 10 June 2009 - 01:15 AM

That's like saying yesterday's crap was better than the day before.
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#15 Koray Savas

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Posted 10 June 2009 - 01:16 AM



Spy Game was highly forgettable. True Romance is good, but really Scott adds very little to it. I enjoyed reading the screenplay much more than the film itself. Still, it does have that one inarguably great scene.


Adorable main theme by Zimmer though, probably my favourite piece by him.


The main theme is really the only music, and it's an homage to Carl Orff. The whole movie is essentially Terrence Malick's Badlands.


Orff? Uhm... are we still talking about True Romance?

Yes.


Today I also saw The Savages and watched Domino on DVD. The former was a nice little film with a couple of good performances, but it was rather forgettable. The latter is a pretty terrible movie that I enjoy watching for the tracked style and music.

In 50 years Herrmann will be forgotten.


#16 Henry Buck

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Posted 10 June 2009 - 01:20 AM

That's like saying yesterday's crap was better than the day before.

Heh, heh, heh.

#17 Wojo

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Posted 10 June 2009 - 01:41 AM

I preferred Shawn of the Dead over Hot Fuzz.

@Wojo: stop being facetious.


#18 Nick Parker

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Posted 10 June 2009 - 02:21 AM

That's like saying yesterday's crap was better than the day before.

Heh, heh, heh.


That is an Angry Video Game Nerd reference, right?
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#19 BurgaFlippinMan

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Posted 10 June 2009 - 03:16 AM

I was bored by it the first time. Had a good time the second time around, though..


Interesting, I had the exact same experience.

#20 Charlie Brigden

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Posted 10 June 2009 - 06:58 AM

True Romance is not half as good as Badlands? I don't recall Tarantino starring.


Correct, it is not. Tarantino may not physically star, but Clarence is basically Quentin.

I know everyone else hates it, but I love DOMINO.
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#21 Alexcremers

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Posted 10 June 2009 - 07:20 AM

Pirates Of The Carrabean: Not my kind of movie but I can understand why it's popular. Did I spot that one guy from The Office (UK)?!

Scarecrow: Al Pacino and Gene Hackman star in a film by Jerry Schatzberg (Panic In Needle Park) that can be best described as the sequel to Midnight Cowboy. It's a nice film, not as good as Midnight Cowboy, of course, but certainly worthwhile if you are a fan of Hackman or Pacino or if you like seventies movies. Gene Hackman, largely due to his part, dominates the whole film.

Posted Image



Alex
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#22 Jason LeBlanc

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Posted 10 June 2009 - 02:37 PM

Drag Me to Hell


Thoughts?
-Jay
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#23 Charlie Brigden

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Posted 10 June 2009 - 02:47 PM

Drag Me to Hell


Thoughts?


"Okay, score mixed way too low, score wasn't written by John Williams so clearly not that good. Hopefully the video game will have unreleased material."
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#24 Maxxie

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Posted 10 June 2009 - 02:51 PM

Drag Me to Hell


Thoughts?


"Okay, score mixed way too low, score wasn't written by John Williams so clearly not that good. Hopefully the video game will have unreleased material."


:rolleyes: :lol: :lol:


Pirates Of The Carrabean: Not my kind of movie but I can understand why it's popular. Did I spot that one guy from The Office (UK)?!

Alex


Yes you did.


I preferred Shawn of the Dead over Hot Fuzz.


I find Hot Fuzz funnier. Even the gory bits were funnier than the gory bits in Shaun.
Music From The Motion Picture

#25 Koray Savas

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Posted 10 June 2009 - 05:32 PM

True Romance is not half as good as Badlands? I don't recall Tarantino starring.


Correct, it is not. Tarantino may not physically star, but Clarence is basically Quentin.

I know everyone else hates it, but I love DOMINO.

Ok that clears it, I was just confused. I agree that Badlands is much better, after all it is Terrence Malick.

As for Domino, I just find it hilarious, but it really isn't a good movie. The style, the music, and Christopher Walken make it enjoyable.




Deja Vu

The only Tony Scott film left that I own is True Romance.

In 50 years Herrmann will be forgotten.


#26 Alexcremers

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Posted 11 June 2009 - 02:54 PM

The Pope Of Greenwich Village: When this came out in the '80s, I was impressed with the acting, but it's actually not very good.

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Yes, kids, the guy with the leather jacket is The Wrestler.



Alex
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#27 Jacob

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Posted 11 June 2009 - 05:39 PM

Seven Samurai is going to be on TCM tonight at 8:00. I've got the DVR set...

#28 Nick Parker

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Posted 11 June 2009 - 06:26 PM

I love Turner Classic Movies. Which reminds me, I videotaped their showing of Sugarland Express last week....
"The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future."

