HULK (Elfman)
PLANET OF THE APES (Elfman)
Soundtracks, Compilations, or other recently purchased Music
Started by Mr. Breathmask, Oct 26 2009 09:14 PM
2748 replies to this topic
#2201
Charlie Brigden
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Posted 27 January 2012 - 07:10 PM
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'
#2202
Maglorfin
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Posted 27 January 2012 - 11:11 PM
War Horse! 
Human aggression is instinctual. Humans have not evolved any ritualised aggression-inhibiting mechanisms to ensure the survival of the species. For this reason man is considered a very dangerous animal.
-- Konrad Lorenz
#2203
Incanus
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Posted 28 January 2012 - 04:10 PM
War Horse!
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#2204
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Posted 01 February 2012 - 06:49 AM
Mission 2 is a really fun score, despite what others say. And while there's some Zimmerisms taken to the headache inducing-extreme, a lot of it is brand new territory for Hans.MISSION: IMPOSSIBLE (ELFMAN)
MISSION: IMPOSSIBLE II (ZIMMER) (YES, I KNOW)
Recently Purchased CDs:
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#2205
Jason LeBlanc
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Posted 01 February 2012 - 02:17 PM
Ordered a bunch of stuff on Amazon I didn't have yet, all for uber cheap (mostly used)
-Jay
#2206
indy4
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Posted 01 February 2012 - 03:50 PM
By Request is the CD that really got me into JW's music. It is fantastic!
Recently Purchased CDs:
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#2207
Jason LeBlanc
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Posted 01 February 2012 - 03:59 PM
I'm looking forward to finally checking it out
-Jay
#2208
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Posted 01 February 2012 - 04:11 PM
Received:
Richard Bellis - Stephen King's IT
Leonard Rosenman - Star Trek IV
Gustav Holst - The Planets (LPO & Jurowski)
Richard Bellis - Stephen King's IT
Leonard Rosenman - Star Trek IV
Gustav Holst - The Planets (LPO & Jurowski)
Human aggression is instinctual. Humans have not evolved any ritualised aggression-inhibiting mechanisms to ensure the survival of the species. For this reason man is considered a very dangerous animal.
-- Konrad Lorenz
#2209
Marian Schedenig
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Posted 01 February 2012 - 07:23 PM
By Request is the CD that really got me into JW's music. It is fantastic!
I don't listen to most of it, I've never been particularly fond of its versions of much-recorded pieces like the Star Wars cues, or their sound characteristics, for that matter. It's still an essential album for the Liberty Fanfare (love that middle section) and the gorgeous Cowboys Suite.
#2210
Charlie Brigden
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Posted 01 February 2012 - 07:29 PM
BEETLEJUICE (Elfman)
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'
#2211
indy4
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Posted 01 February 2012 - 10:51 PM
I will admit, upon receiving the soundtracks for most of the music I don't listen as much to By Request, although that's probably more due to my desires to hear the entire scores at once than a preference of recording. However the two tracks you mentioned are essentials, and it also has my favorite recording of "The Mission."
By Request is the CD that really got me into JW's music. It is fantastic!
I don't listen to most of it, I've never been particularly fond of its versions of much-recorded pieces like the Star Wars cues, or their sound characteristics, for that matter. It's still an essential album for the Liberty Fanfare (love that middle section) and the gorgeous Cowboys Suite.
Recently Purchased CDs:
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#2212
Incanus
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Posted 03 February 2012 - 05:17 AM
I for one love the Boston Symphony Hall acoustics on the By Request album. E.g. Theme from Superman (although a bit different version than the normal) sounds fantastic and has a sense of space and scope.
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#2213
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Posted 03 February 2012 - 05:47 AM
By Request is one of the finest "greatest hits" albums of John Williams' career (albeit up to 1987) that you will find, and is a worthy addition to anyone's collection.
After all, if you went to a concert, you would almost certainly hear those types of arrangements instead of JW conducting an entire score.
After all, if you went to a concert, you would almost certainly hear those types of arrangements instead of JW conducting an entire score.
@Wojo: stop being facetious.
#2214
Marian Schedenig
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Posted 03 February 2012 - 01:41 PM
I for one love the Boston Symphony Hall acoustics on the By Request album. E.g. Theme from Superman (although a bit different version than the normal) sounds fantastic and has a sense of space and scope.
I love the sound of the hall on Williams Sony recording. But most tracks on By Request sound, acoustically, rather flat to me.
#2215
publicist
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Posted 03 February 2012 - 02:15 PM
I love the sound of the hall on Williams Sony recording. But most tracks on By Request sound, acoustically, rather flat to me.
But that's solely due to the no bass/all highs mastering of mid-80's CD's. Those high-pitched cymbal crashes on the BY REQUEST cd can destroy your eardrums.
You wouldn't see a subtle plan if it painted itself purple and danced naked on top of a harpsichord, singing "Subtle Plans Are Here Again."
#2216
Marian Schedenig
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Posted 03 February 2012 - 05:09 PM
Yes. For the record, the Murphy-recorded Skywalker Symphony Star Wars album is also low on bass, and for a long time I thought it sounded bad, but on a decent system, it actually has quite a range. But the By Request stuff mostly seems to lack punch not just because of low bass, but a generally muddy, non-transparent 80s DDD sound.
#2217
Koray Savas
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Posted 03 February 2012 - 07:25 PM
In 50 years Herrmann will be forgotten.
#2218
Matt C
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Posted 05 February 2012 - 05:06 AM
Just placed the following from MovieMusic:
Krull -- 2-CD remastered edition (Horner, LLL)
Man to Man (Doyle, MSM)
Tribute Film Classics Highlights (TFC)
Krull -- 2-CD remastered edition (Horner, LLL)
Man to Man (Doyle, MSM)
Tribute Film Classics Highlights (TFC)
#2219
crocodile
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Posted 08 February 2012 - 12:05 AM
Just bought Patrick Doyle's Frankenstein for £0.01. Kinda thought it would be foolish not to take it. 
Karol - who also pre-ordered John Carter.
Karol - who also pre-ordered John Carter.
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#2220
indy4
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Posted 09 February 2012 - 02:27 AM
From iTunes, I just purchased:
Horn Concerto - John Williams
Lincolnshire Posy - Percy Aldrige Grainger
"Isn't She Lovey" - Jamie Davis
"Something" - Jamie Davis
"Nature Boy" - Jamie Davis
"Groove Merchant" - Mel Lewis Orchestra
Horn Concerto - John Williams
Lincolnshire Posy - Percy Aldrige Grainger
"Isn't She Lovey" - Jamie Davis
"Something" - Jamie Davis
"Nature Boy" - Jamie Davis
"Groove Merchant" - Mel Lewis Orchestra
Recently Purchased CDs:
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#2221
indy4
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Posted 12 February 2012 - 01:01 AM
Also "On Willows and Birches" by John Williams.
Recently Purchased CDs:
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#2222
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Posted 14 February 2012 - 09:51 PM
The New Moon in the Old Moon's Arms - Michael Kamen
Michael Collins - Elliot Goldenthal
Back to Gaya - Michael Kamen (and friends)
Planet of the Apes - Danny Elfman (LLL's edition)
Karol
Michael Collins - Elliot Goldenthal
Back to Gaya - Michael Kamen (and friends)
Planet of the Apes - Danny Elfman (LLL's edition)
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#2223
Wojo
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Posted 17 February 2012 - 12:21 AM
Ben-Hur (FSM)
Batman Forever (LLR)
Star Trek IV (Intrada)
Sand Pebbels (Intrada)
Oye vey.
Batman Forever (LLR)
Star Trek IV (Intrada)
Sand Pebbels (Intrada)
Oye vey.
@Wojo: stop being facetious.