-Oscar Wilde

#29 E.T. & Elliott

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Posted 11 June 2009 - 06:32 PM

1941 was horrific. Certainly Spielberg's worst project by a landslide.
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#30 Koray Savas

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Posted 11 June 2009 - 07:57 PM

Seven Samurai is going to be on TCM tonight at 8:00. I've got the DVR set...

I've got the Criterion set, so I can watch it any time. Muahahahaha!!!

In 50 years Herrmann will be forgotten.


#31 Joey

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Posted 12 June 2009 - 02:48 AM

1941 was horrific. Certainly Spielberg's worst project by a landslide.

no, its light years better than shit like AI, Always, Munich, Terminal, Hook.
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#32 indy4

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Posted 12 June 2009 - 03:02 AM

1941 was horrific. Certainly Spielberg's worst project by a landslide.

:lol:
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#33 Trent Hoyt

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Posted 12 June 2009 - 03:58 AM

Drag Me to Hell


Thoughts?

Excellent movie. It's very tongue-in-cheek. Definitely one of the best movies I've seen this year.

#34 Alexcremers

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Posted 12 June 2009 - 05:55 AM

Drag Me to Hell


Thoughts?

Excellent movie. It's very tongue-in-cheek. Definitely one of the best movies I've seen this year.

.

Some film fans think it's one of the best horror/thrillers ever made. I'm definitely going to put it on my list of movies to see.


Alex
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#35 Nick Parker

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Posted 12 June 2009 - 06:10 AM

I thought it was a comedy film....
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#36 Charlie Brigden

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Posted 12 June 2009 - 06:19 AM

I hope it's more in the vein of THE EVIL DEAD than EVIL DEAD II...
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#37 crocodile

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Posted 12 June 2009 - 09:41 AM

Terminator Salvation

After reading so many negative reviews I was prepared for a disaster. But it turned out not to be the case. The film has a lots of problems and it doesn't have much of a story. But still I didn't hate it. There are many people in this world who say the first Terminator movies are classics of sorts. For me, they were always stupid and mindless action movies. I enjoy them, sure, but I wouldn't say they're great achievements (not counting special effects, of course). So the new one was more of the same, only more and faster. And I think this is the most sensible way of seeing it. If anything, this film shouldn't have been made, for it doesn't tell anything new, really. But neither did the previous two, if you think about it. All you need to know is in the first Terminator movie. As it stands, I liked it more than the third one. That's for sure. It's a ride. But only if you don't over-intellectualize what's essentially an infantile series.

Bale didn't bother me, but I still wanted him to die at the end. He is so unlikeable character.

There is quite a bit of unreleased score, but I think the album is enough. It is sometimes mixed so low you can't hear most of it. Pity.

By the way this "abridged script" is hilarious. But, I guess, all this kinds of flaws are what I love Terminator movies for :lol:

Beware! Spoilers (for those who care):

Spoiler


Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#38 Koray Savas

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Posted 13 June 2009 - 04:02 AM

The Taking Of Pelham 123 (Posted Image)

From the very first minute of this movie, you know this is Tony Scott. For you it may be a bad thing, but I happen to believe filmmakers should be auteurs. What you see is what you get, and I liked it. John Travolta gives a good performance, despite what you see in the trailers. IMO it fits the character he's portraying. Washington is just his normal self, and the rest of the cast is rather unimportant.

Beware of Tony's signature prolonged horn. He's used it before in Man On Fire, Domino, and Deja Vu. But here, you get that in addition to train horns, which it really already is. So we have horns galore. You'll get slammed with them about 25 times in the opening titles alone, but then he eases up on them throughout the movie.

Gregson-Williams' score is effective in film, and thusly does its job. I still find it lacking on the listening experience, although it does have a few good cues.

Recommended if you've liked any of Tony Scott's films from True Romance until now. I haven't seen the original, but I really enjoyed this and thought it was something interesting in terms of hostage films.

In 50 years Herrmann will be forgotten.


#39 Alexcremers

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Posted 13 June 2009 - 05:59 AM

I don't think Tony Scott is seen as an "auteur" but more as a handyman that uses the same techniques over and over again. The taking of Pelham 1 2 3 is not an "auteur film". Even though you can recognize the techniques of the craftsman, the work is still a typical product from the Hollywood factories.


Alex
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#40 publicist

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Posted 13 June 2009 - 07:26 AM

I don't think Tony Scott is seen as an "auteur" but more as a handyman that uses the same techniques over and over again. The taking of Pelham 1 2 3 is not an "auteur film". Even though you can recognize the techniques of the craftsman, the work is still a typical product from the Hollywood factories.


Alex



To remake 'Pelham' seems just like a bad, bad idea...and Tony Scott at the helm just makes matters worse.
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