#2224
Trent Hoyt
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Posted 19 February 2012 - 03:31 PM
Beyond Magnetic- Metallica
#2225
Koray Savas
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Posted 19 February 2012 - 06:26 PM
In 50 years Herrmann will be forgotten.
#2226
Maglorfin
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Posted 20 February 2012 - 10:21 PM
FINALLY RECEIVED! 
Haven't had the time to listen to everything yet but parts I and VI (in which I was most interested and listened to the most so far) sound fantastic! Real happy to have another treasure in my collection. Ki-Ki-Ki Ma-Ma-Ma!
Also received:
- John Barry - King Kong
- Craig Armstrong - World Trade Center
Haven't had the time to listen to everything yet but parts I and VI (in which I was most interested and listened to the most so far) sound fantastic! Real happy to have another treasure in my collection.
Ki-Ki-Ki Ma-Ma-Ma! Also received:
- John Barry - King Kong
- Craig Armstrong - World Trade Center
Human aggression is instinctual. Humans have not evolved any ritualised aggression-inhibiting mechanisms to ensure the survival of the species. For this reason man is considered a very dangerous animal.
-- Konrad Lorenz
#2227
Jason LeBlanc
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Posted 29 February 2012 - 04:36 PM
Beyond Magnetic- Metallica
Why would you do that to yourself?
-Jay
#2228
crocodile
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Posted 01 March 2012 - 08:45 PM
Tadlow release of Franz Waxman's Taras Bulba. Heard large chunks of this score and it sounds like a powerhouse work (and recording/performance as well).
Karol - seriously thinking of adding two Conans as well.
Karol - seriously thinking of adding two Conans as well.
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#2229
TheTennisBallKid
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Posted 01 March 2012 - 10:02 PM
I'm listening to that one now. It's fantastic.
I was familar with The Ride to Dubno, of course, but there's a lot more to like about this score. The Love theme, in particular, is stuck in my head.
Out of the Tadlow recordings I've only got this and El Cid, but they're all on my to-get list.
I was familar with The Ride to Dubno, of course, but there's a lot more to like about this score. The Love theme, in particular, is stuck in my head.
Out of the Tadlow recordings I've only got this and El Cid, but they're all on my to-get list.
#2230
crocodile
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Posted 02 March 2012 - 05:59 PM
I've got the El Cid recording and it is great indeed. Listen to it every now and then.
Karol
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#2231
indy4
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Posted 11 March 2012 - 01:13 AM
I used some extra Amazon gift cards to get the following:
Liszt: Piano Concertos 1-2, Totentanz - Seiji Ozawa with the Boston Symphony Orchestra
On the Town (Original Cast Recording) - Leonard Bernstein
Sleepers - John Williams
I also purchased MP3's of the following:
"I've Got the World on a String" - Jamie Davis
"Perthshire Majesty" - Columbus State University Wind Ensemble
Sleepers is one of four easily accessible Williams OSTs that I haven't yet had an opportunity to purchase (the others are Rosewood, Presumed Innocent, and Stanely and Iris). I'm especially excited for this one because it's also the only officially released Williams score that I have never heard in any form before - no re-recordings, no samples, and I've never seen the film (I purposely skipped over the Sleepers tracks on Erik Wood's tribute for this reason). I'm not sure if this has ever happened before for me for a JW release, usually I've had some sort of taste-test, even if I've been willing to buy completely blind. I'm curious to see if it'll affect my impressions of the score.
Liszt: Piano Concertos 1-2, Totentanz - Seiji Ozawa with the Boston Symphony Orchestra
On the Town (Original Cast Recording) - Leonard Bernstein
Sleepers - John Williams
I also purchased MP3's of the following:
"I've Got the World on a String" - Jamie Davis
"Perthshire Majesty" - Columbus State University Wind Ensemble
Sleepers is one of four easily accessible Williams OSTs that I haven't yet had an opportunity to purchase (the others are Rosewood, Presumed Innocent, and Stanely and Iris). I'm especially excited for this one because it's also the only officially released Williams score that I have never heard in any form before - no re-recordings, no samples, and I've never seen the film (I purposely skipped over the Sleepers tracks on Erik Wood's tribute for this reason). I'm not sure if this has ever happened before for me for a JW release, usually I've had some sort of taste-test, even if I've been willing to buy completely blind. I'm curious to see if it'll affect my impressions of the score.
Recently Purchased CDs:
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#2232
Matt C
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Posted 14 March 2012 - 01:05 AM
I shelled out $39.95 for a sealed copy of The Journey of Natty Gann on eBay, but it did include free expedited shipping.
#2233
Romão
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Posted 18 March 2012 - 04:51 PM
The Keyboard is mightier than the sword
#2234
Incanus
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Posted 18 March 2012 - 04:55 PM
Good line-up there Romão. 
Very good indeed.
Very good indeed.
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#2235
Marian Schedenig
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#2236
indy4
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Posted 19 March 2012 - 11:24 PM
On the Town arrived! I'm very excited, the only other Bernstein musicals I'm familiar with are West Side Story and Candide.
Recently Purchased CDs:
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
1. Nightwatch/Killer By Night - Johnny Williams and Quincy Jones 2. Diamond Head/Gone with the Wave - Johnny Williams/Lalo Schifrin 3. Mass - Leonard Bernstein 4. Bernstein with the New York Philharmonic - Leonard Bernstein
#2237
Richard
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Posted 20 March 2012 - 10:35 AM
My friend, you are going to LOVE "Altered States"! "Shoes Of The Fisherman", isn't too shabby, either...
#2238
Romão
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Posted 20 March 2012 - 01:50 PM
I already am I bought it after years of heartfelt reccomendation by Peio and it is a stunning and unique piece of work. Gorgeous love theme as well
I bought it after years of heartfelt reccomendation by Peio and it is a stunning and unique piece of work. Gorgeous love theme as well
The Keyboard is mightier than the sword
#2239
crocodile
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Posted 23 March 2012 - 02:26 PM
Bought Tadlow's re-recording of Conan The Barbarian. If I like it,then I'll also order The Destroyer.
Karol
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#2240
Joey
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Posted 23 March 2012 - 02:30 PM
had to replace my copy of Carrie by Pino Dinaggio, I know it has to be in the house somewhere but I can't find it anywhere. And for me it's an essential.
OH God, Joe is posting again, someone hand me my pills!
"You're not John Conner, I saw you die, said Kyle". "I was only injured, replied John". "No, your injuries were too severe, you died. Look at you, where are your injuries? You're, you're a Terminator." "Kyle, its still me, yes my body was beyond repair, but my essence is here." He points to his head. "No John". Kyle raised his pulse rifle and aimed it at John but before he could fire, John fired first. Knocked to the ground Kyle looked up at the Terminator in the form of the man he once idolized. All hope was lost. "If you kill me how will you ever be born?" "Thats a good question Kyle, all this time we've focus on Sarah, on John, when had we known the it was you we should have targeted all along." John pointed his rifle at Kyle's face. "The resistance is finished, the battle is won. We the machines are the victors, salvation is ours." Kyle never heard the second shot.
"You're not John Conner, I saw you die, said Kyle". "I was only injured, replied John". "No, your injuries were too severe, you died. Look at you, where are your injuries? You're, you're a Terminator." "Kyle, its still me, yes my body was beyond repair, but my essence is here." He points to his head. "No John". Kyle raised his pulse rifle and aimed it at John but before he could fire, John fired first. Knocked to the ground Kyle looked up at the Terminator in the form of the man he once idolized. All hope was lost. "If you kill me how will you ever be born?" "Thats a good question Kyle, all this time we've focus on Sarah, on John, when had we known the it was you we should have targeted all along." John pointed his rifle at Kyle's face. "The resistance is finished, the battle is won. We the machines are the victors, salvation is ours." Kyle never heard the second shot.
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